The Muse by Jessie Burton

Published: 26th July 2016 (print)/26th July 2016 (audio) Goodreads badge
Publisher:
 Picador/HarperAudio
Pages: 445/1 disc – 12hrs (MP3)
Narrator: Cathy Tyson
Format: Audiobook
Genre: Historical Fiction
★   ★   ★  – 3 Stars

A picture hides a thousand words…

On a hot July day in 1967, Odelle Bastien climbs the stone steps of the Skelton gallery in London, knowing that her life is about to change forever. Having struggled to find her place in the city since she arrived from Trinidad five years ago, she has been offered a job as a typist under the tutelage of the glamorous and enigmatic Marjorie Quick. But though Quick takes Odelle into her confidence, and unlocks a potential she didn’t know she had, she remains a mystery – no more so than when a lost masterpiece with a secret history is delivered to the gallery.

The truth about the painting lies in 1936 and a large house in rural Spain, where Olive Schloss, the daughter of a renowned art dealer, is harbouring ambitions of her own. Into this fragile paradise come artist and revolutionary Isaac Robles and his half-sister Teresa, who immediately insinuate themselves into the Schloss family, with explosive and devastating consequences. 

I actually read this before I read The Miniaturist and since I didn’t like that, I wonder if I would have picked this up. But since I read it before I eagerly took it up and actually rather enjoyed it. It was steady, not obviously exciting or adventurous, but it was interesting and dramatic in its own way. There was a lot of focus on the characters and their interactions with others to create the drama rather than needing too much outside influence, despite the civil war looming in the background in the 30s, which I must say did add its own tension and a wonderful historical reality.

The story has a dual timeline which switches between 1960s London and 1930’s Spain, a connection between the two we’re not sure of until a painting arrives at the gallery where Odelle Bastien has begun working. Burton switches between the 1960s and the 1930s beautifully, mixing the stories together and revealing what needs to be told at the right times, holding back when needed.

I liked that Burton gave us a few intriguing mysteries to ponder. I had theories about them and changed and altered them based on what happened in the story. Of course, some were predictable in hindsight, but there was always a slight chance that I was wrong, and I guess when I had a bet on either side I was going to right either way. I loved Odelle as narrator. I listened to the audiobook so Tyson did a beautiful accent which brought Odelle to life. But even without that, Odelle is a great character, she is a smart, sensible woman, she has pride and respect for herself and while she is a bit timid at times, she is also loyal and curious. This curiosity gets her involved with her employer and starts her on her own investigation into why there are so many unanswered questions and mysteries surrounding not only her employer but also this new, important painting.

There are many intriguing characters in this story. Isaac Robles and Olive Schloss are complicated in their own ways, as is Teresa. The pressure of their era and the secrets that they must keep haunt them and Burton brings this out in their words and their actions, making each one complex and full. The tone changes between each era are subtle but make a huge difference. Burton doesn’t just tell us we’re in the different decade, her writing has a different tone to it that feels freer or more confined, depending what is needed.

I enjoyed where this story went, I became more invested as it went along in both Odelle and Olive’s storylines. I wanted to know the answers as much as Odelle did and I was curious how Burton would approach their reveal. What resulted was a captivating story with twists and turns that actually did surprise me at times. I loved the chaos of the characters and the human motives behind decisions that alter paths completely.

I found myself wanting to keep going, I looked forward to getting back into the story, and with a curiosity of my own I wanted to see how it ended. Burton has created a story that will delight and surprise you in a multitude of ways. It has great a great historical presence across two defining eras of the 20th century, which has been coupled with fascinating characters that bring their own dramas to the page. Even if you weren’t a fan of Burton’s other work (as I wasn’t), give this story a go because it might just surprise you.

You can purchase The Muse via the following

QBD | Booktopia
Amazon | Wordery
Book Depository | Dymocks

The Miniaturist by Jessie Burton

Published: 3rd July 2014 (print)/26th August 2014 (audio) Goodreads badge
Publisher:
 Ecco/HarperAudio
Pages: 416/1 disc
Narrator: Jessie Burton
Format: Audiobook
Genre: Historical Fiction/ Magical Realism
★   ★  – 2 Stars

On a brisk autumn day in 1686, eighteen-year-old Nella Oortman arrives in Amsterdam to begin a new life as the wife of illustrious merchant trader Johannes Brandt. But her new home, while splendorous, is not welcoming. Johannes is kind yet distant, always locked in his study or at his warehouse office–leaving Nella alone with his sister, the sharp-tongued and forbidding Marin.

But Nella’s life changes when Johannes presents her with an extraordinary wedding gift: a cabinet-sized replica of their home. To furnish her gift, Nella engages the services of a miniaturist–an elusive and enigmatic artist whose tiny creations mirror their real-life counterparts in eerie and unexpected ways…

Johannes’s gift helps Nella pierce the closed world of the Brandt household. But as she uncovers its unusual secrets, she begins to understand–and fear–the escalating dangers that await them all. In this repressively pious society where gold is worshipped second only to God, to be different is a threat to the moral fabric of society, and not even a man as rich as Johannes is safe. Only one person seems to see the fate that awaits them. Is the miniaturist the key to their salvation…or the architect of their destruction?

I’ve given it two stars, but by the end of it I wanted to give it 1.5. I was told this was a brilliant read, I did not find this. I persevered and hoped for something to come of it. And not only did I get no real answers, the ending was unsatisfactory and I feel a bit cheated. I don’t know whether this has to do with the magical realism side of the story, but I wasn’t a fan.

The beginning started out ok, after a prologue from an unknown voice we’re introduced to Nella and her arrival at her new life. We’re thrust into Amsterdam in the 1600s and all its glory. Burton makes it easy to understand while still having the gravitas it needed and the seriousness to understand Nella’s predicament, and her style of writing feels like it suits the era and is easy to comprehend.

I settled into the story and got used to Nella and the other characters. I was intrigued, I was curious. It does start to go a bit stale and as part two hit I was weary but something finally seemed to be happening. This didn’t last though and the story dragged on. I think Burton tried to include too much. There’s the historical story happening with sugar, plus a lot of religious elements and political components. On top of that is Nella’s place and the mystery of the miniaturist. It makes for a heavy story and one that takes a lot of pages to tell.

Some parts were predictable and it was a case of waiting for the book to catch up with what you already suspected. Other times it felt like every second chapter had a typical twist of some kind and it got to the point it was just “Oh, another twist, sure, why not’. I will give Burton some credit, she actually followed through on a few things I thought she wouldn’t, that impressed me. But in doing that she also added to the unsatisfactory feeling and the sense that while some things appeared to be resolved, nothing felt like it was. We’re left hanging, not even with a sense that we understand how things would keep going, an abrupt finish that doesn’t answer anything.

I found that I wanted to get to the end without reading the middle. I figured I could ignore this middle part and just see what happens and get the answers to the big questions that Burton keeps raising. I wanted to get to the end to find out what the whole point of it was and found nothing but disappointment. It was anticlimactic after the [supposed] build up and it felt flat.

I’d been looking forward to reading this for months and had it praised and recommended to me by a few people so I was eager to see what it was like. Not to mention the beautiful cover. To come out the other end with meagre enthusiasm is a sorry state to be in.

You can purchase The Miniaturist via the following

QBD | Booktopia

Amazon | Wordery

Book Depository | Dymocks