Long Lost Review: Imogen, Obviously by Becky Albertalli

Long Lost Reviews is a monthly meme created by Ally over at Ally’s Appraisals which is posted on the second Thursday of every month. The aim is to start tackling your review backlog. Whether it’s an in-depth analysis of how it affected your life, one sentence stating that you only remember the ending, or that you have no recollection of reading the book at all. 

Published: 2 May 2023Goodreads badge
Publisher:
HarperCollins Publishers
Pages: 416
Format: Paperback
Genre: Young Adult Contemporary Romance
★   ★   ★  ★  ★ – 5 Stars

With humor and insight, #1 New York Times bestseller Becky Albertalli explores the nuances of sexuality, identity, and friendship in this timely new novel.

Imogen Scott may be hopelessly heterosexual, but she’s got the World’s Greatest Ally title locked down.

She’s never missed a Pride Alliance meeting. She knows more about queer media discourse than her very queer little sister. She even has two queer best friends. There’s Gretchen, a fellow high school senior, who helps keep Imogen’s biases in check. And then there’s Lili—newly out and newly thriving with a cool new squad of queer college friends.

Imogen’s thrilled for Lili. Any ally would be. And now that she’s finally visiting Lili on campus, she’s bringing her ally A game. Any support Lili needs, Imogen’s all in.

Even if that means bending the truth, just a little.

Like when Lili drops a tiny queer bombshell: she’s told all her college friends that Imogen and Lili used to date. And none of them know that Imogen is a raging hetero—not even Lili’s best friend, Tessa.

Of course, the more time Imogen spends with chaotic, freckle-faced Tessa, the more she starts to wonder if her truth was ever all that straight to begin with. . .

Sometimes you read too many books too fast and then suddenly what you think you read only last year turns out to have been read in 2023. Where does the time go? But this is a good Long Lost Review because my notes on it are few, the vibes are good, and I think it works based on what I remember about the story. The worst part is, this was in my Top Five of 2023 and it still didn’t get a real review so it’s a shame really to be reduced to a LLR but here we are.

This is a great exploration of identity and is a fantastic story about how being a passionate advocate for queer lives can also be damaging and toxic. Albertalli demonstrates with remarkable skill and grace, even a bit of compassion, that there still exists toxicity in queer spaces and there is always a chance of going too far.

Imogen’s journey of self-discovery is a wonderful reminder that there is no age limit on finding out who you are. Her inner monologue shows how unsettled she feels in herself, while also feeling so sure of who she is at the same time. As this becomes upended as the story goes along we follow this path as Imogen navigates her feelings, her friendships, and the lives of those around her to work out who she really is.

The cast of characters in this book are well rounded and complex. Even with so many characters in play they each get attention and are fully developed. It is easy to fall into their banter and support, as well as experience their ups and downs with them.

Gretchen is a great character in that she is a terrible but she is a perfect representation of what it means to police other people and to try and gate keep and control how other people experience their own lives. The challenge of having a friend like her, while also trying to be supportive and guided by their experiences and not your own, means Imogen tries her best to be an ally but at the same time deals with the problems Gretchen creates.

Being an older YA makes this story sit right at the cusp of leaving school/entering uni which is wonderful representation for anyone feeling like they need to have themselves worked out by the time they are 16 or before, like many queer YA books demonstrate. I enjoyed how it showed there is no time limit on discovering yourself and what makes you happy.

Full of realism and representation, Imogen, Obviously is a sweet and romantic story that deals with current and evergreen issues in the queer community from both inside and out. It’s light-hearted but not without conflict, and highlights the importance of friendship and being true to yourself.

Isla and the Happily Ever After (#3) by Stephanie Perkins

Published: 14 August 2014 (print)/14 August 2014 (audio) Goodreads badge
Publisher:
Dutton/Books on Tape
Pages: 339/8 hrs and 37 mins
Narrator: Grace Experience
Format: Audiobook
Genre: Young Adult Romance
★   ★  – 2 Stars

Hopeless romantic Isla has had a crush on introspective cartoonist Josh since their first year at the School of America in Paris. And after a chance encounter in Manhattan over the summer, romance might be closer than Isla imagined. But as they begin their senior year back in France, Isla and Josh are forced to confront the challenges every young couple must face, including family drama, uncertainty about their college futures, and the very real possibility of being apart.

