Perfect on Paper by Sophie Gonzales

Published: 9 March 2021 (print)/11 March 2021 (audio) Goodreads badge
Publisher:
Wednesday Books/Hodder Children’s Books
Pages: 352/8 hrs and 58 mins
Narrator: Barrie Kreinik
Format: Audiobook
Genre: Contemporary Young Adult
★   ★   ★   ★ – 4 Stars

Her advice, spot on. Her love life, way off.

Darcy Phillips:
• Can give you the solution to any of your relationship woes—for a fee.
• Uses her power for good. Most of the time.
• Really cannot stand Alexander Brougham.
• Has maybe not the best judgement when it comes to her best friend, Brooke…who is in love with someone else.
• Does not appreciate being blackmailed.

However, when Brougham catches her in the act of collecting letters from locker 89—out of which she’s been running her questionably legal, anonymous relationship advice service—that’s exactly what happens. In exchange for keeping her secret, Darcy begrudgingly agrees to become his personal dating coach—at a generous hourly rate, at least. The goal? To help him win his ex-girlfriend back.

Darcy has a good reason to keep her identity secret. If word gets out that she’s behind the locker, some things she’s not proud of will come to light, and there’s a good chance Brooke will never speak to her again.

Okay, so all she has to do is help an entitled, bratty, (annoyingly hot) guy win over a girl who’s already fallen for him once? What could go wrong?

One thing I’ve discovered is I enjoy books set in US high schools if they are written by an Australian. I picked this up for my #AussieYAChallenge but was incredibly confused with the American narrator. But it ended up ok because it’s a good story and does have decent Australian representation in it.

The US school system is a baffling thing anyway but I liked that it didn’t feel so engrained in the school. We get story outside of school a lot which helped balance it. I also enjoyed how even though it followed the US style YA story of having these school wide social media/student organised systems in the form of Darcy’s advice business, it wasn’t weird and unsettling. It was something I had seen with One of Us is Lying, and a few others – a public forum, app, or secrets blog that ruled the school, caused drama, or blackmailed people. This is more like Dear Wendy which technically was university and more public, but the premise was the same: a write in advice service.

The secret locker business was interesting, and the way Darcy explains it was set up is reasonable, as is the eventually outcome of the whole endeavour. Darcy has an interest in helping people and makes sure she does her research and isn’t doing it for gossip or nefarious purposes. But like all things, it’s the invested interest and biases than can get you into trouble.

The hired for advice thing was well played out, and I liked how the relationship between Brougham and Darcy evolved. The blurb is slightly misleading, but from Darcy’s perspective it is not entirely untrue. While there is drama I enjoyed the personal nature of it and it never felt unrealistic. The often overdone, overreaction unreality was missing and it was refreshing to see.

I enjoyed the queer aspect where the bisexual representation was handled well, as well as the exploration of other issues in the school club discussions. It isn’t a side plot per se, Gonzales interweaves everything to be connected somehow, but it’s another aspect of Darcy’s character and it’s a great way to show her growth as well as tie it into the conflicts of the story.

Even with the US setting Gonzales brought the Aussie writing style that made it feel natural. With this also came the benefit of having an Australian character that didn’t sound like a painful stereotype or an American in disguise. Brougham got to actually be a full character and not a background voice of cliché phrases. Gonzales does sneak in a few slang words and some unspoken things which any good Aussie could pick up on, and while it felt a little like a nod to the Aussie reader or a brief education, it still felt ok and within the narrative. I never felt like we stopped the story to have a wedged in “Australian moment”, instead it was a fun meeting of cultures.

Kreinik is a good narrator and the voice of Darcy suited her well. There was no bad Aussie accent either which was so good and a nice change. Overall I was pleasantly surprised considering I was a little reluctant going in.

You can purchase Perfect on Paper via the following

QBDDymocks | Booktopia

WorderyBlackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

Here’s the Thing by Emily O’Beirne

Published: 8th October 2016 (print)/14 March 2023 (audio) Goodreads badge
Publisher:
Ylva Publishing /Tandor Media Inc
Pages: 200/6 hours, 24 minutes
Narrator: Cat Gould
Format: Audiobook
Genre: Contemporary
★   ★   ★ – 3 Stars

It’s only for a year. That’s what sixteen-year-old Zel keeps telling herself after moving to Sydney for her dad’s work. She’ll just wait it out until she gets back to New York and Prim, her epic crush/best friend, and the unfinished subway project. Even if Prim hasn’t spoken to her since that day on Coney Island.

