Eleanor Jones is Not a Murderer by Amy Doak

Published: 04 September 2023 (print)/28 November 2023 (audio) Goodreads badge
Publisher:
Penguin Books/Penguin Random House Australia Audio
Pages: 282/5 hrs and 29 mins
Narrator: Lola Bond
Format: Audiobook
Genre: Young Adult Mystery
★   ★   ★   ★ – 4.25 Stars

Eleanor Jones is Not a Murderer by Amy DoakEleanor Jones has just started at her ninth high school. She likes to stay invisible, on the outer. So it’s bad luck that the first person she talks to at school, Angus Marshall, is stabbed and left for dead. And the last message on his phone is from Eleanor.

Eleanor realises the police don’t have all the facts. In trying to understand what happened to Angus, she inadvertently becomes involved with an eclectic group of fellow students – who all have their own reasons to want this mystery solved.

As they slowly unravel Angus’ secrets, Eleanor discovers the true meaning of friendship – and uncovers a danger lurking at the heart of the town…

I will excuse that maybe it’s a QLD thing, but this feels very American. I’m not sure whether Doak wrote it in a way to be broadly appealing outside of Australia, or whether QLD is just like that, but it didn’t completely have that great Aussie feel I love from our YA.

My experience with our schools is we don’t have the hierarchy of popular kids and the losers. I cannot fathom how just because a group of “cool” kids went to a public fish and chip shop other teenagers could never ever walk in there any other time of their life because it was the cool kids hang out. Like, what? And why must we think being studious means you don’t have friends? Ok that’s a character choice this time, but I knew plenty of studious people who had lots of friends. Is this trying to be a US stereotype knock off to appeal? Or is QLD just like this? There is even the overdone cool kid party which is close enough to being the US teen trope too.

What was interesting about Eleanor is she bucks the trends I was expecting. Nine schools in five years I’m surprised she is even open to trying to make friends. I’d’ve figured she’d realise there was no point and know she was moving in a few months so she wasn’t going to get attached to people. I mean, good for her for not doing this, but it’s interesting. Especially in the digital age where it is easier to keep in touch, but being in a place for a few months doesn’t let you make close friends that are work keeping touch with.

To her credit, I was very surprised when the Big Reveal happens, Eleanor was quite sensible. Not entirely, but she knows when to bail and not be a hero. I loved that. It’s stupid, but I shouldn’t be so proud that these kids, while doing their own investigation as is the style, still go to adults, and police, and don’t try and save the day entirely themselves. I shouldn’t be amazed and impressed when they leave it to the adults and pass on messages when someone is on trouble. I love that and I need more of it. I got so cranky in a book because it was too stupid how the teen detective acted, and I just need these detectives, as fun as they are, to also not go so far that things would be stupid and unbelievable and ‘if they’d just told someone’. They even mention the cops may have more info than they let on and surprise surprise and might be able to do something.

I loved the characters and I loved their dynamics. There isn’t a lot of emotional turmoil and drama which keeps it light but there are still deep moments. If A Good Girl’s Guide was a bit too intense this is a great substitute. A good Aussie feel despite the few American vibes and the mystery is still captivating. A great example of small towns and needing outlets and enrichment.

With great pacing and a constant intrigue in the mystery it’s definitely a page turner. It’s a lighter version of these kinds of teen detectives which is perfect for those who want the style without the emotional intensity.

You can purchase Elanor Jones is Not a Murderer via the following

QBDDymocks | Booktopia

Angus & Robertson

Fishpond | Amazon Aust | Audible

Every Last Suspect by Nicola Moriarty

Published: 04 June 2024 (print)/04 June 2024 (audio) Goodreads badge
Publisher:
HarperCollins Australia/Bolinda Publishing
Pages: 384/8 hrs and 56 mins
Narrator: Claire Warrillow, Eva Seymour, George El Hindi, Jessica Stanley
Format: Audiobook
Genre: Domestic Thriller/Mystery
★   ★   ★ – 4 Stars

Complicated, driven, loving. Manipulative, irresistible, monstrous.