Featuring cameos from fan-favorites Anna, Étienne, Lola, and Cricket, this sweet and sexy story of true love—set against the stunning backdrops of New York City, Paris, and Barcelona—is a swoonworthy conclusion to Stephanie Perkins’s beloved series.

I can’t really complain, it does what it says on the tin, it is a happily ever after. It’s a book of a perfect romance and a perfect love. Can’t really argue with that.

But I am still going to.

I disliked it from quite early on. I don’t know whether it was Isla’s voice or when I realised it was all falling into a perfect set of circumstances. I know it’s a romance, but even the romances I have read don’t lay it on so thick.

It is saccharine and aside from that technically there was nothing wrong but it felt uneventful. Isla and Josh have always loved each other, they get to be together, everyone is ok with it. The minor issues are barely issues and are overcome, and nothing bad ever happen. So much so something has to be fabricated to have some kind of conflict but it felt hollow. Like Perkins needed to have something bad before she wrote a book that sounded like a fairy tale romance. But even a fairy tale romance has some kind of real drama to overcome.

So we put up with this everything is perfect for the first half of the book, and by now I am begging for something to happen. Not dire, but some real conflict or consequential plot. I ended up skipping chunks, even the promise of cameos from other characters in the series wasn’t enough to keep me going. They are a blink and you’ll miss it moment so they may as well not be there. I ended up skipping through a lot of the second half of the book. Which from what I’ve read is more of Isla being utterly obsessed with Josh and their relationship and having no other personality.

I’m pretty sure I liked Josh on his own, but I needed him to stop treating Isla like a perfect and innocent person. Isla even does it herself by mentioning how she shocks people when she swears because no one expects someone so petite to swear. What does that even mean?

I did like how Isla and Kurt’s friendship was demonstrated. I liked how she fought for him, and stood up for their relationship. I also liked how she took him for granted, it gave some realism to the story about how knowing him for ages meant she sometimes became selfish and overlooked his needs. It was a nice break from the lovefest. I needed more of Kurt in the book though because Isla was exhausting and Josh and Isla together were exhausting.

Having someone knocked up on pain meds is a great way to break through the shyness barrier and have your characters confess things to each other, but the story needed to bring itself down to earth for the rest of the story. Even though the ending was ok, I didn’t have any interest in them because of course everything was going to work out for both of them. Everything was fixed and they were living their best lives. At least there was a small amount of growth you could point at.

You can purchase Isla and the Happily Ever After via the following

QBDDymocks | Booktopia

WorderyBlackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust

Lola and the Boy Next Door (#2) by Stephanie Perkins

Published: 1 June 2011 (print)/11 October 2011 (audio) Goodreads badge
Publisher:
Usborne Publishing/Books on Tape
Pages: 384/8 hrs and 59 mins
Narrator: Shannon McManus
Format: Audiobook
Genre: Young Adult Romance
★   ★   ★ – 3 Stars

Lola Nolan is a budding costume designer, and for her, the more outrageous, sparkly, and fun the outfit, the better. And everything is pretty perfect in her life (right down to her hot rocker boyfriend) until the Bell twins, Calliope and Cricket, return to the neighborhood. When Cricket, a gifted inventor, steps out from his twin sister’s shadow and back into Lola’s life, she must finally reconcile a lifetime of feelings for the boy next door.

I am well behind the hype for Perkins’ series, though I did experience all the Anna hype at the time, it took me a few more years before I got a chance to read it. But then I never continued with the series. I’m not sure whether Anna didn’t drive me enough to want to keep reading, or it was one of those ‘one day’ books and then suddenly years have passed. The important thing is, I was not a fan.

I don’t think enough was put on the fact twenty one year old Max got together with Lola at sixteen. I know Lola is our perspective so it’s not going to be balanced but I didn’t like it. By the time the story starts Lola is seventeen, Max is twenty two, and they’ve been dating a year was a surprise, I thought it was relatively new. I couldn’t understand why a guy in a band, who tours the country, old enough to drink and be in bars would be ok dating a sixteen year old. One still in high school, with all the childish drama, and be happy with that? It’s not like he was eighteen or nineteen. Are we meant to think it was because he really cares about her? It adds another level when he starts calling her Lolita and all the red flags already raised are suddenly waving around.

