The Farmer’s Wife (#2) by Rachael Treasure

Published: 1st April 2013Goodreads badge
Publisher:
Bolinda Audio
Narrator: Miranda Nation
Format: Audiobook
Genre: Rural Romance
★  – 1 Star

She got her fairytale ending — but life had other plans …

The Deniliquin Ute Muster had always been on Rebecca’s wish list, but with the farm and babies, she’d never managed to make it. Tonight, she decided to reclaim herself.

After ten years being married to larrikin Charlie Lewis and living on her beloved property, Waters Meeting, Rebecca is confronted by a wife’s biggest fear, a mother’s worst nightmare and a farm business that’s bleeding to death.

Can Rebecca find the inner strength she once had as a young jillaroo, to save everything she cherishes? Or is life about to teach her the hardest lesson: that sometimes you simply have to let go.

I leapt into The Farmer’s Wife after reading Jillaroo and I am so sorry that I did because it ruined everything that made Jillaroo wonderful. I listened to the audio book while I was driving which was great because I think I would have thrown the book at a wall more often than turning the pages.

I was aware that Treasure changes the personality of Charlie, does a complete 180 on him, but after finishing this book it was more than a 180, it was a completely new person. It was disgusting, really, having to listen to what he does and what he says, when he is nothing like the person in book one. In the beginning I could see where Treasure was coming from, I still can in a way, but even knowing where she was coming from does little to stop the sickening feeling in my stomach as I listened. I get it, the life with Rebecca isn’t the life Charlie wanted, but as the book goes on, he goes from being a scumbag, angry and rude, to being dangerous and abusive, pretty much a psychopath. It was horrible. I understood the ten year difference, life, kids, a farm, all could take their toll, but the direction I thought Treasure would take was nothing to what she does do.

It wasn’t just Charlie that was the problem, Rebecca had issues as well. She tries to cling onto the life she had, she makes some smart decisions and does the best she can for her kids, but I wasn’t a fan of some of her other decisions. The whole thing seems to go off the rails. I felt Rebecca lost who she was; she wasn’t the fighter she once was, she gives up too easy, and every time you think she is going to fight and pull herself together she doesn’t. The strong woman I fell in love with in Jillaroo becomes this uncertain, lost girl, granted with fleeting moments of strength but other than that, she too was a different person. Ten years on and both of them are unrecognisable as the people I knew in Jillaroo.

It was disgusting at times to listen to, and it was an appalling story. Nothing seemed to fit these characters and I felt there were so many cop outs and explanations and justifications that didn’t sit right. It was such a disappointment, to not even see the same values really that they once had.

Away from characters Treasure uses the book to teach us about the benefits of holistic farming, in detail, something I didn’t actually really mind because I found it interesting, but I can see how that would be annoying, it only kind of worked into the story, more telling than showing I think. This takes over Rebecca’s storyline in a way and you start to root for her again before she lets you down once more.

I liked some parts and put up with other bits, and as I say, felt sick for a lot of it and was confused about who these characters were. I get Treasure wants to show us the Cinderella story isn’t always a dream, but could we maybe have more tension and fights instead of abusive husbands and magic crystals? If you loved Jillaroo like I did. If you loved Charlie and Rebecca together, their story, her story, then don’t read the sequel. Or if you do, be warned, yes it does show you that the Cinderella story does settle into reality, but what Treasure does is so far from I think what’s believable in terms of these established characters, it is too much at times.

If Treasure wanted conflict there was plenty to work without destroying the relationship and characters she had built up so beautifully in Jillaroo. I may just have to reread that story and pretend this one never happened.

 

Writing Herstory: A YA Event

It’s true dedication (or a type of madness) to endure the four-hour round trip for an often one hour or one and a half hour event in Sydney, but while some can be a letdown, others are truly wonderful and this was one of those times.

On Saturday, Jeann from Happy Indulgence hosted a panel called Writing Herstory: Today’s female experience in contemporary YA in the fabulous bookstore, Kinokuniya. It was a great afternoon listening to five fabulous women discuss important issues in YA novels and how important they can be to readers.

I often feel guilty, or feel like not a “true YA reader” (whatever that is even supposed to mean) for not knowing some of the authors on panels, but then I remind myself that I’ve been given a chance to discover some new authors. And of course, now I know of them I can read their work and fall in love with them.

Kirsty Eager, Gabrielle Tozer, Sarah Ayoub, Tamar Chnorhokian, Erin Gough. Courtesy of Kinokuniya’s Twitter.

