Just Be You by M. E. Parker

Published: 15th June 2018Goodreads badge
Publisher:
Simon & Schuster Books for Young Readers/Recorded Books
Pages: 293
Format: ebook
Genre: Fiction
★   ★   ★   ★  – 4 Stars

When Scott Cohen got word that he’d been nominated for a Grammy, he wondered if the universe was playing some cruel trick on him. Of all the songs he’d written, why did it have to be that song? 

Over ten years had passed since he’d written the song and even more since Scott had become obsessed with Marshall Donavan, his brother’s best friend. It didn’t matter that Scott hadn’t seen Marshall in years. Nor did it matter that Marshall never belonged to him or even that Marshall was straight. Scott never managed to stop thinking about him. 

When Scott got a call from his manager asking him to submit a song for a movie and a call from his brother Abe informing him of Marshall’s engagement to Julia Sterling on the same day, Scott took it as a sign. It was time to say goodbye and forget Marshall Donavan forever. 

Submitting ‘Just Be You’ to the movie executives was supposed to be Scott’s way of letting go—of forgetting, of saying goodbye. But his plan backfired when the movie became a box office success overnight and his song was nominated for a Grammy. There was no way he’d ever be able to forget. The song would follow him for the rest of his life and so would his unhealthy obsession with Marshall Donavan. 

It didn’t help things when he found himself face to face again with the man who had consumed his thoughts for years. No, it didn’t help at all when he saw the still very sexy and very straight Marshall Donavan for the first time in eight years. It didn’t matter what would happen between them. As soon as he saw Marshall again, he knew that giving up his obsession wasn’t an option… 

Taking a chance on sweet sounding LGBT romances has turned into a good bet for me because I have found some highly adorable books. This book may not be perfect in terms of writing or characters, nor may it be perfect plot wise, but it is fun and has a happy ending while still making you invested in the characters and their journeys.

I loved Scottie, he was adorable without being naïve, and he knows who he is and what he wants. I felt Marshall lost some of himself midway, his character becomes more singularly focused and less complex than he presents at the start but it didn’t affect my enjoyment. The focus is mainly on these two though supporting characters get a look in too, albeit briefly.

The biggest surprise was finding myself getting giddy with adorableness over these two. I did not see that coming but Parker has written a charming book that uses emotions remarkably well and it draws you in. Admittedly it took a while to fully get into the story, some parts felt comfortable other parts I felt disconnected when the writing took me out of the story, but there is a delightful sweetness about this book. There is charm and compassion, and the tensions and obstacles are solid, not manufactured miscommunication and I believed it was possible. Some things did move a bit quickly, but others managed to feel drawn out.

I grinned and squirmed and gasped in all the right places and I was surprised at the events that played out. Parker’s narrative has twists and surprises alongside the expected and I was impressed that there were multiple facets to this story. I honestly didn’t think I was going to get so caught up in these boys and their lives and yet I did. It had promised a happy ending and at times plays out like all the dreams coming true perfect world, but there is heart and conflict which brings depth and emotion.

Something to mention is there are a lot of sex scenes and descriptions of m/m sexual acts. In context they make sense, but there are a lot. While some parts are brushed over, other parts have more detailed descriptions.

Overall I really enjoyed this story. The range of emotions I felt reading this increased my enjoyment because it wasn’t all sunshine and lollipops; I had minor second hand anxiety, I had shock, and there were times I had to stop reading because I was in a public place and couldn’t cope having gushing emotions in view of other people. If that doesn’t say enjoyment I don’t know what does.

You can purchase Just Be You via the following

Amazon | Amazon Aust

Sarah Barrie and Tea Cooper in Conversation

On Wednesday night I was fortunate enough to attend an author event at one of my local libraries featuring Tea Cooper and Sarah Barrie. Umina library hosted the pair for a wonderful evening of conversation. The event was remarkably well coordinated and run and it’s hard to imagine this was the library’s first time hosting this type of event.

Tea Cooper

Tea Cooper is the author of contemporary and historical fiction writing stories predominately set in regency and Victorian eras. Originally from England, she has found a new home in Australia and writes stories set in the Hunter Valley including Maitland and Wollombi. Her latest book is The Woman in the Green Dress which is due for publication 17 Dec this year. Sarah Barrie on the hand writes rural suspense and her latest book, Bloodtree River, follows on from the successful Hunters Ridge series and is available now. Listening to them discuss their writing styles and their experiences was such an enlightening time, and like most writing events makes me walk away inspired to return to my own works in progress.

The event began with nibblies and drinks before we all gathered inside for the talk. From the start it was presented as a casual conversation and Tea was quick to welcome people to interrupt and make it more of a joint conversation between them and the audience. This worked incredibly well because the audience questions prompted a variety of stories and insights from the writers.