But Zel soon finds life in Sydney won’t let her hide. There’s her art teacher, who keeps forcing her to dig deeper. There’s the band of sweet, strange misfits her cousin has forced her to join for a Drama project. And then there’s the curiosity that is the always-late Stella.

As she waits for Prim to explain her radio silence and she begins to forge new friendships, Zel feels strung between two worlds. Finally, she must figure out how to move on while leaving no one behind.

I feel like I say this every time I find a great Aussie YA, but they really are something special. Even if they aren’t the greatest story, or five star reads, there is such a unique voice that Aussie YA has that is wonderful to read. Even this story, which has a strange meta/fourth wall breaking narration style, still held onto that fantastic voice and tone I love in these stories.

What I liked about this is the story felt different, there is a plot but it’s such a different angle than what you usually see. I liked the divide Zel had about where she felt she fit. It was something relatable about finding your place, but the situation was creative.

Despite the intense experience Zel had in New York, it was interesting how attached she felt to it. Eight months in the city and she referred to it more than her previous home in Canberra. Initially I thought she must have been there for years, but at only eight months it was a weird connection. I understand she had strong connections and great adventures with Prim, so I guess that was a big contributor.

One annoying thing was the phrases and words switched whether Zel was recounting her New York time or her Australia time. When speaking about America US terms were used, but then she would switch back when the story was in Sydney. I get it in a way, but it stood out and is never addressed. Either the explanation is Zel picked up the US terms and kept using them, or she should stick to an Aussie voice consistently. This on top of the fourth wall narration took some getting used to but you get the hang of it all soon enough.

Gould does a good job narrating. I was never taken out of the story and the voices between characters were distinct enough without feeling too much. The characters felt real, maybe not super developed, but from the tone and voice Zel gave it isn’t her style to delve deep into everyone she meets, only the few she gets to know better. Despite that I still managed to understand who these character were, with a few little words you get enough of a sense of their personalities to get by. Plus Zel’s focus points with her narration doesn’t require a lot of background on the other people.

The way O’Beirne has constructed this storyline is clever and I enjoyed how it is about so many things without focusing solely or too heavy handedly on those things.There is a romance element, but it’s not the sole focus of the book. I felt the romance that was there was believable, but I also enjoyed how it isn’t the goal of the book, despite, in it’s own way, being the focus of the whole book.

I also enjoyed how no one changed for anybody. There’s realisations and self reflections, but there is no grand epiphanies and huge moments. I liked the gradual development and struggle Zel has, not only for herself but for her schoolwork and trying to find her place.

Overall, it felt wonderfully real and grounded. This is why Aussie YA is so fantastic. It’s deep and real without being too much.

You can purchase Here’s the Thing via the following

BooktopiaBlackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

Love, Creekwood by Becky Albertalli

Published: 30 June 2020 (print)/23 July 2020 (audio) Goodreads badge
Publisher:
Penguin/Penguin Audio
Pages: 128/2 hrs and 47 mins
Narrator: Michael Crouch, James Fouhey, Kate Rudd, Bahni Turpin
Format: Audiobook
Genre: Young Adult Romance
★   ★ – 2.5 Stars

A gorgeously romantic new novella set in the world of Becky Albertalli’s bestselling and beloved Simonverse novels- Simon vs. the Homo Sapiens Agenda, The Upside of Unrequited, and Leah on the Offbeat.

It’s been more than a year since Simon and Blue turned their anonymous online flirtation into an IRL relationship, and just a few months since Abby and Leah’s unforgettable night at senior prom.

Now the Creekwood High crew are first years at different colleges, navigating friendship and romance the way their story began – on email.

I know I can’t complain that a book called Love, Creekwood would be filled with so much romance, but I wasn’t expecting the entire book to be these characters going on and on about how in love they are with each other? Is there no plot? The answer to that is no. There is no plot.

This is the universe from Simon vs. the Homo Sapiens Agenda and even that book, the book of romance and pining, didn’t feel this annoyingly love obsessed. Especially given Simon and Bram are two years into their relationship, there is no reason they should be as distraught at being apart as they are.

