#AussieYAChallenge | Lost in a Good Book

Eleanor Jones is Not a Murderer by Amy Doak

27 May 2025 Leave a comment

by Amy in 4 Stars, Audiobook, Aussie YA Challenge, Australian Women Writers, Mystery, Young Adult Tags: #AussieYAChallenge, amy doak, Audiobook, aussie books, Aussie YA Challenge, australian, australian women writers challenge, four stars, lola bond, loveozya, young adult

Published: 04 September 2023 (print)/28 November 2023 (audio)
Publisher: Penguin Books/Penguin Random House Australia Audio
Pages: 282/5 hrs and 29 mins
Narrator: Lola Bond
Format: Audiobook
Genre: Young Adult Mystery
★ ★ ★ ★ – 4.25 Stars

Eleanor Jones has just started at her ninth high school. She likes to stay invisible, on the outer. So it’s bad luck that the first person she talks to at school, Angus Marshall, is stabbed and left for dead. And the last message on his phone is from Eleanor.

Eleanor realises the police don’t have all the facts. In trying to understand what happened to Angus, she inadvertently becomes involved with an eclectic group of fellow students – who all have their own reasons to want this mystery solved.

As they slowly unravel Angus’ secrets, Eleanor discovers the true meaning of friendship – and uncovers a danger lurking at the heart of the town…

I will excuse that maybe it’s a QLD thing, but this feels very American. I’m not sure whether Doak wrote it in a way to be broadly appealing outside of Australia, or whether QLD is just like that, but it didn’t completely have that great Aussie feel I love from our YA.

My experience with our schools is we don’t have the hierarchy of popular kids and the losers. I cannot fathom how just because a group of “cool” kids went to a public fish and chip shop other teenagers could never ever walk in there any other time of their life because it was the cool kids hang out. Like, what? And why must we think being studious means you don’t have friends? Ok that’s a character choice this time, but I knew plenty of studious people who had lots of friends. Is this trying to be a US stereotype knock off to appeal? Or is QLD just like this? There is even the overdone cool kid party which is close enough to being the US teen trope too.

What was interesting about Eleanor is she bucks the trends I was expecting. Nine schools in five years I’m surprised she is even open to trying to make friends. I’d’ve figured she’d realise there was no point and know she was moving in a few months so she wasn’t going to get attached to people. I mean, good for her for not doing this, but it’s interesting. Especially in the digital age where it is easier to keep in touch, but being in a place for a few months doesn’t let you make close friends that are work keeping touch with.

To her credit, I was very surprised when the Big Reveal happens, Eleanor was quite sensible. Not entirely, but she knows when to bail and not be a hero. I loved that. It’s stupid, but I shouldn’t be so proud that these kids, while doing their own investigation as is the style, still go to adults, and police, and don’t try and save the day entirely themselves. I shouldn’t be amazed and impressed when they leave it to the adults and pass on messages when someone is on trouble. I love that and I need more of it. I got so cranky in a book because it was too stupid how the teen detective acted, and I just need these detectives, as fun as they are, to also not go so far that things would be stupid and unbelievable and ‘if they’d just told someone’. They even mention the cops may have more info than they let on and surprise surprise and might be able to do something.

I loved the characters and I loved their dynamics. There isn’t a lot of emotional turmoil and drama which keeps it light but there are still deep moments. If A Good Girl’s Guide was a bit too intense this is a great substitute. A good Aussie feel despite the few American vibes and the mystery is still captivating. A great example of small towns and needing outlets and enrichment.

With great pacing and a constant intrigue in the mystery it’s definitely a page turner. It’s a lighter version of these kinds of teen detectives which is perfect for those who want the style without the emotional intensity.

You can purchase Elanor Jones is Not a Murderer via the following

QBD | Dymocks | Booktopia

Angus & Robertson

Fishpond | Amazon Aust | Audible

#AussieYAChallenge Update

30 Apr 2025 Leave a comment

by Amy in Aussie YA Challenge, Young Adult Tags: #AussieYAChallenge, aussie books, Aussie YA Challenge, clayton zane comber, loveozya, pip henry, reading challenge, shivaun plozza, tobias madden, vikki wakefield

My first update of the year was looking a tad woeful for a while but then I found a few Aussie YA on audio which bumped my numbers a little at the last minute. In the end I did three audio, one ebook, and one physical so that was exciting. The books I read were pretty awesome, all unique, and had that wonderful Australian feel to them.