Lola’s parents do the best they can in her situation – making Max have weekly meals with them, keeping track of what they’re doing in a non-invasive way. Lola admits that they know if they enforce anything harsher or make them stop seeing each other it would only push them closer. It doesn’t stop her lying and sneaking around though despite the trust they’ve put in her.

Her dads were great characters, and I really enjoyed their scenes and their relationship with Lola and one another. They were fun and interesting and supportive. The Norah element was interesting and spread nicely through the story. You can definitely see Lola being burned before by her birth mother and being the selfish person she is having little understanding of what it means beyond her own feelings.

Aside from the Max thing, the actual story was fine. Lola is a quirky girl who goes to extreme effort in her outfits and how she presents herself. It’s amazing she gets away with it at school, but it is a creative hobby for her.

The whole story arc with Cricket and his family was interesting and I liked how it naturally came together by the end. I can see how everyone thinks it’s sweet and it is, but at the same time Lola doesn’t deserve Cricket. He’s too nice for her.

So much of the praise for this book goes towards Lola and her relationship with Cricket, which isn’t for most of the book. She’s angry at him, wary of him, slowly comes to be ok with him all while still dating Max. Her issues with him are valid, though her absolute fear at them returning was a tad over the top.

Once the story focused more on Cricket and Lola’s friendship the story was better, with a title like this you know how it will end, I just wish there’s been a better way to get them together without having to read about creepy Max. There was enough hurt feelings and history to build on where we didn’t need to normalise that kind of relationship.

You can purchase Lola and the Boy Next Door via the following

QBDDymocks | Booktopia

WorderyBlackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

Long Lost Review: Winter (#4) by Marissa Meyer

Long Lost Reviews is a monthly meme created by Ally over at Ally’s Appraisals which is posted on the second Thursday of every month. The aim is to start tackling your review backlog. Whether it’s an in-depth analysis of how it affected your life, one sentence stating that you only remember the ending, or that you have no recollection of reading the book at all. 

Published: 10 November 2015Goodreads badge
Publisher:
Feiwel & Friends
Pages: 827
Format: Paperback
Genre: Young Adult Fantasy
★   ★   ★  ★  ★ – 5 Stars

Winter by Marissa MeyerPrincess Winter is admired for her grace, kindness and beauty, despite the scars on her face. She’s said to be even more breath-taking than her stepmother, Queen Levana…

When Winter develops feelings for the handsome palace guard, Jacin, she fears the evil Queen will crush their romance before it has a chance to begin.

But there are stirrings against the Queen across the land. Together with the cyborg mechanic, Cinder, and her allies, Winter might even find the power to launch a revolution and win a war that’s been raging for far too long.

Can Cinder, Scarlet, Cress, and Winter claim their happily ever afters by defeating Levana once and for all?

Depressingly I was so sure I had review notes for this so now I’m wondering if I imagined it. It was a five star read, I remember reading it, and yet I can’t remember what happens in it. I think 2020 wasn’t the year to read books you want to remember the plots of. Either that or I read too many books, it pushes the old ones out. The other option is of course I shouldn’t wait years to write the review and maybe take some notes.

This is a monster book, exceptionally long but thankfully I read it during a time I had plenty of time and nothing else to do so I got to really appreciate it. It is also a stunning conclusion to the epic build up we’ve had since Cinder and everything comes to a head in a thrilling conclusion. I remember loving the drama and the tension, everything is about to happen: revolution, all the planning and the plotting, the unification of our four heroines and their love interests.

Amazingly I remember less about this book than Cress and it’s probably twice as thick. I don’t remember feeling bored, or that the book dragged on due to its length. I think Meyer uses the pages well and with so much planning around the revolution I understand the effort to include it all. She’s paced it beautifully. If it was less detailed you just know someone would then complain they managed to overthrow a kingdom too easily if there wasn’t any war talk or detailed plans. Besides, this is the story. It’s about rebellion and about secrets and taking people out of power who aren’t easy to overthrow. It takes planning. We’ve had three books of love with a side of rebellion, now we get to rebel.