Love or hate her, Harriet Osman is impossible to turn down. But someone in her life has finally snapped, leaving her lying in a pool of her own blood. Harriet isn’t one to die quietly though, and she is determined to reveal her killer before she goes.

Was it her devoted husband, Malek, with a violent past? Her best friend and lover, Victoria, with a deadly secret only Harriet knew? Or the new woman in her life, fellow school mum Karen? The one with an impeccable reputation … or so she says.

Bullying, friendships and games (in and out of the bedroom) combine with envy, lust and revenge, creating a darkly twisted tale of drama and suspense where the question isn’t who killed Harriet, but why did it take them so long?

I recently heard Moriarty speak at the Newcastle Writers’ Festival and was intrigue by her new book. I’ve enjoyed her books in the past and the premise was interesting and a different way to approach a mystery and a whodunit. The victim uses her dying moments to try and work out who has killed her. Who would have a motive to harm her? If only it could be figured out before she died then maybe she could leave a clue to those who find her. It piqued my interest and I was curious to see how it played out, especially Moriarty’s discussion about having a character who was unlikable, but balanced to also gain sympathy from readers.

I enjoyed the breakdown of the points of view, the three suspects Harriet believes could be her murderer. As we get each perspective we see how Harriet has influenced their behaviour and impacted on their lives in ways even they couldn’t imagine.

One thing I love about well done mysteries is having characters who can be complicated enough to have depth and feel real on the page, but also needing enough motive and be the kind of person who could kill someone. Moriarty does this incredibly well because as these lives play out in the Western Suburbs, the almost parasitic way Harriet has infiltrated their thoughts and their lives is enough to make you think they have a chance to risk everything to get payback.

The possible motives of the characters are fantastic and I loved the complexity and unique way everything is revealed. The surprise/non surprise party for Harriet is a great way to gather everyone and I loved how it’s a jumping off point to set things in motion as well as bring everything to a head.

The representation of messy families, jealousies, fears, hidden pasts, and semi toxic friendships is wonderful and nothing ever felt false or overdone. Each character brings their history and personality to the story and you could feel their real lives being impacted by Harriet and her actions.

I loved how complex Harriet was. She is a mean girl, a toxic friend, a person everyone loved and wanted to be friends with but could also burn you at the slightest thing. She was flawed but not entirely bad either and having her deductions in her own head as she dies it gives us an insight into her motives that beautifully contrast how those motives are perceived by everyone around her. Her flaws and own short comings make her be perceived in a harsh light, more than she intends, but she is also in no way completely innocent either. Moriarty has balanced her wonderfully.

The ending is deeply satisfying because not only is the revelation fantastic, the wrap up is incredibly clever. Things you don’t think are important come back, and things that felt important weren’t or they are in a different way. Unconnected things become connected and there’s misleads and expectations that don’t come to light. All the while making you think if some things had been discovered sooner would they have made a difference? You’re never really sure and it’s a great thing to leave readers thinking about.

You can purchase Every Last Suspect via the following

QBDDymocks | Booktopia

WorderyBlackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

 

 

Beating About the Bush (#30) by M. C. Beaton

Published: 3 October 2019 (print)/ 24 October 2019 (audio) Goodreads badge
Publisher:
Minotaur Books /Audible
Pages: 236/6 hrs and 22 mins
Narrator: Penelope Keith
Format: Audiobook
Genre: Cosy Mystery
★   ★   ★  – 3 Stars

When private detective Agatha Raisin comes across a severed leg in a roadside hedge, it looks like she is about to become involved in a particularly gruesome murder. Looks, however, can be deceiving, as Agatha discovers when she is employed to investigate a case of industrial espionage at a factory where nothing is quite what it seems.

