The Dos and Donuts of Love by Adiba Jaigirdar

Published: 8 June 2023 (print)/8 June 2023 (audio) Goodreads badge
Publisher:
Feiwel & Friends/Hodder Children’s Books
Pages: 336/8 hrs and 27 mins
Narrator: Priya Ayyar
Format: Audiobook
Genre: Contemporary YA Romance
★   ★ – 2.5 Stars

“Welcome to the first ever Junior Irish Baking Show!”

Shireen Malik is still reeling from the breakup with her ex-girlfriend, Chris, when she receives news that she’s been accepted as a contestant on a new televised baking competition show. This is Shireen’s dream come true! Because winning will not only mean prize money, but it will also bring some much-needed attention to You Drive Me Glazy, her parents’ beloved doughnut shop.

Things get complicated, though, because Chris is also a contestant on the show. Then there’s the very outgoing Niamh, a fellow contestant who is becoming fast friends with Shireen. Things are heating up between them, and not just in the kitchen.

As the competition intensifies, Shireen will have to ignore all these factors and more— including potential sabotage—if she wants a sweet victory!

This is a hard one to review because so many issue I had with it are specific plot points but being vague about the problems is doing it a disservice as well. I’ll try my best to be vague but spoiler free. It begins with an established Romeo and Juliet (or Juliet and Juliet) type situation that’s already transpired, but that isn’t the focus as the post break-up of Shireen and Chris is where we come in.

We learn a lot about Shireen early on, her love of baking shows and baking, her friendship with Fatima and her recent break up. Her parents run a doughnut shop which has a rivalry with the one across the street which is where her relationship with Chris comes from. I enjoyed getting to know about Shireen’s life and it was great to have everything be established without chunks of exposition, Jaigirdar reveals things seamlessly as the story goes on.

I was curious about the format of the Junior Irish Baking Show. The filming and show structure decisions go against what I know from the baking and reality TV world but it worked for the plot and when you create your own made up show you can do what you like. One peculiar aspect was the fact the judges would have more sway than producers, and that the producers would hide cheating, despite the truth being they would jump on that drama and get views out of it or at best be accused of favouritism and unfair conditions for everyone else in the competition if they didn’t act.

There are a lot of confusing elements of this story which, as I said, if I start to unpack I’ll be breaking down the plot points, but Shireen’s relationship with her parents swung between being supportive, to indifferent, to contradictory. They were unsure about her being on the show which was understandable, but then they became supportive, but also never minded Shireen never stayed and watched the show with them or seemed invested to talk to her about it. It may be a cultural thing, Shireen mentions how they display affection a few times, this might be the way it goes in her Bangladeshi house.

The less confusing aspects were just plain potholes. As the story went on the basic structure from the start started to fall apart and things just didn’t make realistic sense. It was already hard to believe that the judges are in charge, but to believe there is no security in the studio, and what security there is so is unfathomably unrealistic. It takes you away from the story because it just would not happen. It’s one thing to put your disbelief aside if the characters and the story is compelling enough, but since the characters were slightly flat and underdeveloped, and the storyline was a little outlandish, there is a point where you can’t drive around a plot hole anymore and you have to fall into them.

Shireen’s selfish and judgemental attitude is easy to pin on her being a teenager, as well as being hurt and lashing out when she is upset. By the end there is an attempt at character development but unfortunately it felt rushed and shallow and didn’t feel much more than her apologising for her behaviour without actually changing it. To her credit she is flawed without becoming unlikable, there is a good balance there.

Chris was a confusing character. She is on the baking show, but has been established as not being much of a baker, but she needs to win, but also doesn’t think she’s good enough to and doesn’t really like to bake. Shireen isn’t her only competition so it was a weird reason to have this cause conflict between them. If we’re supposed to be invested in Chris and Shireen patching up their friendship/relationship Jaigirdar doesn’t give you much to work with. We got so little from Chris on the page it was hard to understand her character at all aside from the few points Shireen mentions on the page.

The love triangle or potential love interest angle was also barely addressed. It hovered in the corner but I never felt it became really viable. The past drama over Chris was more of a focus than diving into anything with Niamh who was also underdeveloped.

