What Girls Are Made Of by Elana K. Arnold

Published: 1 April 2017 (print)/16 November 2017 (audio) Goodreads badge
Publisher:
Carolrhoda Lab/HighBridge Audio
Pages: 200/5 hrs and 19 mins
Narrator: Amy Melissa Bently
Format: Audiobook
Genre: Contemporary Young Adult
★   ★   ★ – 3.5 Stars

When Nina Faye was fourteen, her mother told her there was no such thing as unconditional love. Nina believed her. Now she’ll do anything for the boy she loves, to prove she’s worthy of him. But when he breaks up with her, Nina is lost. What is she if not a girlfriend? What is she made of? Broken-hearted, Nina tries to figure out what the conditions of love are.

A lot has been said about the contents of this book but while it is confronting at times, it’s real. It’s about real experiences and while it’s not a manual or a how to guide for how every girl will live or act, it’s honesty about the mess of growing up and the battle against society, family, and yourself is important.

Nina’s journey to finding herself and undoing the damage of the lessons she was taught by her mother, about what she’s told to do and say by her boyfriend is empowering. There’s always time to learn and to change. Nina proves you are the captain of your own ship and you can steer your life into whichever direction you choose.

Love is at the centre of the book and the complicated relationship Nina has with her mother is woven through the story and a catalyst for many of her actions. For a short read there is a lot of story to digest. Arnold doesn’t glorify or exaggerate but there is a collection of emotional and traumatic experiences that the characters experience so it’s clear it isn’t for everyone.

It is a hard book to explain in words but the teen experience is laid out in full detail. The narrative explores sex, abortion, animal death, the raw emotion of growing up, the hypocrisies of society, and the expectations of girls. And as hard as it was to read at times, the honesty and seeing familiar emotions, reactions, and experiences on the page was reaffirming. I truly believe every girl has had a burning fire of anger inside her from a young age and it’s no wonder why when you see what we’re up against.

I will admit I rarely read authors notes, but given my experience of this book it was only right to read what the author had to say about it. It’s a great addition because in simple terms Arnold lays out that are young girls we are often acutely aware of how unpleasant it is being a girl. Our bodies do weird and gross stuff as it develops and long afterwards. We are constantly told how to be and how to act, how we can’t be unpleasant or imperfect, our body must look a certain way, we must act a certain way, and any deviation is mocked, repulsed, and shamed. All of which can contract what we want to do and how we want behave and worst of all it can warp our own sense of joy when we do try and embrace girlhood.

It was refreshing to see a story that breaks down that sometimes it’s hard and absolutely sucks to be a girl, as it does to be human. As a human, girls should be allowed to exist in whatever way they want and seeing a great flawed, messy character like Nina break through the bonds of what women should be and find herself was refreshing.

You can purchase What Girls Are Made of via the following

 Dymocks | Booktopia

WorderyBlackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

Wrath of the Triple Goddess (#7) by Rick Riordan

Published: 24 September 2024 (print)/24 September 2024 (audio) Goodreads badge
Publisher:
Puffin/Penguin Audio
Pages: 332/8 hrs and 37 mins
Narrator: Jesse Bernstein
Format: Audiobook
Genre: Young Adult
★   ★   ★   ★ – 4 Stars

Percy Jackson, now a high school senior, needs three recommendation letters from the Greek gods in order to get into New Rome University. He earned his first one by retrieving Ganymede’s chalice. Now the goddess Hecate has offered Percy another “opportunity”—all he has to do is pet sit her mastiff, Hecuba, and her polecat, Gale, over Halloween week while she is away. Piece of cake, right?

Percy, Annabeth, and Grover settle into Hecate’s seemingly endless mansion and start getting acquainted with the fussy, terrifying animals. The trio has been warned not to touch anything, but while Percy and Annabeth are out at school, Grover can’t resist drinking a strawberry-flavoured potion in the laboratory. It turns him into a giant frenzied goat, and after he rampages through the house, damaging everything in sight, and passes out, Hecuba and Gale escape. Now the friends have to find Hecate’s pets and somehow restore the house, all before Hecate gets back on Saturday. It’s going to take luck, demigod wiles, and some old and new friends to hunt down the animals and set things right again.