The factory mystery soon turns to murder and a bad-tempered donkey turns Agatha into a national celebrity, before bringing her ridicule and shame. To add to her woes, Agatha finds herself grappling with growing feelings for her friend and occasional lover, Sir Charles Fraith. Then, as a possible solution to the factory murder unfolds, her own life is thrown into deadly peril. Will Agatha get her man at last? Or will the killer get her first?

Thirty books. Have I really suffered through thirty of these books? Though surprisingly I did not suffer that much this time around which came as a shock to no one more than myself. I went in with trepidation given past evidence and while it wasn’t perfect, there was a spark of the old writing style and structured, edited, and coherent storytelling.

The old outlandish plots are back with Agatha falling in love with a donkey whose been accused of murder. It was a strange shift from the Agatha of late, it was a refreshing change and so out of the blue it was easier to go along with it and revel in the absurdity of it all. The humour shown in earlier books is back, this time written well and used by characters in enjoyable ways so you fall comfortably into the story and accept it.

Agatha’s usual jealousy of Toni is there, a new love interest though as unsustainable as the others, and while the key characters get a mention, they are barely featured in the story. An offhanded reference here, one line there, they are hardly main players this time around as the focus is on the bigger plot of Agatha, Toni, and the donkey. Everything isn’t fixed entirely, the predictability remains, the outlandish outbursts and short temper of Agatha rains down on those who cross her, and we can’t have a new book without Agatha getting herself into dire strife. Things are better but there are no miracles.

Beaton passed away while I was reading this book and at the time I did hope someone was going to keep writing them because it looked like Beaton was finally realising that Charles and Agatha should be together. Reading the summary of one of the upcoming books I’m learning this was never going to eventuate. I’ve been burned before and watched good character development be pushed back into the box for worn out tropes and lazy writing so I have little hope on that front. The will they/won’t they is a good tantaliser but there must be a day when you can’t string it along forever. It’s actually annoying Beaton died after this book (if she was actually still writing them) because it’s the closest we’ve come to having Agatha and Charles get together and it’s a shame we didn’t get that as a reward for all the pain and suffering we’ve put up with. If nothing else the only thing I wanted as a reward from enduring thirty of these books was the two of them getting together and this is the closest Beaton has come without actually doing anything about it.

Because it’s taken me two years to write some of these reviews because of *gestures at everything* three more books have been published. Now, I don’t think I have the strength to read those three books but at the time this was the latest publication. This was my goal. This was where I wanted to get to and given the way this whole grand plan of mine worked out I think I’m going to stop. I read the thirty published books through 2020 and while it’s taken me longer to review them than planned I have met that goal and I don’t know if I feel inclined to keep going with the series. I’m calling that a win and while this was the most enjoyable book in a long, long while, I will wait and see if my own curiosity tempts me to see if the writing really does change with this new author and pick it up again. But if I’m honest with myself I really don’t think I’ll be back.

You can purchase Beating About the Bush via the following

QBD | Booktopia | Book Depository

Dymocks | Wordery | Angus and Robinson

 Fishpond | Amazon | Amazon Aust | Audible

Agatha Raisin and the Dead Ringer (#29) by M. C. Beaton

Published: 2 October 2018 (print)/4 October 2018 (audio) Goodreads badge
Publisher:
Minotaur Books /Audible
Pages: 233/6 hrs and 25 mins
Narrator: Penelope Keith
Format: Audiobook
Genre: Cosy Mystery
★   ★  – 2 Stars

The team of bells at St. Ethelred church is the pride and glory of the idyllic Cotswolds village of Thirk Magna, together with the most dedicated bell ringers in the whole of England: the twins Mavis and Millicent Dupin.

As the village gets ready for the Bishop’s visit, the twins get overly-excited at the prospect of ringing the special peal of bells created for the occasion and start bullying the other bell ringers, forcing them to rehearse and rehearse . . . so much so that Joseph Kennell, a retired lawyer, yells at the sisters that he ‘felt like killing them’!

