Cool for the Summer by Dahlia Adler

Published: 11 May 2021 (print)/11 May 2021 (audio) Goodreads badge
Publisher:
Wednesday Books/Macmillan Audio
Pages: 259/6 hrs and 20 mins
Narrator: Natalie Naudus
Format: Audiobook
Genre: Young Adult Contemporary Romance
★   ★ – 2.5 Stars

Lara’s had eyes for exactly one person throughout her three years of high school: Chase Harding. He’s tall, strong, sweet, a football star, and frankly, stupid hot. Oh, and he’s talking to her now. On purpose and everything. Maybe…flirting, even? No, wait, he’s definitely flirting, which is pretty much the sum of everything Lara’s wanted out of life.

Except she’s haunted by a memory. A memory of a confusing, romantic, strangely perfect summer spent with a girl named Jasmine. A memory that becomes a confusing, disorienting present when Jasmine herself walks through the front doors of the school to see Lara and Chase chatting it up in front of the lockers.

Lara has everything she ever wanted: a tight-knit group of friends, a job that borders on cool, and Chase, the boy of her literal dreams. But if she’s finally got the guy, why can’t she stop thinking about the girl?

I am so glad this is my second Adler book because I have wanted to read her stuff for years and I’m glad I loved the first one because I’d be disappointed if this was my first introduction, though the sliding doors element of Going Bicoastal might have tempted me past this mediocre read. There is no real plot except Larissa having a crisis over her feelings. The benefit is it’s a fast read because I kept waiting for the plot to start and I realised it was already two thirds of the way through and nothing had actually happened yet.

Instead of having a character look on at the popular kids Adler has written this from the inner circle and perspective from those in that group. The characters are exhausting. The effort they go to to be in their friend group is so much more work than friends need to be with a lot more rules. The US American trope of popular kids is on clear display and they are vacuous and shallow. There are some examples where they show some depth, but they are all still shallow and showing compassion within your shallow and entitled group doesn’t hold much sway. Plus they aren’t given a lot of depth so most of them are easily forgettable. It doesn’t do much to break the stereotypes. I feel bad for Larissa even having these people as friends sometimes. It’s always a fascinating study reading these kinds of books. We didn’t have this in my school, we had groups sure, but not the hierarchy these US high school books always contain. It makes it a strange novelty and a tired trope to see it in these books.

There were some good moments. I enjoyed the stuff with Jasmine, it felt like the only time Larissa was her real self, less performative, which was possibly the point even though it’s never addressed. I did enjoy the casualness of Larissa’s bisexuality. It wasn’t an issue, dealing with it wasn’t the plot (technically), and it was an established thing. I do like it when diverse books can have a character have an identity but not make the entire plot about that identity.

It felt like a novella despite being a full length book, and could easily have been cut down to a short story. No plot would be lost since there isn’t any and with a tighter story it could have been a lot more enjoyable.

You can purchase Cool for the Summer via the following

Booktopia

 Blackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust

Solve for i by A.E. Dooland

Long Lost Reviews is a monthly meme created by Ally over at Ally’s Appraisals which is posted on the second Thursday of every month. The aim is to start tackling your review backlog. Whether it’s an in-depth analysis of how it affected your life, one sentence stating that you only remember the ending, or that you have no recollection of reading the book at all. 

Published: 23 February 2017 (print)/20 July 2017 (audio) Goodreads badge
Publisher:
E Dooland/Tantor Audio
Pages: 358/12 hours, 32 min
Narrator: Cat Gould
Format: Audiobook
Genre: Fiction Romance
★   ★ – 2.5 Stars

Maths wiz Gemma Rowe has found the one problem her maths can’t solve: she’s fallen for her female & very heterosexual best friend. 

Gemma Rowe is a shy maths nerd from Sydney who, despite having an affinity for probability and logic, only just worked out at 28 that she’s not actually straight. Not only is she not straight, but she’s developed feelings for her best friend Sarah. 

Sarah and Gemma go way back—since they met at university, they’ve been completely inseparable. They’ve travelled together, got jobs at the same company, and shared each other’s triumphs and sorrows. There was even that one memorable time when Sarah, completely drunk, told Gemma she couldn’t live without her. A relationship seems like the perfect solution. 

There’s just one teensy little problem with this whole equation: Sarah is straight. 

Gemma knows the logical thing to do is to get over Sarah. She wants to be in her own happy relationship and not caught up on her straight best friend. But how is she supposed to get over Sarah when, despite all those advanced problem-solving skills, she can’t even work out who she’s attracted to anymore? 

This has been sitting in my unfinished drafts for a couple years and I keep thinking I should write a review before I open it and realise I have three lines of notes and no other recollection about the book. Which makes it perfect for a Long Lost Review.

I haven’t read a lot of adult LGBTQIA books and I found this one by chance and didn’t realise it was adult fiction. It contains a character who is trans and non-binary which I definitely have never read in an adult fiction so I loved that. I feel the adult queer books are not as promoted as well as the young adult, which is strange. Either that are there isn’t a push to highlight them, people will find them by chance if they do. Maybe I am just looking at the wrong lists (highly probable).

There were a few poor pronoun choices when talking about Min, the trans non-binary character, which always caught my attention, either character choice by Gemma or author choice to not try super hard about that we may never know. There was a line I recall where Gemma says Min doesn’t really mind which pronouns Gemma uses, but there were also the ones they did use, and Gemma choosing to ignore that, even given the pass felt a tad rude.

I’ve given this 2.5 stars so clearly I wasn’t the biggest fan of the book. I remember the feelings Gemma develops for Sarah, and a few scenes with Min, but I can’t say I remember much else about it I’m afraid.