I’d forgotten how convenient it can be to have an ebook too. It’s really no less convenient to have an audio except you don’t need to worry about headphones or being able to hear the narrator if you’re in a loud area. Granted the reading ones took a long time, but it really helped me savour the story, and I looked forward to coming back to the story when I had a chance to keep reading.

One fun thing about this challenge is it’s making me try any Aussie YA that I come across because it fits my criteria. Which may not be the best approach, and the book still has to sound ok, but I am taking chances on stuff because is a #LoveOzYA title or the author is Australian. I definitely found some beautiful reads this way so far.

The list so far:

All I Ever Wanted by Vikki Wakefield

Tin Heart by Shivaun Plozza

Because of You by Pip Harry

Wrong Answers Only by Tobias Madden

100 Remarkable Feats of Xander Maze by Clayton Zane Comber

Because of You by Pip Henry was a gorgeous story of a young girl experiencing homelessness and the school girl who volunteers at a shelter she visits.

Tin Heart is an emotional story about a transplant recipient who wants to show her thanks but risks crossing a dangerous barrier of the no contact rule from her donor family.

All I Ever Wanted follows Mim who is living in the suburbs with a criminal family and a need to escape.

Wrong Answers Only was one I’d looked forward to for months and I’m glad it paid off. A story of taking chances and being brave, about expectations and the battles against your body, your mind, and letting go.

100 Remarkable Feats of Xander Maze had a great voice and was another story about being brave, taking chances, and discovering how small decisions can change your whole life.

Like all books not every one of these were perfect, amazing, or to my exact taste, but I am still glad I read them. I got to see these stories of characters in different situations and experiences. This is what I love about Australian YA, we have these big bold stories, often in very short compact books that are about the teenage experience but aren’t confined to the playground or classroom dynamics.

I already have a few titles in my TBR list and I certainly have a massive stack of physical books piled up at home so I look forward to seeing what the next update brings.

I hope your own Aussie YA Challenge goals are going well and you have discovered some amazing reads yourself. Feel free to shout out in the comments some you have read so far, or even those you are looking forward to reading. If you’re interested in signing up it’s not to late, head over to my info page and declare your goal on social media, your website, or in the comments of this years post.

Hamlet is Not Ok by R. A. Spratt

01 Apr 2025 Leave a comment

by Amy in 3 Stars, Audiobook, Aussie YA Challenge, Young Adult Tags: #AussieYAChallenge, Audiobook, contemporary young adult, loveozya, r. a. spratt, shakespeare retellings, three stars, young adult

Published: 12 March 2024 (print)/4 July 2023 (audio)
Publisher: Penguin Random House Australia/Penguin Random House Australia Audio
Pages: 240/3 hrs and 19 mins
Narrator: R. A. Spratt
Format: Audiobook
Genre: Young Adult Contemporary
★ ★ ★ – 3 Stars

Selby hates homework.

She would rather watch TV – anything to escape the tedium of school, her parents’ bookshop and small-town busybodies.

So Selby didn’t plan to read Hamlet. She certainly never planned to meet him.

This novel transports Selby, and the reader, into the cold and crime-ridden play itself. Here she meets Hamlet: heavy with grief, the young prince is overthinking and over everything. Selby can relate. But unlike Hamlet, Selby isn’t afraid of making decisions. In her world, Selby is used to feeling overlooked. But in the bloody, backstabbing world of Shakespeare, Selby’s good conscience and quiet courage might just save some lives . . . hopefully before Hamlet stabs one of her classmates.

Spratt comes in guns blazing with a lot of yelling and chaos which was great. I liked for once there was a character who wasn’t studious, wasn’t on top of stuff, it’s about time there was a teen who got their own book who skipped out on doing any homework and it’s not entirely their fault. Selby I put up with as she is 15 and her actions are a very 15 year old response. There’s a balance at 15 where you can be a bit more immature than maybe a 16 or 17 year old character can get away with. Though immaturity has no age limit really, but you get more leeway the younger you get.