There were positives to admire. The representation of Asian cultures was strong and the celebration of their cuisine was positive. The exploration of online bullying, racism, and fatphobia are addressed naturally and with respect. That was one part of the story that felt real. Of course the adults would reach out to make sure the kids were ok it was strange again that it was the judges taking the lead and not an on set counsellor or producer but I understand the connection Jaigirdar was trying to make with Shireen.

Ayyar does a good job at narrating. The accent switches were good and helped establish characters though it was an interesting choice to have an Irish/Bangladeshi be narrated as American when everyone else got their own character’s accent.

There are puns a plenty if that’s your thing and you have to admire Jaigirdar for creating a set of judges who are the unsubtle off brand versions of real celebrity judges. Padma Bollywood is the Paul Hollywood you can put in a book without it being Paul Hollywood. Mary Berry and Gordon Ramsey also get their own alternate selves. Overall, it’s light hearted full of baking and culture so if you are after an easy read this would be perfect, but even light reads shouldn’t throw some parts of reality out the window.

You can purchase The Dos and Donuts of Love via the following

QBDDymocks | Booktopia

WorderyBlackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

10 Things That Never Happened by Alexis Hall

Published: 17 October 2023 (print)/17 October 2023 (audio) Goodreads badge
Publisher:
Sourcebooks Casablanca/Dreamscape Media
Pages: 391/10 hrs and 10 mins
Narrator: Will Watt
Format: Audiobook
Genre: Romance
★   ★   ★   ★ – 4 Stars

Sam Becker loves—or, okay, likes—his job. Sure, managing a bed-and-bath retailer isn’t exactly glamorous, but it’s good work, and he gets on well with the band of misfits who keep the store running. He could see himself being content here for the long haul. Too bad, then, that the owner is an infuriating git.

Jonathan Forest should never have hired Sam. It was a sentimental decision, and Jonathan didn’t get where he is by following his heart. Determined to set things right, Jonathan orders Sam down to London for a difficult talk…only for a panicking Sam to trip, bump his head, and maybe accidentally imply he doesn’t remember anything?

Faking amnesia seemed like a good idea when Sam was afraid he was getting sacked, but now he has to deal with the reality of Jonathan’s guilt—as well as the unsettling fact that his surly boss might have a softer side to him. There’s an unexpected freedom in getting a second shot at a first impression…but as Sam and Jonathan grow closer, can Sam really bring himself to tell the truth, or will their future be built entirely on one impulsive lie? 

I spent a lot my time reading this book swinging between liking it and disliking it, or not even disliking it, but feeling uncomfortable with certain parts. I haven’t read any fake amnesia stories before so I have nothing to hold it up against but I’m not the biggest fan, but Hall manages to navigate it satisfactorily. There may be tiny spoilers but I loved some parts so much I have to address them.

I enjoyed the premise of how the relationship between Sam and Jonathan worked and the establishing connection they had through the store. The dynamic between his staff and upper management felt real and Hall makes it easy to understand the kind of rock and hard place Sam puts himself in.

The accident which kick starts this fake amnesia is great and we get a lot of Sam’s internal thoughts that guide so much of this book. His actions come from the worries and concerns he has, as well as balancing being professional and his inherent cheeky, pain in the arse, blunt and honest nature. This butts up against the uptight personality of Jonathan who is trying to do the right thing but also keep a store afloat and lawyers out of the situation.

The Jonathan/Sam dynamic is fun and while Sam pushes buttons it is often not always a bad thing as Jonathan is wound very tightly. Jonathan taking Sam in is believable from an own your own business/personal investment/guilt combo which we see reflected in Jonathan’s side of the story.

I love the humour throughout, the ongoing jokes about always referencing products by their full name and Sam’s easy attitude making quips – appropriate or not – are delightful. There are secrets too without it being dangled over our head that something is being withheld like a horrible unnecessary tease. What we aren’t told works for the narrative really well and is also a gut punch when you uncover it.

My main issue was feeling uneasy with the premise. Sam spends a lot of time worrying about the lying and how he is going to get out of this fake amnesia but there are ample opportunities for him to fake his way back into recover which he never takes.

I know the point is to have him put his foot in it and have it be a moment of crisis and tension between them, but I would have loved another route, maybe honesty, and have him cleverly bring back the reveal of his recovered memories. But I’m not the one who wrote the book.