Sarah Barrie

Questions ranged from how long does it take to create a book? And where do ideas come from? To discussing the historical research process for Tea’s stories and Sarah’s inspiration for ideas. One thing I found interesting was Tea’s answer about her research. She mentioned she never takes the historical stories from people who are living in the area, as many families still remain. All of her characters are fictional, but come from snippets of stories, Tea not liking the idea of putting words into the mouth of people who actually existed.

Through audience inquiry we learnt more about Tea and Sarah’s friendship and their relationship as writing partners. Another great audience question was about structuring writing time. Sarah gave a wise answer saying that stricture is great, but life doesn’t go to plan. She has to make the time but instead of daily goals or set times to write, she aims for writing a set amount of words per month. I quite liked this approach because it releases the constraint of daily writing, 4am writing (though it works for some quite successfully), and panicking when none of those this happen for weeks at a time.

Having a conversational style event also allowed for a lot of unexpected questions to be asked and it steered the conversation into educational and humorous avenues. There were personal stories exploring friendship and work histories together, and their own stories about getting started in publishing as well as a few tricks of the trade.

In the end the night seemed to fly by and even in the short time the women spoke a lot of ground was covered as the conversation flowed seamlessly from one question and topic to another. Local bookseller Book Bazaar was there as well so people could purchase both Tea and Sarah’s books and have them signed. It was wonderful to see people lining up to buy books both before and after the talk, the line for signings a great proportion of those who attended.

The informal and communal nature of the night was highly enjoyable and it was fantastic to hear from two local Aussie authors. Combine that with sitting in a library surrounded by books made it a very cosy night indeed.

 

You can find out more about each of these authors via the following

Tea Cooper
Website
Facebook
Twitter
Goodreads

Sarah Barrie
Website
Facebook
Goodreads

 

 

Owl Babies by Martin Waddell

Published: 3rd June 2002Goodreads badge
Publisher:
 Walker Books
Illustrator: Patrick Benson
Pages: 25
Format: Paperback Picture Book
★   ★  – 2 Stars

This is the story of three baby owls who wake up one night in their hole in the tree to find that their mother has gone, so they sit on the branch and wait, wondering when she will return. At last she does, and they all bounce up and down with joy, welcoming her home.

Can a picture book be boring? This might be a close contender to a boring picture book. I will give credit because the illustrations are reasonably pretty, and I will give a notable mention that it is, in its own way, educational and sweet if you look hard enough. But it’s also boring.

From tricking me by picking up its cute cover, the story is about owl babies who are waiting for their mother to come back. Essentially, nothing happens in the story. The three owl babies cry out for their mother, they each do an action, rinse and repeat. You do learn through the story what owlets eat, how the mother owls swoop silently and hunt, but that’s picked up through the story, so unless you’re trying to get something from this book like I was, you probably won’t think too much of it. But there is no real story except for the owl babies to wait for their mother.

As I say, the illustrations are cute, they are detailed, coloured beautifully, but there is no story to engage with. I can’t imagine how this would hold a child’s attention unless you expanded on it with your own explanations, even then I can’t think what would hold a kid’s appeal.

You can purchase Owl Babies via the following

QBD | Booktopia | Book Depository

Angus and Robinson | Dymocks | Wordery

Fishpond | Amazon Aust | Amazon

To All The Boys I’ve Loved Before by Jenny Han

Published: 15th April 2014 (print)/15th April 2014 (audio) Goodreads badge
Publisher:
Simon & Schuster Books for Young Readers/Recorded Books
Pages: 355/8 hours 22 minutes
Narrator:  Laura Knight Keating
Format: Audiobook
Genre: Young Adult
★   ★  – 2 Stars

To All the Boys I’ve Loved Before is the story of Lara Jean, who has never openly admitted her crushes, but instead wrote each boy a letter about how she felt, sealed it, and hid it in a box under her bed. But one day Lara Jean discovers that somehow her secret box of letters has been mailed, causing all her crushes from her past to confront her about the letters: her first kiss, the boy from summer camp, even her sister’s ex-boyfriend, Josh. As she learns to deal with her past loves face to face, Lara Jean discovers that something good may come out of these letters after all.

I didn’t really like this book but I am not going to tear it apart because I was more confused than anything. Confused why it’s so loved, confused why people love Peter, and confused because it was a strange book where nothing happens.

The premise is reasonable, but the execution was unsatisfactory. I understood the sister dynamic that Han was aiming for, the loss of a big sister when she moves, the little sister relationship and the adoration of the cute boy next door, but something was missing. There was family charm and Han explains the relationship well, I just never felt it.