Making up the panel of excellent women were Kirsty Eager (Summer Skin), Sarah Ayoub (The Yearbook Committee), Gabrielle Tozer (The Intern), Tamar Chnorhokian (The Diet Starts on Monday), and Erin Gough (The Flywheel). Having already fallen in love with Sarah and Kirsty, I was eager to discover these other YA authors and it didn’t take long for that to happen or for my admiration to follow.

Jeann did a great job as host, she asked wonderful questions and the discussion ranged from bullying, diversity, minority representation, and why the Aussie YA community is so wonderful. She asked the panel why they thought diversity was important and there were excellent responses such as needing your experience represented and seeing the less represented shown in a different light than they may be on TV or in films. Gabrielle made a wonderful point about it how it makes people feel included; they pick up a book and see themselves on the page. I also loved Sarah’s thought that it gives people a sense of self-worth and value when their experiences are in stories. Gabriella also pointed out that you can’t include everyone which is why there is a need for diverse writers and books.

The panel also discussed the various issues portrayed in each of their novels; peer pressure in The Yearbook Committee, sexual preference in The Flywheel, feminism in Summer Skin, body image in The Diet Starts on Monday, as well as the big issue of bullying and why it’s included in so many YA novels. The fact is, as Sarah pointed out, is that it is happening, and continues to happen not only to young people, and to ignore it is often detrimental and damaging. Erin mentioned the reason YA features bullying is because it happens and it sucks. And as Tamar pointed out, even when you are brave enough to stick up for yourself, it doesn’t mean it isn’t bullying, and it affects you in some way. As Sarah said, we tend to have a hopeful outlook on bullying, never looking at the consequences it can have.

The discussion was real and profound; it was wonderful to hear an open discussion about things like the different opinions of men and women in terms of sexual activity, and what body image is and where pressure can come from. I loved that Kirsty told us women don’t have to be role models and that Erin highlighted that there are more pressures out there than just from ones peers.

It was lovely to hear the panel talk about why they love the Aussie YA community, praising our passion and how engaging we are. Kirsty loving our open mindedness and how open-hearted we are, while Sarah loved how vocal we are about the books we love. Tamar mentioning along the same lines how she loved seeing readers react with books and characters. The common opinion from all five was how accepting the YA community is, which is a wonderful thing to have recognised by other people.

I came out of the event with five new books which I’m classing as a win. I’ve discovered new authors who were a delight to meet, so very friendly and cheerful, and I got to hear an important discussion about women and literature. I’m glad I made the trip down and so stoked to have discovered some more Aussie YA ladies to enjoy!

Signed and ready for reading!

 

 

Copper Veins (#3) by Jennifer Allis Provost

Published: 26th July 2016
Goodreads badgePublisher: Spence City
Pages: 264
Format: ebook via Netgalley
Genre: Romance/Fantasy
★   ★   ★   ★  – 4 Stars

Sara’s pretty sure her life is perfect.

Not only are she and Micah finally married, her father, who’d been missing since the Magic Wars, has been found. Actually, he just strode up to the manor’s front door, but whatever. Sara knows better than to look a gift horse in the mouth.

But Baudoin Corbeau isn’t content to return to family life. He’s decided that he will be the force of change in the Mundane world, and lead the Elemental resistance to victory with his children at his side. What’s worse, Baudoin doesn’t approve of Sara’s marriage, and makes every attempt to separate her from Micah.

After a visit to the Mundane realm leaves Sara, Max and Sadie imprisoned by the Peacekeepers, Sara’s doubts creep to the surface. Is her father right? Does she belong in the Mundane realm, not the Otherworld? Is Micah really the right man—make that elf—for her?
Was marrying him a mistake?

Note: I was provided with a copy of this book for review.

 This is the third book in the Copper Legacy series and it’s still such a delight to read about Sara and Micah and this fascinating world with Elementals and Mundanes.

Though only a few months have passed since the first story, a lot has happened. Micah and Sara’s relationship have gotten more serious and there are consequences and aftermaths of the previous book to deal with. Provost draws on past events and brings together existing ones wonderfully and previous books aren’t treated as separate things entirely. Conversations, situations, and scenes of past novels are still referred to and are important; they are treated like living memories rather than events of a different book. Provost does a wonderful job of filling in the previous book events without making it clunky or tedious, and aside from the Prologue that brings you up to speed, there are still numerous references blended throughout to fill in additional details.

Not all the story is tied up with past books, with the return of Sara’s father there is a new direction taken and a whole new set of things to explore. There is a different kind of drama this time. Not that there isn’t excitement or suspense, but it has a family focus that ties in with bigger things. Provost threads these all together naturally and the seamless transition of events really feels like real life, interruptions and best laid plans falling to the wayside, family drama and serious problems colliding and tangled together.