And I suppose these big moments are the reason why people like the trope and not for cleverly avoiding tension – I think this is my issue, I had it in Take a Bow, Noah Mitchell and I have it in this. It’s the deception and the lying I am not a fan of and when I can see clear ways to stop that organically, albeit still deceptively, and not have it come into a moment of betrayal and trust from characters I wish the author took it. But again, not the point of the trope. At least there was a legit reason for the deception, not a made up thing about miscommunication or people assuming they’ve seen something without talking to anyone about it.

A part of me hates how invested and how much I adored the final part of the story because I spent a good chunk at the start unsure if I liked it or not. It’s amazing how much that good saving grace conversation rescued this book.

Hall was incredibly fortunate to recover by having Sam say all the things. Yes he didn’t tell Jonathan but when confronted he actually explains himself: he was scared, he was worried about his job, and he says the right things about seeing Jonathan as a boss and a person, and now knowing who he is.

I loved Sam, he is trying his best and trying to please everyone which is where all his troubles start. It was also brilliant how Sam’s life looks ok from the outside but we soon uncover he’s actually at his low point long before we see him realise he’s at his low point. It’s incredibly clever and it’s a great insight into how people perceive themselves and how others see you.

Watt does a great job with the audiobook. Each character has their own voice and you really got a grasp of who these characters were, their emotional state and their uncertainties. Which is no small feat when some scenes had Jonathan’s entire family talking over one another. Watt should be commended for keeping that distinguishable in an audio only setting.

Finishing this book had me repeating to myself I must not reread Boyfriend Material because I think I do love how Hall writes emotionally damaged, cocky British boys and I love seeing them crumble for emotionally uptight British boys. It’s not as fantastic as Boyfriend Material, but it is still a good story with real characters with real heart and foolishness which I will begrudgingly forgive (just).

You can purchase 10 Things That Never Happened via the following

QBDDymocks | Booktopia

WorderyBlackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

Perfect on Paper by Sophie Gonzales

Published: 9 March 2021 (print)/11 March 2021 (audio) Goodreads badge
Publisher:
Wednesday Books/Hodder Children’s Books
Pages: 352/8 hrs and 58 mins
Narrator: Barrie Kreinik
Format: Audiobook
Genre: Contemporary Young Adult
★   ★   ★   ★ – 4 Stars

Her advice, spot on. Her love life, way off.

Darcy Phillips:
• Can give you the solution to any of your relationship woes—for a fee.
• Uses her power for good. Most of the time.
• Really cannot stand Alexander Brougham.
• Has maybe not the best judgement when it comes to her best friend, Brooke…who is in love with someone else.
• Does not appreciate being blackmailed.

However, when Brougham catches her in the act of collecting letters from locker 89—out of which she’s been running her questionably legal, anonymous relationship advice service—that’s exactly what happens. In exchange for keeping her secret, Darcy begrudgingly agrees to become his personal dating coach—at a generous hourly rate, at least. The goal? To help him win his ex-girlfriend back.

Darcy has a good reason to keep her identity secret. If word gets out that she’s behind the locker, some things she’s not proud of will come to light, and there’s a good chance Brooke will never speak to her again.

Okay, so all she has to do is help an entitled, bratty, (annoyingly hot) guy win over a girl who’s already fallen for him once? What could go wrong?

One thing I’ve discovered is I enjoy books set in US high schools if they are written by an Australian. I picked this up for my #AussieYAChallenge but was incredibly confused with the American narrator. But it ended up ok because it’s a good story and does have decent Australian representation in it.

The US school system is a baffling thing anyway but I liked that it didn’t feel so engrained in the school. We get story outside of school a lot which helped balance it. I also enjoyed how even though it followed the US style YA story of having these school wide social media/student organised systems in the form of Darcy’s advice business, it wasn’t weird and unsettling. It was something I had seen with One of Us is Lying, and a few others – a public forum, app, or secrets blog that ruled the school, caused drama, or blackmailed people. This is more like Dear Wendy which technically was university and more public, but the premise was the same: a write in advice service.

The secret locker business was interesting, and the way Darcy explains it was set up is reasonable, as is the eventually outcome of the whole endeavour. Darcy has an interest in helping people and makes sure she does her research and isn’t doing it for gossip or nefarious purposes. But like all things, it’s the invested interest and biases than can get you into trouble.