I didn’t like the note from the author essentially warning readers they will encounter Shakespeare in the book. It was like to let them know not to be scared off and to still give this book a chance. If you are reading a book having a few verbatim Shakespeare quotes in it shouldn’t deter you. I think the kids will survive. Especially given how it’s in a narrative form so it isn’t even the big scary play version they supposedly should detest. What was wonderful about having it put through a narrative lens is it’s a great example of how amazing Shakespeare is to see performed live. How reading a play in a book isn’t the right format. A play is to be performed and experienced. Diving right into the text to see it before you is the next best thing. If you can manage it.

It’s a bit Thursday Next with their ability to enter the world of Shakespeare and see it play out before them. As a lover of Thursday Next and her book jumping world this was super fun. Having a teen Hamlet interact with a modern teen really brings to light his angst and the family drama he has to endure. It’s easy to see how Shakespeare can be modernised because there are a lot of universal things and Selby getting to experience the plot points first hand is a great reminder that people have always been people even if you say it in a poetic form.

Spratt is quite emphatic and enthusiastic in her narration. Not unpleasant but it is funny why there was a need to be so emphatic about everything little thing. Seeing as it’s narrated by author I guess we can’t argue how enthusiastic she wanted to be on the reading. John Marsden’s retelling of Hamlet is one of my favourite retellings, and I love Shakespeare adaptations so while this is a tad enthusiastic (which I think won’t come across as intense in the book versus audio) it is a fun story. I love the mention that the play is four hours and the audiobook took three and a half. A great parallel.

Fast paced and light hearted it’s a quick read and one that might help the Shakespeare wary understand the universality and enduring nature of Shakespeare.

You can purchase Hamlet is Not Ok via the following

QBD | Dymocks | Booktopia

Wordery | Blackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

The Pause by John Larkin

04 Feb 2025 1 Comment

by Amy in 5 Stars, Aussie YA Challenge, Top Five List, Young Adult Tags: #AussieYAChallenge, Aussie YA Challenge, contemporary young adult, five stars, john larkin, loveozya, young adult

Published: 1 April 2015
Publisher: Random House Australia
Pages: 319
Format: Paperback
Genre: Contemporary Young Adult
★ ★ ★ ★ ★ – 5 Stars

Declan seems to have it all: a family that loves him, friends he’s known for years, a beautiful girlfriend he would go to the ends of the earth for.

But there’s something in Declan’s past that just won’t go away, that pokes and scratches at his thoughts when he’s at his most vulnerable. Declan feels as if nothing will take away that pain that he has buried deep inside for so long. So he makes the only decision he thinks he has left: the decision to end it all.

Or does he? As the train approaches and Declan teeters at the edge of the platform, two versions of his life are revealed. In one, Declan watches as his body is destroyed and the lives of those who loved him unravel. In the other, Declan pauses before he jumps. And this makes all the difference.

One moment. One pause. One whole new life.

“Don’t abandon the miracle of your own existence because you don’t know how to ask for help.”

I keep being punished for not reading books when they first come out when I want to, only to realise how fantastic they are later when I eventually do. It’s happened four times now and I don’t seem to be learning my lesson.

First things first, this is a book that deals with suicide and a split timeline between following through and not. In a Sliding Doors meets The Lovely Bones style we see both lives of Declan: what happens if he jumps, what happens if he doesn’t. Not to be morbid, but there is an amazing first person perspective scene about jumping in front of a train. In the brief mention it manages to have a great balance between not being overly graphic and also being real about it. It shows the brain mechanics and impulses a person goes through, it shows the detail of what actually happens to your body, it includes the immediate regrets, not to mention the trauma of those who see it. It’s important to note that that part is brief. It’s a fleeting mention but it is well written and one I think is important to include.

There’s also great descriptions of teenage life and their thoughts and decisions. Larkin’s written a great teenage voice and the tunnel vision teenagers have about what is important and earth shattering in their life comes across. It’s great insight which helps you understand their actions and motivations; how they are hormone driven, and how they’re experiencing everything the first time: from friend issues, to family issues, to first love. Larkin comes in strong early on with the big emotions and it hooks you right in without glorifying or making it grotesque.