This book didn’t feel as much like a novella as the previous one. But despite being over eight hours long it still felt like a short story, an extra bonus adventure for readers. Perhaps it’s the minimal events? One mission without a lot of moving parts or people. It’s a small mission not a worldwide quest over weeks, it’s a week or two at most.

Having come to this from the back of Heroes of Olympus I do miss the multiple perspectives, but having the original trio together again was interesting. Made me wonder how Grover was free for this and not the other stories. Shouldn’t he still have Cloven Elder things to do?

I was initially going to say I liked this more than the previous novel, but thinking about it now I think I liked them both in different ways. Chalice gives us a traditional Percy Jackson vibe, traipsing around talking to other gods, while this one it’s the trio on their own, working things out, the beings they interact with are more sprites and other creatures.

Both have merit, and I can’t see this as a standalone, though how you can read the other own knowing you need two more letters is interesting. The story also didn’t feel as dated, and while it does mention Twitter and flame wars, it makes sense for the time in which the books are meant to be set.

I’ll be curious to see how the final book plays out. Already knowing the outcome won’t be a deterrent because Riordan makes the stories so captivating and enjoyable, even knowing the outcome doesn’t take away from the adventure of the journey. Heaven knows he’s a master at twists and turns and loop holes, enough to keep anyone on their toes.

You can purchase Wrath of the Triple Goddess via the following

QBDDymocks | Booktopia

WorderyBlackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

#AussieYAChallenge 2026

The #AussieYAChallenge is a challenge created by Amy at Lost in a Good Book as an attempt to read more Australian young adult novels.

Doing a switcheroo for this month’s Long Lost Reviews because it seems my announcement for the 2026 #AussieYAChallenge has gotten out ahead of me so I’ll post my #LLR next week.

Entering its third year my #AussieYAChallenge is something I have grown to love more and more. I love finding new Australian young adult books and finally making the effort to read books I have had lovingly on my shelf for honestly, like 10+ years at this point and should probably have read long ago.

This challenge is open for anyone who wants to participate and you complete at your own pace throughout the year, or whenever you chose to start. There is no limit, no review requirements, just a chance to expand on your reading.

The #LoveOzYA is a strong brand and getting to focus some attention on it with my reading has brought me a lot of amazing stories. I hope if you follow this challenge, whether you participate or not, you will see the great variety and talent we have with our YA authors.

For the 2026 Challenge I am tapping that Nix level again, 12 books, 12 months. I hope to go beyond this year but I know if I set myself a higher number it’s only going to end badly. The excitement at exceeding (if it happens) is enough for now.

Keep an eye on my posts through the year as reviews for last year’s reads come through. I will also try and get some of this year’s reads up a bit sooner.

If you are interested in participating head to the #AussieYAChallenge page and see what’s involved.

Happy Reading!

#AussieYAChallenge 2025 Wrap Up

Over the course of the two years I have done challenge I have read 24 Aussie YA books. Which is a pretty good bump considering my #LoveOzYA reading had dropped off in recent years. I am still blaming the minimal amount of Aussie YA in audio, but I also have two bookcases choccas with Aussie titles I could pick up at any time so it’s not entirely the fault of the publishing industry.

I was worried I had maybe fallen by the wayside after my September update, but given the new titles on my final list I am pretty pleased with how I’ve ended up. Despite planning on reading 12 books a year I never actually planned the twelve. I was happy if it went over, I was picking stuff up willy nilly, not keeping track of numbers. It’s quite serendipitous that I landed on 12. I get to meet my Nix level reading goal without rushing to make up numbers at the eleventh hour which is a bonus.

Some of my absolute favourites were Impossible Music by Sean Williams and Because of You by Pip Harry. Both these stories took me into a world I knew about but not intimately and seeing the experiences of these characters was beautiful and heartbreaking, not to mention powerful. This is why I love Aussie YA, with such short stories we can really pack an emotional punch and make incredibly memorable stories.

Other choices were some I had been eying off at the library for months before finally picking them up. Tobias Madden knocking it out of the park with fun and interesting stories, and unexpected surprises with new author Clayton Zane Comber, not to mention Shivaun Plozza killing it once again.

Another reason I started this challenge wasn’t only to tick off a list, but to finally pick up the authors I’ve been wanting to read for years. It’s all well and good to say I want to read that, or it’s on my TBR list (700+ strong so what hope do I really have), but now I can actually follow through and share our great authors with everyone and maybe spread a bit of that #LoveOzYA love.