These people are a few hours way from one another and they act like they will never see each other again. Which is absurd given how many times they do actually see each other. Some of them are lamenting being separate for three days or two weeks and it is exhausting to try and find a fun plot around the mourning and pining. There is a bit in there about a fun roommate and playing soccer which is never really expanded on but it was something.

I liked the email format, I liked getting snippets of their lives and references to things that have happened or will happen. It succeeds in telling you about their lives outside of the emails and you don’t need full context because the characters are talking to each other in places. The emails aren’t the sole point of information and are fun love letters on the side, even if they do branch into slightly different things as well. Which is sweet, and ties into the Simon origins, I’m just saying a bit more plot would have been nice than an entire book about characters talking about missing touching and smelling one another.

There was a moment of self-awareness when I think it was Leah or Abbey who mention that not seeing your girlfriend for six days is cause for people to bring out the world’s smallest violin and is a classic first world problem; so Albertalli knows the dramatics these people are exhibiting.

I did this as an audiobook which was fun because the multiple different narrators were all those who I’ve heard in other books, a bit of a who’s who in narration. It was quite fun because they are so familiar they reminded me of all the other great books I had heard them in and the different characters they voiced.

I appreciated the audiobook experience but I’d forgotten how rough it can be hearing emails through audio, especially and entire book of them. The downside of social media in books is hearing everyone’s email addresses read out in full every single time, which for group emails was a long wait to get to whatever the email was actually about. When I read books with emails it’s easy to skim and see the to and from, and subject if necessary and get straight into the message. Hearing the fun name at whatever dot com over and over was hard but I understand they can’t chose to abridge that for ease because that goes against what an audiobook is.

For those who loved the original Simon story (which I did to be fair), and the companion Leah on the Offbeat, it is nice to see the next stage of their lives, I’m just a bit bummed it was so focused on the being in love to the point of nothing else side. Even a novella, keeping the lamenting and including a bit more plot would have been nice, but again, goes against the fun of the email format.

You can purchase Love, Creekwood via the following

QBDDymocks | Booktopia

WorderyBlackwell’s | Angus & Robertson

 Fishpond | Amazon | Amazon Aust | Audible

Cool for the Summer by Dahlia Adler

Published: 11 May 2021 (print)/11 May 2021 (audio) Goodreads badge
Publisher:
Wednesday Books/Macmillan Audio
Pages: 259/6 hrs and 20 mins
Narrator: Natalie Naudus
Format: Audiobook
Genre: Young Adult Contemporary Romance
★   ★ – 2.5 Stars

Lara’s had eyes for exactly one person throughout her three years of high school: Chase Harding. He’s tall, strong, sweet, a football star, and frankly, stupid hot. Oh, and he’s talking to her now. On purpose and everything. Maybe…flirting, even? No, wait, he’s definitely flirting, which is pretty much the sum of everything Lara’s wanted out of life.

Except she’s haunted by a memory. A memory of a confusing, romantic, strangely perfect summer spent with a girl named Jasmine. A memory that becomes a confusing, disorienting present when Jasmine herself walks through the front doors of the school to see Lara and Chase chatting it up in front of the lockers.

Lara has everything she ever wanted: a tight-knit group of friends, a job that borders on cool, and Chase, the boy of her literal dreams. But if she’s finally got the guy, why can’t she stop thinking about the girl?

I am so glad this is my second Adler book because I have wanted to read her stuff for years and I’m glad I loved the first one because I’d be disappointed if this was my first introduction, though the sliding doors element of Going Bicoastal might have tempted me past this mediocre read. There is no real plot except Larissa having a crisis over her feelings. The benefit is it’s a fast read because I kept waiting for the plot to start and I realised it was already two thirds of the way through and nothing had actually happened yet.

Instead of having a character look on at the popular kids Adler has written this from the inner circle and perspective from those in that group. The characters are exhausting. The effort they go to to be in their friend group is so much more work than friends need to be with a lot more rules. The US American trope of popular kids is on clear display and they are vacuous and shallow. There are some examples where they show some depth, but they are all still shallow and showing compassion within your shallow and entitled group doesn’t hold much sway. Plus they aren’t given a lot of depth so most of them are easily forgettable. It doesn’t do much to break the stereotypes. I feel bad for Larissa even having these people as friends sometimes. It’s always a fascinating study reading these kinds of books. We didn’t have this in my school, we had groups sure, but not the hierarchy these US high school books always contain. It makes it a strange novelty and a tired trope to see it in these books.