When the twins’ home is broken into one night and Millicent is found dead, struck from a hammer blow, suspicion falls onto the lawyer.

Will Agatha unmask the real killer and clear Joseph’s name?

I gave this book two stars because I didn’t want to claw my eyes out listening to it like I have in the past but that doesn’t make it good it makes it bearable. It’s so long winded and disjointed with random events and jumps there isn’t a coherent story to really pay attention to. I found I could tune out and come back in and have it in the background and not lose what was happening because nothing is actually happening of any consequence.

Agatha is in a foul mood for the entire first part of the book and all the characters are angry or abusive. Everyone goes from zero to threatening death when mildly inconvenienced and no one can yell at anyone without wishing them dead because they will end up dead a page later. I understand there is a formula to these mysteries, but a formula is different to the exact same thing happening in the same way every single time. We should be able to have multiple suspects in ways other than publically calling for their demise.

There were no pleasant characters and even the familiar regulars seem put out. People go from zero to abuse and while there are no swear words, calling every character a bitch or slut is tiring not to mention a little jarring in a cosy. The writing contains the same sexism and misogyny it’s always had but with James barely in the story thankfully it isn’t through him, Agatha does a lot of it herself.

One thing I noticed is no one is really sad about the death of anybody, and there are plenty to pick from this time round. Even the death of one of the multiple romantic obsessions and affairs Agatha has in this book isn’t enough to pull any great sympathy. The second they’ve died it breaks the spell and she’s back lusting after the next warm, breathing male in the nearby radius.

Somewhere along to way the police stopped telling Agatha to stop interfering and instead now tell her and everyone else things all the time. I guess there’s only so many times you can weakly say “no, don’t, stop” and then have no follow up consequences. The constant ringing of press was ridiculous and annoying too, the police should definitely stop Agatha from doing that, no matter how accepting they now are of her involvement.

The continuity and structure of the storyline is shot with scenes fractured and all over the place, there’s mistakes where main characters have their names changed, not to mention no solid connection to previous books. The budding romance between Charles and Agatha is gone, Agatha’s perpetual unhappiness is a far cry from the rough around the edges but sharp and competent woman we were first introduced to. For someone stuck the same age you can’t even wonder if her sudden despondency is due to her aging, it seems to be a character shift and not one for the better. Despite this our descriptions never change, that is something you can always rely on from Beaton and her bear-like eyed glossy haired woman with the long legs.

It was always a rare delight when you have a little more character development or background revealed because there is no escape from these cyclical stories. Any progression is shoved back down and reversed immediately in the next book and it frustrates you as a reader to see good work being undone. If characters could grow properly it would make for a much better series, you may sacrifice being able to pick up the books at any point in the series but with the poor quality this late in the series it really couldn’t hurt to try and make them tolerable.

You can always tell what year these books were written because social commentary makes its way in through Beaton’s writing and this time we’re treated to Brexit getting mentioned. Keeping Agatha perpetually 53 is one thing not to date your books, but that is certainly one thing that will.

After a while you get sick of Agatha being almost killed and saved, traumatised or totally fine depending what is needed for the story. Epilogues end up being the resolutions to the book and the murders of the next book and as a cliff hanger to lure you in it’s a poor attempt when you’ve had no desire to finish the current one.

It’s amazing to look back at my earlier reviews and see I gave them four stars, something I couldn’t comprehend doing now and they certainly had their issues them. One theory I have is Beaton getting older, or her reluctance to keep writing the series but had an obligation whether she cared about it or not. Another was that they’d started to be ghost written, which would explain the lack of consistency and each book undoing the progress of the last. It isn’t like they were amazing to begin with, but there has definitely a shift that’s been detrimental.