I am keen to see what new books I read next year, some old hopefully, some new definitely. The Aussie YA book world is filled with so many different stories and experiences it is a joy to pick up and fall into that unique Australian voice that makes our books so beloved.

If you participated alongside me I hope your challenge went as successful as you wanted and I hope you join me again with the challenge next year!

 

The final list:

All I Ever Wanted by Vikki Wakefield

 Tin Heart by Shivaun Plozza

 Because of You by Pip Harry

Wrong Answers Only by Tobias Madden

 100 Remarkable Feats of Xander Maze by Clayton Zane Comber

Take A Bow, Noah Mitchell by Tobias Madden

Surface Tension by Meg McKinlay

Impossible Music by Sean Williams

Perfect on Paper by Sophie Gonzales

Flip by Rebecca Fraser

The Day the Bridge Fell by Coral Vass

Here’s the Thing by Emily O’Beirne

The Last to Die by Kelly Garrett

Published: 4 April 2017 (print)/17 March 2020 (audio) Goodreads badge
Publisher:
Sourcebooks Fire/Tantor Media
Pages: 223/4 hrs and 43 mins
Narrator: Heather Costa
Format: Audiobook
Genre: Young Adult Mystery/Thriller
★   ★ – 2.5 Stars

It all started out as a game.

Just a way to have fun. We figured as long as we had rules, it wouldn’t be a problem.

RULE #1: Only break into one another’s houses.

RULE #2: Only take stuff that can be replaced.

It worked for a while. Whoever’s turn it was to break in got a rush, and the rest of us laughed over the trophies they brought back. But then someone went too far. Lives got ruined. Someone is dead.

And I might be next.

When I added the book to StoryGraph I was intrigued by the 2.7 average rating, it had been an engaging and compelling story so far, especially something so short, and with only an hour to go I was keen to see how it would wrap up, what big explosive end of story Garrett would come up with.

Granted, there was a surprise twist, not the twist I was actually expecting, but it was a twist. Adjacent to what you’re expecting given the lead up but also not the fun twist I thought of. From there is was…mild. From a semi-intense scene, there are little answers and a few strange choices on ending.

I didn’t like the ending, it was rushed and actually lacking a lot of clarifying details that are kind of important in these types of mysteries. It isn’t even done well enough where it’s left open to let the reader decide what happened, it feels like it was just ignored. After a long drawn out line of clues, the ending wraps up incredibly quickly, and where it ends it incredibly unsatisfying given the character journeys. I’m still not entirely sure Harper learnt anything, but at the same time, given the way they act through the story it’s a weird ending where there’s consequences, but I don’t know if there’s remorse.

There are a lot of unanswered questions. Some are weird choices to leave unanswered, even in the final standoff they’d be perfect the drop in. Once you notice one mystery isn’t going to be answered, you start to realise how many there really are. Not all important of course, but some definitely are, then there’s others that are raised and never addressed again, like the author forgot they were left open.

One thing the story had going for it was while a lot of the characters are unlikable, they were compelling which I liked. You know they are horrible people, but they have a little compassion in them, misguided or vacuous as it may be, but there is something to latch onto. All of these characters are shallow people and have no real connections with their friends which is an interesting take. They are rich, bored teens who don’t really like each other, so the detachment feels correct to be fair, though Harper could be on her way to some kind of depression or she’s never been able to form real attachments and that’s just how she is.

I am very much in the camp of not needing to like characters or narrators. What I feel let down is the ending where the motive and consequences are lacking clarification. The small bit of information we get is there to tick a box, and the rest of the unanswered questions are ignored. If you are going to write a mystery, the reveal and outcome needs a little attention as this is what the hints and clues and build ups have been for. The fact most of the book does this well, builds drama and tension to have it fail absolutely at the end was a letdown. The answers are there, but the executions could have been spread out and extended better. No real satisfying closure for a good read.

The blurb promises it to be unputdownable with a dark story and dynamic writing. At times it was there, but for all the work to build it up only to have it fall at the end makes everything leading up to the flop meaningless.

You can purchase The Last to Die via the following

 Dymocks | Booktopia

WorderyBlackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

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