I am a bit sad three out of four of these reviews have been Long Lost Reviews. I feel like I’ve done them a disservice not reviewing them properly since I loved them so much. Which is ludicrous, the amount of reviews I’ve seen over the years which were some variation on “I loved this book!! 5 stars!!” and nothing else which have been perfectly acceptable. But it’s like that rule: it’s fine for others, but not fine for me.

I’m not sure if I could get a reread in of Winter to review better, it was a massive undertaking, even in audio form, which I think is how I got around to finally finishing the series in the first place. But I did love it, I remember thinking it was a fantastic conclusion to the series and an amazing way to bring together Winter’s original fairy tale (Snow White), as well as the overarching plot we’ve seen teased since Cinder.

In conclusion, I loved this book!! 5 stars!!

You can purchase Winter via the following

QBDDymocks | Booktopia

WorderyBlackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

Hamlet is Not Ok by R. A. Spratt

Published: 12 March 2024 (print)/4 July 2023 (audio) Goodreads badge
Publisher:
Penguin Random House Australia/Penguin Random House Australia Audio
Pages: 240/3 hrs and 19 mins
Narrator: R. A. Spratt
Format: Audiobook
Genre: Young Adult Contemporary
★   ★   ★ – 3 Stars

Selby hates homework.
She would rather watch TV – anything to escape the tedium of school, her parents’ bookshop and small-town busybodies.
So Selby didn’t plan to read Hamlet. She certainly never planned to meet him.
This novel transports Selby, and the reader, into the cold and crime-ridden play itself. Here she meets Hamlet: heavy with grief, the young prince is overthinking and over everything. Selby can relate. But unlike Hamlet, Selby isn’t afraid of making decisions. In her world, Selby is used to feeling overlooked. But in the bloody, backstabbing world of Shakespeare, Selby’s good conscience and quiet courage might just save some lives . . . hopefully before Hamlet stabs one of her classmates.

Spratt comes in guns blazing with a lot of yelling and chaos which was great. I liked for once there was a character who wasn’t studious, wasn’t on top of stuff, it’s about time there was a teen who got their own book who skipped out on doing any homework and it’s not entirely their fault. Selby I put up with as she is 15 and her actions are a very 15 year old response. There’s a balance at 15 where you can be a bit more immature than maybe a 16 or 17 year old character can get away with. Though immaturity has no age limit really, but you get more leeway the younger you get.

I didn’t like the note from the author essentially warning readers they will encounter Shakespeare in the book. It was like to let them know not to be scared off and to still give this book a chance. If you are reading a book having a few verbatim Shakespeare quotes in it shouldn’t deter you. I think the kids will survive. Especially given how it’s in a narrative form so it isn’t even the big scary play version they supposedly should detest. What was wonderful about having it put through a narrative lens is it’s a great example of how amazing Shakespeare is to see performed live. How reading a play in a book isn’t the right format. A play is to be performed and experienced. Diving right into the text to see it before you is the next best thing. If you can manage it.

It’s a bit Thursday Next with their ability to enter the world of Shakespeare and see it play out before them. As a lover of Thursday Next and her book jumping world this was super fun. Having a teen Hamlet interact with a modern teen really brings to light his angst and the family drama he has to endure. It’s easy to see how Shakespeare can be modernised because there are a lot of universal things and Selby getting to experience the plot points first hand is a great reminder that people have always been people even if you say it in a poetic form.

Spratt is quite emphatic and enthusiastic in her narration. Not unpleasant but it is funny why there was a need to be so emphatic about everything little thing. Seeing as it’s narrated by author I guess we can’t argue how enthusiastic she wanted to be on the reading. John Marsden’s retelling of Hamlet is one of my favourite retellings, and I love Shakespeare adaptations so while this is a tad enthusiastic (which I think won’t come across as intense in the book versus audio) it is a fun story. I love the mention that the play is four hours and the audiobook took three and a half. A great parallel.

Fast paced and light hearted it’s a quick read and one that might help the Shakespeare wary understand the universality and enduring nature of Shakespeare.

You can purchase Hamlet is Not Ok via the following

QBDDymocks | Booktopia

WorderyBlackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

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