I have to admit it was slightly predictable at times, but also with a few surprises. We learn even more about the Elementals and their abilities and seeing Sara and Micah settle into their new life was great. Their relationship isn’t overdone, nor is it bland. Provost balances their affection and love for one another without making it cheesy or unbelievable. Both Sara and Micah have responsibilities and the contrast and conflict between their love and their duty makes for great reading.

Whether this is your first read of the Legacy series or you’ve been in it from the start, this is still a good read. From the beginning I was engaged and knowing the stories already I was instantly back in the world of Elementals and Mundanes with the magic, politics, and war. If I didn’t know the story I think Provost does an excellent job of introducing it while still moving the story forward. You could easily pick up this book and start reading without having read the previous two. The writing is descriptive and draws you in, and though the story isn’t action filled or intense all the time, you still find yourself eager to see what happens. Provost brings drama without making it seem dramatic.

With another book yet to come, Provost directs us towards the next one well, without making it too obvious in the lead up. The story is allowed to conclude naturally while still feeling like there is somewhere to go. I think book four is going to bring even more excitement and surprises and I can’t wait to read it. I’ve enjoyed this series and loved these characters from the start and I’m eager to see where it goes.

You can purchase Copper Veins via the following

Amazon | Amazon Aust

Angus and Robertson | Booktopia

Harry Potter and the Cursed Child (spoiler free) by Jack Thorne & John Tiffany, J.K. Rowling

Published: 31st July 2016 Goodreads badge
Publisher:
Little Brown UK
Pages: 343
Format: Hardcover book of the script
Genre: Fantasy/Young Adult
★   ★   ★   ★   ★  – 5 Stars

It was always difficult being Harry Potter and it isn’t much easier now that he is an overworked employee of the Ministry of Magic, a husband, and father of three school-age children.

While Harry grapples with a past that refuses to stay where it belongs, his youngest son Albus must struggle with the weight of a family legacy he never wanted. As past and present fuse ominously, both father and son learn the uncomfortable truth: sometimes darkness comes from unexpected places.

I had mixed feelings about reading this script. I was excited for a new Harry Potter story, but I was also unsure how it would be treated. After years of Rowling feeding us new information and revealing more of the story I was eager to see how the kids of the famous trio were getting on. How the original gang were all enjoying their adult lives and new jobs. I was, however, also worried that it would ruin the magic and the near perfection of the original series. I was worried that it would be a half hearted extension that didn’t have the same depth and feel and immense pleasure of reading. How wrong I was. Don’t get me wrong, there are things about this that make it not perfect, but I stayed with the five stars because while the faults are there, I did so incredibly enjoy it.

From the first page I was back in the Harry Potter world, I could picture it, feel it, it was like we’d never left. I fell hopelessly into the story and fell in love with characters new and old. My heart was overjoyed and breaking for so many reasons and I was barely ten pages in. For a script it felt so much like a story, I have no doubt the one actually used was a bit different again, and no doubt will be changed as the performances go on, but for now I like to imagine this is the one that will be seen on the stage.

A few stage directions are included, as a script would have, and it was fascinating to try and picture how this would be performed on stage, but when I wasn’t doing that I was picturing it in my mind as a novel, the back and forward of my imagination wasn’t an issue, and it was remarkable how a play script could be as evocative as a fully fledged novel that has scenery and more detail given to surroundings and character thoughts.

There are old names I would have loved to have seen included, but understandable this is the next generation’s story and you can’t include the old guard just for nostalgia purposes and to satisfy the long time fans. But those that are included are a joy to read about.

There are surprises, wonderful surprises, and less wonderful surprises, and I can already see opinions divided about the story, but as I say, I loved it, I devoured it. I loved every character for so many reasons, they have come across complex and full as any novel could make them, and it’s wonderful in a way to see the idiolised characters with faults and human mistakes of their own, even in the wonderful wizarding world.

Overall I think the writers did a wonderful job capturing the original Rowling style, and Thorne’s play reflects the amazing world Rowling spent so long creating. I was surprised, delighted, shocked, and concerned about so much in the story and it has certainly provided enough new material and controversial topics for lengthy debating to occur. Whether that is a good thing overall I’m not sure.

I hope your own Harry Potter experience has been spoiler free, and that you derived some enjoyment from the story if you were one of those who were not thrilled at the plot, or the fact it exists at all. Personally, I’m glad it is a play and not a new book, and I’m glad, that while I won’t get to see the play, I could experience it all the same. I could easily and happily see this as a fitting end to Harry’s life and story, but whether that is to be the case, we’ll have to wait and see.