The narrative was boring and I struggled to make myself finish it. The fact I was on a 17 hour flight with little else to do is the only reason I kept going. With the only plot point this forced romance and a small mystery about the letters, it wasn’t much to hold onto into terms of depth and interest.

I am seriously going to have to watch this movie now because I did not get the adorable Peter vibe from this book. I got the Peter is a tool and he is annoying and cannot fathom why people think he is a sweet, charming person? This relationship between them is fake, and even when Lara Jean convinces herself she likes him for real, it still felt fake. I did not believe for a minute they actually liked each other like that. They may have become friends, may have got to know each other better and like who they were, but there was no romance. The triangle was unrealistic and the whole thing felt unbelievable. And Peter remained unlikable.

With no character growth I felt nobody learnt anything, and I seriously cannot mention the anticlimactic ending enough because the point of this novel is that ending and it fails. It doesn’t even sit like an open ended, audience decides thing, it just ends.

I actually had an ending in mind based on how Han had constructed this which would have been a great ending to a lacklustre book, but it never happened. I actually felt betrayed that this perfect ending was practically laid out before us which never eventuates. It would have made everything worthwhile if that had happened, but alas, it ended on a strange cliff-hanger (if that’s what we can call it), for book number two. I don’t really think I will be running out to read it, but if I find myself on another 17 hour flight with nothing to do I might pick it up.

You can purchase To All The Boys I’ve Loved Before via the following

QBD | Booktopia | Book Depository

Angus and Robinson | Dymocks | Wordery

Fishpond | Amazon Aust | Amazon | Audible

The Women in Black by Madeleine St John

Published: 30th March 2009 (print)/10 September 2012 (audio) Goodreads badge
Publisher:
 Text Publishing/Bolinda Audio
Pages: 233/5 hours 56 minutes
Narrator: Deidre Rubenstein
Format: Audiobook
Genre: Fiction
★   ★  – 2 Stars

Sydney in the late 1950s. On the second floor of the famous F.G. Goode department store, in Ladies’ Cocktail Frocks, the women in black are girding themselves for the Christmas rush. Lisa is the new Sales Assistant (Temporary). Across the floor and beyond the arch, she is about to meet the glamorous Continental refugee, Magda, guardian of the rose-pink cave of Model Gowns. With the lightest touch and the most tender of comic instincts, Madeleine St John conjures a vanished summer of innocence. The Women in Black is a classic.

This is a curious book. It was a decent read, the characters were all unique in their own way and yet have the wonderful conformity of the 1950s, and the era comes to life with St John’s words. I am caught between liking it and thinking it was just ok. Somewhere in the 2.5 star field because somehow I couldn’t give it a three.

If I stopped listening I found myself forgetting I was reading it at all. There was nothing in the story to get me back into it, and yet I didn’t hate it while I read it. I wasn’t bored per se, it’s just that nothing happens. I think it was the final third or even further when something happened that I finally got into it, and even then it’s not much. I think that was more the ending coming to a head so it felt conclusive.

This is a novel that is character driven, certainly more so than plot. I certainly have nothing against character driven novels, I think though that enjoyment comes from having characters that interest you so you want to read about their lives. I enjoyed Magda, and Lisa was endearing, but so few others piqued my interest. I felt two or three of these women took centre stage and felt more real than others which may have had something to do with it.

I did love the writing style. St John’s words are elegant and natural without being formal or unnecessarily complicated. The language puts you into this era and it separates the characters from one another with ease, almost so you don’t even notice it. This is emphasised by Rubenstein’s narration. Her use of voices and tone brought this story to life and highlighted St John’s beautiful words. There is slight humour but not enough to be a distraction, and the conversations are often humorous simply for their stark contrasts to modern times. This language was also why I enjoyed the ending. St John concludes this novel with style and it was a seamless ending that suited the characters she had created. There was a heartfelt sentimentality that gave extra meaning to all that had come before it, all through the characters she uses to bring this story together.

Oddly enough, I also found the obituary at the end of my audiobook quite enjoyable. I enjoyed listening about St John and her life from someone who knew her. It was interesting too because I learnt that the book was actually published in 1993. I was impressed because St John captures the language and the feel of the 50s remarkably well. It didn’t feel forced or over the top and there was class and charm in her words that she managed to recreate the era remarkably well.

I will be interested in the movie now (retitled Ladies in Black) because I would like to see how they portray this, if not for the story, but to see these wonderful cocktail frocks for myself.

You can purchase The Women in Black via the following

QBD | Booktopia | Book Depository

Angus and Robinson | Dymocks

Fishpond | Amazon Aust | Amazon | Audible

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