The hired for advice thing was well played out, and I liked how the relationship between Brougham and Darcy evolved. The blurb is slightly misleading, but from Darcy’s perspective it is not entirely untrue. While there is drama I enjoyed the personal nature of it and it never felt unrealistic. The often overdone, overreaction unreality was missing and it was refreshing to see.

I enjoyed the queer aspect where the bisexual representation was handled well, as well as the exploration of other issues in the school club discussions. It isn’t a side plot per se, Gonzales interweaves everything to be connected somehow, but it’s another aspect of Darcy’s character and it’s a great way to show her growth as well as tie it into the conflicts of the story.

Even with the US setting Gonzales brought the Aussie writing style that made it feel natural. With this also came the benefit of having an Australian character that didn’t sound like a painful stereotype or an American in disguise. Brougham got to actually be a full character and not a background voice of cliché phrases. Gonzales does sneak in a few slang words and some unspoken things which any good Aussie could pick up on, and while it felt a little like a nod to the Aussie reader or a brief education, it still felt ok and within the narrative. I never felt like we stopped the story to have a wedged in “Australian moment”, instead it was a fun meeting of cultures.

Kreinik is a good narrator and the voice of Darcy suited her well. There was no bad Aussie accent either which was so good and a nice change. Overall I was pleasantly surprised considering I was a little reluctant going in.

You can purchase Perfect on Paper via the following

QBDDymocks | Booktopia

WorderyBlackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

Here’s the Thing by Emily O’Beirne

Published: 8th October 2016 (print)/14 March 2023 (audio) Goodreads badge
Publisher:
Ylva Publishing /Tandor Media Inc
Pages: 200/6 hours, 24 minutes
Narrator: Cat Gould
Format: Audiobook
Genre: Contemporary
★   ★   ★ – 3 Stars

It’s only for a year. That’s what sixteen-year-old Zel keeps telling herself after moving to Sydney for her dad’s work. She’ll just wait it out until she gets back to New York and Prim, her epic crush/best friend, and the unfinished subway project. Even if Prim hasn’t spoken to her since that day on Coney Island.

But Zel soon finds life in Sydney won’t let her hide. There’s her art teacher, who keeps forcing her to dig deeper. There’s the band of sweet, strange misfits her cousin has forced her to join for a Drama project. And then there’s the curiosity that is the always-late Stella.

As she waits for Prim to explain her radio silence and she begins to forge new friendships, Zel feels strung between two worlds. Finally, she must figure out how to move on while leaving no one behind.

I feel like I say this every time I find a great Aussie YA, but they really are something special. Even if they aren’t the greatest story, or five star reads, there is such a unique voice that Aussie YA has that is wonderful to read. Even this story, which has a strange meta/fourth wall breaking narration style, still held onto that fantastic voice and tone I love in these stories.

What I liked about this is the story felt different, there is a plot but it’s such a different angle than what you usually see. I liked the divide Zel had about where she felt she fit. It was something relatable about finding your place, but the situation was creative.

Despite the intense experience Zel had in New York, it was interesting how attached she felt to it. Eight months in the city and she referred to it more than her previous home in Canberra. Initially I thought she must have been there for years, but at only eight months it was a weird connection. I understand she had strong connections and great adventures with Prim, so I guess that was a big contributor.

One annoying thing was the phrases and words switched whether Zel was recounting her New York time or her Australia time. When speaking about America US terms were used, but then she would switch back when the story was in Sydney. I get it in a way, but it stood out and is never addressed. Either the explanation is Zel picked up the US terms and kept using them, or she should stick to an Aussie voice consistently. This on top of the fourth wall narration took some getting used to but you get the hang of it all soon enough.

Gould does a good job narrating. I was never taken out of the story and the voices between characters were distinct enough without feeling too much. The characters felt real, maybe not super developed, but from the tone and voice Zel gave it isn’t her style to delve deep into everyone she meets, only the few she gets to know better. Despite that I still managed to understand who these character were, with a few little words you get enough of a sense of their personalities to get by. Plus Zel’s focus points with her narration doesn’t require a lot of background on the other people.