The best part is Declan isn’t special. He has mates who are typical teenage boys. Annoying sister, parent issues, and family dynamics. It appears to come from nowhere which is why it’s so great. It was a shock. It is unexpected. It’s great to show how something like this can happen to the most normal looking kid ever. The voice is believable and the relationships Declan has with his family is believable, even the different dynamics he has with each member of his family. You do behave differently around different people and his favourite parent is clear while unintentional.

The sliding doors moment and duel existence is perfect and you become captivated by this life now lived and the reminders it couldn’t have happened at all. There is Larkin’s voice on high with reminders that things will get better and setbacks aren’t the end of the world even if that thing was what was getting you through.

You’re also drawn along by What Happened to Aunt Mary? The mystery is woven throughout and as Larkin drip feeds us information before dumping the entire bucket on us all I can say it was amazing, especially given the emotional ride we’ve gone through with Declan so far.

There are so many things I would love to talk about and how wonderful and mind blowing they are but alas, spoilers. Even the smallest possibly vaguest things I don’t want to risk and ruin the revelations and joys I had reading this book.

When I finished this I basically went and gushed about it for ten minutes. It was amazing. I loved every part of it. It is sad and profound, it has so many lessons about life and humanity and hope. It is incredible how Larkin managed to weave in these important things that need to be hammered into every single person who ever thinks they are the alone or are the only one who feels a certain way. It’s natural but you can tell where The Lesson is but I don’t care. It also comes across through the voice of a boy who has been told this in a professional setting and is remembering it. He is using these lessons to live his life. The life he almost didn’t have.

Again, I kick myself for not picking this book up when I wanted to in 2016. I saw it for months on the shelf and I was drawn to it. But I never dove in. I’m glad I finally did because I loved it. It is only fictional but it’s also the story of so many people, not just teenagers. It’s obviously not perfect, it still has a few slightly non PC approaches to things but that’s really not important. The content is important. It’s about life getting better. About not giving into the impulses. How mental illness sneaks up on you and it’s ok to get help. Which for a 2015 book feels amazing.

Honestly it is a brutal book. It deals with big issues, it describes big issues with quite a lot of detail, and the consequences of both sides smack you in the face with the truth and reality. And that is why it is phenomenal. It never strays from being a YA voice, which is more important because it knows its audience. Larkin knows who is reading this, knows the message needs to get out that your teenage years are not forever. But also lets kids know that people of all ages go through things. You are not alone. I am trying hard not to write an entire essay about this book (and failing I know), but I cannot stress enough how amazing it is. If you can handle the brutality of it all – not only the few descriptions, but the emotional brutality, and the reality of life – please read it.

You can purchase The Pause via the following

QBD | Dymocks | Booktopia

Angus & Robertson

Fishpond | Amazon | Amazon Aust

#AussieYAChallenge 2025

07 Jan 2025 Leave a comment

by Amy in Aussie YA Challenge, Young Adult Tags: #AussieYAChallenge, aussie books, Aussie YA Challenge, loveozya, young adult

The Aussie YA Challenge is a challenge created by Amy at Lost in a Good Book as an attempt to read more Australian young adult novels.

As part of my goals I am putting some determination (and public guilt and accountability) into my challenge and I am hoping to be a little better this year. Based on my previous challenges I expect each year I will be a bit better at planning and reading and organising so this year will be an improvement on my first I’m sure.

Despite the chaos of last year and scraping through my goal of a measly 12 books out of my 80+ read being Aussie YA, I am diving right back in and selecting the Nix level again. Whoo! 12 months 12 books.

I am hoping to hit the ground running because the usual dip mid to late year will get in the way, the other option is to try and stick to the one a month plan which could go either way in terms of success.

I am excited to explore more YA books, especially some of the older ones on my shelf I have gazed lovingly at for years and yet to pick up. Hopefully even find some new authors to fall in love with. One can only hope!

If you are interested in participating head to the #AussieYAChallenge page and join up.