There were some good moments. I enjoyed the stuff with Jasmine, it felt like the only time Larissa was her real self, less performative, which was possibly the point even though it’s never addressed. I did enjoy the casualness of Larissa’s bisexuality. It wasn’t an issue, dealing with it wasn’t the plot (technically), and it was an established thing. I do like it when diverse books can have a character have an identity but not make the entire plot about that identity.

It felt like a novella despite being a full length book, and could easily have been cut down to a short story. No plot would be lost since there isn’t any and with a tighter story it could have been a lot more enjoyable.

You can purchase Cool for the Summer via the following

Booktopia

 Blackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust

Dear Sweet Pea by Julie Murphy

Published: 1 October 2019 (print)/1 October 2019 (audio) Goodreads badge
Publisher:
Balzer + Bray/Harper Collins
Pages: 273/6 hours, 20 minutes
Narrator: Phoebe Strole
Format: Audiobook
Genre: Contemporary Junior Fiction
★   ★   ★ – 3 Stars

Patricia “Sweet Pea” DiMarco wasn’t sure what to expect when her parents announced they were getting a divorce. She never could have imagined that they would have the “brilliant” idea of living in nearly identical houses on the same street. In the one house between them lives their eccentric neighbour Miss Flora Mae, the famed local advice columnist behind “Miss Flora Mae I?”

Dividing her time between two homes is not easy. And it doesn’t help that at school, Sweet Pea is now sitting right next to her ex-best friend, Kiera, a daily reminder of the friendship that once was. Things might be unbearable if Sweet Pea didn’t have Oscar–her new best friend–and her fifteen-pound cat, Cheese.

Then one day Flora leaves for a trip and asks Sweet Pea to forward her the letters for the column. And Sweet Pea happens to recognize the handwriting on one of the envelopes.

What she decides to do with that letter sets off a chain of events that will forever change the lives of Sweet Pea DiMarco, her family, and many of the readers of “Miss Flora Mae I?”

This book was enjoyable, had a few issues, but for a book kids will read it was a nice story. There was a lot of diversity and insights into being a kid, body issues and friend dramas, as well as big family changes.

Being in year seven I think Sweet Pea is around 13, which explains the lack of critical thinking and the impulsive actions. But while she is sensible in some areas, and has a well-rounded view on others, she is still quite selfish and judgemental of those around her. Having a character like this is good because why should a kid be perfect when they are still growing, and hopefully this story is the start of her growth. She has a lot of important things happening in her life and her good intentions don’t always work out.

One things I thought was curious was there are no consequences for Sweet Pea hiding her father’s important mail or deleting phone messages. I felt that was the wrong message to send that even if Sweet Pea felt bad, no adult found out what she did and even when it was clear there would have been major consequences nothing seemed to come of it.

Opening all the mail was magically forgotten about too, as was reading everyone’s private letters to Flora Mae and then resealing them (perfectly somehow) and sending them on. Even though there are consequences for the ones she does deal with, it was a weird thing to leave unmentioned.

The way characters are described aren’t blended well, there is a lot of “there is a guy behind the counter, he looks like this and is wearing this” but imagine this for every person Sweet Pea sees. It’s takes you from the story a little, especially in audio form when you stop to describe someone then the story continues. It shows off good representation and shows diversity, even if it’s a one off background character, but the writing needed to make it more streamlined.

Another unrealistic thing is I cannot imagine her school calling her Sweet Pea, even if it has Patricia on her forms. What kind of awkward thirteen year old wants everyone calling her Sweet Pea, I feel that is prime humiliation, even in a small town and a small school. She can’t be awkward and anxious while also being on having everyone call her a personal nickname.

Strole does a good job as narrator, I liked her voice for Sweet Pea and aside from the clunky descriptions I fell into the story easily.

Overall I liked the story, even with the flaws. Murphy writes these characters who are imperfect and finding their way in the world. It’s a bold adventure and a lot of change for Sweet Pea but one I think would resonate with a lot of kids around the same age.

You can purchase Dear Sweet Pea via the following

QBD | Booktopia

WorderyBlackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

 

 

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