Published: 31st July 2016 
Publisher: Little Brown UK
Pages: 343
Format: Hardcover book of the script
Genre: Fantasy/Young Adult
★ ★ ★ ★ ★ – 5 Stars
It was always difficult being Harry Potter and it isn’t much easier now that he is an overworked employee of the Ministry of Magic, a husband, and father of three school-age children.
While Harry grapples with a past that refuses to stay where it belongs, his youngest son Albus must struggle with the weight of a family legacy he never wanted. As past and present fuse ominously, both father and son learn the uncomfortable truth: sometimes darkness comes from unexpected places.
I had mixed feelings about reading this script. I was excited for a new Harry Potter story, but I was also unsure how it would be treated. After years of Rowling feeding us new information and revealing more of the story I was eager to see how the kids of the famous trio were getting on. How the original gang were all enjoying their adult lives and new jobs. I was, however, also worried that it would ruin the magic and the near perfection of the original series. I was worried that it would be a half hearted extension that didn’t have the same depth and feel and immense pleasure of reading. How wrong I was. Don’t get me wrong, there are things about this that make it not perfect, but I stayed with the five stars because while the faults are there, I did so incredibly enjoy it.
From the first page I was back in the Harry Potter world, I could picture it, feel it, it was like we’d never left. I fell hopelessly into the story and fell in love with characters new and old. My heart was overjoyed and breaking for so many reasons and I was barely ten pages in. For a script it felt so much like a story, I have no doubt the one actually used was a bit different again, and no doubt will be changed as the performances go on, but for now I like to imagine this is the one that will be seen on the stage.
A few stage directions are included, as a script would have, and it was fascinating to try and picture how this would be performed on stage, but when I wasn’t doing that I was picturing it in my mind as a novel, the back and forward of my imagination wasn’t an issue, and it was remarkable how a play script could be as evocative as a fully fledged novel that has scenery and more detail given to surroundings and character thoughts.
There are old names I would have loved to have seen included, but understandable this is the next generation’s story and you can’t include the old guard just for nostalgia purposes and to satisfy the long time fans. But those that are included are a joy to read about.
There are surprises, wonderful surprises, and less wonderful surprises, and I can already see opinions divided about the story, but as I say, I loved it, I devoured it. I loved every character for so many reasons, they have come across complex and full as any novel could make them, and it’s wonderful in a way to see the idiolised characters with faults and human mistakes of their own, even in the wonderful wizarding world.
Overall I think the writers did a wonderful job capturing the original Rowling style, and Thorne’s play reflects the amazing world Rowling spent so long creating. I was surprised, delighted, shocked, and concerned about so much in the story and it has certainly provided enough new material and controversial topics for lengthy debating to occur. Whether that is a good thing overall I’m not sure.
I hope your own Harry Potter experience has been spoiler free, and that you derived some enjoyment from the story if you were one of those who were not thrilled at the plot, or the fact it exists at all. Personally, I’m glad it is a play and not a new book, and I’m glad, that while I won’t get to see the play, I could experience it all the same. I could easily and happily see this as a fitting end to Harry’s life and story, but whether that is to be the case, we’ll have to wait and see.
A thriller set in 2025, in which teenager, Mateo Rivera, is in hiding as “Matt” in New York City where he must avoid capture by Mr. Rienham, the new chief of the Deportation of Latinos Agency, hand-picked for the job by President Trent himself. 
Hamlet’s father has just died. By the time they’ve filled in the grave his mother has remarried. Hamlet suspects foul play, and it’s troubling his spirit. Or maybe he was always troubled. Ophelia is in love with him. His best friend Horatio can’t work him out. Then, on a cold, still night, Hamlet meets the ghost of his father…
Once upon a time a little girl told her grandmother that when she grew up she wanted to be a writer. Or a lollipop lady. Or a fairy princess fireman. ‘Write, Megan,’ her grandmother advised. So that’s what she did. Thirty-odd years later, Megan is a professional writer and published author by day, and an indie novelist by night. Her fiction – young adult romance with soul – recently earned her the SPR’s Independent Woman Author of the Year award. Megan grew up in the Royal County, a hop, skip and a (very long) jump from Windsor Castle, but these days she makes her home in the village of Standish, Greater Manchester. She lives with her husband, a proud Scot who occasionally kicks back in a kilt; her son, a budding artist with the soul of a palaeontologist; and her baby daughter, a keen pan-and-spoon drummer who sings in her sleep. When she’s not writing, you’ll find her walking someplace green, reading by the fire, or creating carnage in the kitchen as she pursues her impossible dream: of baking something edible.
Before… They are the Musketeers–one for all and all for Rain, or however that saying goes. 