The way O’Beirne has constructed this storyline is clever and I enjoyed how it is about so many things without focusing solely or too heavy handedly on those things.There is a romance element, but it’s not the sole focus of the book. I felt the romance that was there was believable, but I also enjoyed how it isn’t the goal of the book, despite, in it’s own way, being the focus of the whole book.

I also enjoyed how no one changed for anybody. There’s realisations and self reflections, but there is no grand epiphanies and huge moments. I liked the gradual development and struggle Zel has, not only for herself but for her schoolwork and trying to find her place.

Overall, it felt wonderfully real and grounded. This is why Aussie YA is so fantastic. It’s deep and real without being too much.

You can purchase Here’s the Thing via the following

BooktopiaBlackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

Love, Creekwood by Becky Albertalli

Published: 30 June 2020 (print)/23 July 2020 (audio) Goodreads badge
Publisher:
Penguin/Penguin Audio
Pages: 128/2 hrs and 47 mins
Narrator: Michael Crouch, James Fouhey, Kate Rudd, Bahni Turpin
Format: Audiobook
Genre: Young Adult Romance
★   ★ – 2.5 Stars

A gorgeously romantic new novella set in the world of Becky Albertalli’s bestselling and beloved Simonverse novels- Simon vs. the Homo Sapiens Agenda, The Upside of Unrequited, and Leah on the Offbeat.

It’s been more than a year since Simon and Blue turned their anonymous online flirtation into an IRL relationship, and just a few months since Abby and Leah’s unforgettable night at senior prom.

Now the Creekwood High crew are first years at different colleges, navigating friendship and romance the way their story began – on email.

I know I can’t complain that a book called Love, Creekwood would be filled with so much romance, but I wasn’t expecting the entire book to be these characters going on and on about how in love they are with each other? Is there no plot? The answer to that is no. There is no plot.

This is the universe from Simon vs. the Homo Sapiens Agenda and even that book, the book of romance and pining, didn’t feel this annoyingly love obsessed. Especially given Simon and Bram are two years into their relationship, there is no reason they should be as distraught at being apart as they are.

These people are a few hours way from one another and they act like they will never see each other again. Which is absurd given how many times they do actually see each other. Some of them are lamenting being separate for three days or two weeks and it is exhausting to try and find a fun plot around the mourning and pining. There is a bit in there about a fun roommate and playing soccer which is never really expanded on but it was something.

I liked the email format, I liked getting snippets of their lives and references to things that have happened or will happen. It succeeds in telling you about their lives outside of the emails and you don’t need full context because the characters are talking to each other in places. The emails aren’t the sole point of information and are fun love letters on the side, even if they do branch into slightly different things as well. Which is sweet, and ties into the Simon origins, I’m just saying a bit more plot would have been nice than an entire book about characters talking about missing touching and smelling one another.

There was a moment of self-awareness when I think it was Leah or Abbey who mention that not seeing your girlfriend for six days is cause for people to bring out the world’s smallest violin and is a classic first world problem; so Albertalli knows the dramatics these people are exhibiting.

I did this as an audiobook which was fun because the multiple different narrators were all those who I’ve heard in other books, a bit of a who’s who in narration. It was quite fun because they are so familiar they reminded me of all the other great books I had heard them in and the different characters they voiced.

I appreciated the audiobook experience but I’d forgotten how rough it can be hearing emails through audio, especially and entire book of them. The downside of social media in books is hearing everyone’s email addresses read out in full every single time, which for group emails was a long wait to get to whatever the email was actually about. When I read books with emails it’s easy to skim and see the to and from, and subject if necessary and get straight into the message. Hearing the fun name at whatever dot com over and over was hard but I understand they can’t chose to abridge that for ease because that goes against what an audiobook is.

For those who loved the original Simon story (which I did to be fair), and the companion Leah on the Offbeat, it is nice to see the next stage of their lives, I’m just a bit bummed it was so focused on the being in love to the point of nothing else side. Even a novella, keeping the lamenting and including a bit more plot would have been nice, but again, goes against the fun of the email format.

You can purchase Love, Creekwood via the following

QBDDymocks | Booktopia

WorderyBlackwell’s | Angus & Robertson

 Fishpond | Amazon | Amazon Aust | Audible

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