You can purchase Agatha Raisin and the Dead Ringer via the following

QBD | Booktopia | Book Depository

Dymocks | Wordery | Angus and Robinson

 Fishpond | Amazon | Amazon Aust | Audible

Agatha Raisin and the Witches’ Tree (#28) by M. C. Beaton

Published: 3 October 2017 (print)/ 23 November 2017 (audio) Goodreads badge
Publisher:
Minotaur Books /Audible
Pages: 192/6 hrs and 33 mins
Narrator: Penelope Keith
Format: Audiobook
Genre: Cosy Mystery
★   ★  – 2 Stars

Cotswolds inhabitants are used to inclement weather, but the night sky is especially foggy as Rory and Molly Devere, the new vicar and his wife, drive slowly home from a dinner party in their village of Sumpton Harcourt. They strain to see the road ahead―and then suddenly brake, screeching to a halt. Right in front of them, aglow in the headlights, a body hangs from a gnarled tree at the edge of town. Margaret Darby, an elderly spinster, has been murdered―and the villagers are bewildered as to who would commit such a crime.

Agatha Raisin rises to the occasion (a little glad for the excitement, to tell the truth, after a long run of lost cats and divorces on the books). But Sumpton Harcourt is a small and private village, she finds―a place that poses more questions than answers. And when two more murders follow the first, Agatha begins to fear for her reputation―and even her life. That the village has its own coven of witches certainly doesn’t make her feel any better…

I didn’t care much about the murders or the mystery, I paid more attention to the filler bits about the characters and their day to day which is odd since usually that’s the tedious part. This time around it was certainly the more interesting part of the book.

I have no issue admitting I have no idea what was going on in the wider story, a lot of little things happened that involved a range of people that favoured my attention more. I genuinely got to the end and realised I had no idea who had been the murderer. It could be Beaton brushed over it so quickly that it truly was a non-event but I think that the murders are less of a feature in these books of late. So often they seem to take a back seat to the general interactions around Agatha and other characters, despite this approach rarely paying off successfully.

The different village is always a nice addition. I think you really can’t sustain multiple murders in a single village, even if they are always the newcomer. Beaton’s crude humour and jarring references can shock you from what is meant to be a cosy mystery but so many books in you can only roll your eyes and keep going.

I found there were contradictory moments around Agatha, it’s like Beaton couldn’t decide if she was fearful for her life or doesn’t care what happens, either through bravado or something else. Agatha must always have her life threatened by various people but this time she alternated between fearful and blasé. If it switched between books that would be one thing, but to have it change within the same book felt strange. This fits in with the overall inconsistencies of the story though, so many books lately need a tighter edit, both to stop inconsistencies and flesh out characters and dialogue more. With so many books now in the series it’s crying out for something new and fresh on the page instead of the usual diatribe.

James rears his head long enough to be an absolute horrible person and I don’t know whether the fact he is Agatha’s on and again off again neighbour, ex-husband, and once established character is why we can’t cast him out, make him move villages or outright murder him and dump him in a local pond.

I am still waiting for Agatha and Charles to realise they should be together. It is truly some of the only good writing in these books the interactions between these two. I like their banter and how Charles cares for Agatha despite the fact he is cheap and a philanderer, and Agatha cares about him in her own way. Beaton is definitely hinting at it and comes so close that to take the extra step it would be an amazing move, and one to finally stop her lusting after every man she meets. Redoing her makeup five times a day, changing her outfit all the time, and wallowing about her age, envious of teenagers and general irritability would all be fixed if she settled with Charles and be satisfied with herself.

I’m so close to finishing this series I can see the end in sight. I’m hoping for good and better things but I’ve been hit with whiplash before as all the progress made suddenly is shafted and we’re back to resetting the characters into shadows of their evolved selves. One can only reluctantly pick up the next book and find out.

You can purchase Agatha and the Witches’ Tree via the following

QBD | Booktopia | Book Depository

Dymocks | Wordery | Angus and Robinson

 Fishpond | Amazon | Amazon Aust | Audible

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