You can purchase Solve for i via the following

WorderyBlackwell’s

Fishpond | Amazon | Amazon Aust | Audible

Isla and the Happily Ever After (#3) by Stephanie Perkins

Published: 14 August 2014 (print)/14 August 2014 (audio) Goodreads badge
Publisher:
Dutton/Books on Tape
Pages: 339/8 hrs and 37 mins
Narrator: Grace Experience
Format: Audiobook
Genre: Young Adult Romance
★   ★  – 2 Stars

Hopeless romantic Isla has had a crush on introspective cartoonist Josh since their first year at the School of America in Paris. And after a chance encounter in Manhattan over the summer, romance might be closer than Isla imagined. But as they begin their senior year back in France, Isla and Josh are forced to confront the challenges every young couple must face, including family drama, uncertainty about their college futures, and the very real possibility of being apart.

Featuring cameos from fan-favorites Anna, Étienne, Lola, and Cricket, this sweet and sexy story of true love—set against the stunning backdrops of New York City, Paris, and Barcelona—is a swoonworthy conclusion to Stephanie Perkins’s beloved series.

I can’t really complain, it does what it says on the tin, it is a happily ever after. It’s a book of a perfect romance and a perfect love. Can’t really argue with that.

But I am still going to.

I disliked it from quite early on. I don’t know whether it was Isla’s voice or when I realised it was all falling into a perfect set of circumstances. I know it’s a romance, but even the romances I have read don’t lay it on so thick.

It is saccharine and aside from that technically there was nothing wrong but it felt uneventful. Isla and Josh have always loved each other, they get to be together, everyone is ok with it. The minor issues are barely issues and are overcome, and nothing bad ever happen. So much so something has to be fabricated to have some kind of conflict but it felt hollow. Like Perkins needed to have something bad before she wrote a book that sounded like a fairy tale romance. But even a fairy tale romance has some kind of real drama to overcome.

So we put up with this everything is perfect for the first half of the book, and by now I am begging for something to happen. Not dire, but some real conflict or consequential plot. I ended up skipping chunks, even the promise of cameos from other characters in the series wasn’t enough to keep me going. They are a blink and you’ll miss it moment so they may as well not be there. I ended up skipping through a lot of the second half of the book. Which from what I’ve read is more of Isla being utterly obsessed with Josh and their relationship and having no other personality.

I’m pretty sure I liked Josh on his own, but I needed him to stop treating Isla like a perfect and innocent person. Isla even does it herself by mentioning how she shocks people when she swears because no one expects someone so petite to swear. What does that even mean?

I did like how Isla and Kurt’s friendship was demonstrated. I liked how she fought for him, and stood up for their relationship. I also liked how she took him for granted, it gave some realism to the story about how knowing him for ages meant she sometimes became selfish and overlooked his needs. It was a nice break from the lovefest. I needed more of Kurt in the book though because Isla was exhausting and Josh and Isla together were exhausting.

Having someone knocked up on pain meds is a great way to break through the shyness barrier and have your characters confess things to each other, but the story needed to bring itself down to earth for the rest of the story. Even though the ending was ok, I didn’t have any interest in them because of course everything was going to work out for both of them. Everything was fixed and they were living their best lives. At least there was a small amount of growth you could point at.

You can purchase Isla and the Happily Ever After via the following

QBDDymocks | Booktopia

WorderyBlackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust

Hooray, Hooray, It’s Library Day by Julie Ann Grasso

Published: 1st July 2024
Publisher:
Scholastic Australia
Illustrator: Heath McKenzie
Pages: 32
Format: Picture Book
★   ★  – 2 Stars

Initially I thought this book was about going to visit a library and borrowing books, and it is, but it is told from the perspective of a single book. It’s a first person narration too which is ok, if not a bit weird.

The little book waits impatiently as they wait to be chosen from the shelf, disappointed as other books around them are chosen. When finally selected they go on a chaotic journey back home, all with the dream of being read in a cosy bed at night.

I was going to mention the horror at mentioning a child trying to touch a book with chocolate covered hands, but then I kept reading and realised it was going to get much worse.

I am always fascinated by these books normalising books going home from the library and being stained, drawn on, or covered in food. I get that there can be some rough times, torn pages, and yes ok, a scribble or two. But please can we start promoting that library books are for everyone, and you spilling spaghetti sauce all over it isn’t funny, because now that is going to be unable to be borrowed by someone else?

Since this book is about sentient books and their perspectives, it should be sadder that now it’s going to be recycled and never borrowed again because this curly red headed child doesn’t know how to look after things that belong to other people.

But in the magic picture book world the book is returned unharmed despite a lot of near misses (somehow being fine despite the spaghetti sauce???) and returned on the shelf ready for another exciting library day.

Cranky librarian aside, it is fun story about the poor book having a rough time before finally getting read. If you look at it from that perspective it could be funny. But that doesn’t fix there isn’t a lot of story to hold onto. There are other books that talk about the experience of library books that still talk about the chaos of going home while being a bit more interesting and engaging.

McKenzie’s illustrations are nice and colourful. Full page spreads that bring Grasso’s words to life, interacting with the text in fun onomatopoeic ways.

It was an ok read, not quite what I thought but a fun adventure of your library experience from the perspective of the books you take out.

You can purchase Hooray, Hooray! It’s Library Day via the following

QBD | Dymocks | Angus & Robertson

 Fishpond | Amazon Aust

The Way I Used to Be (#1) by Amber Smith

Published: 22 March 2016 (print)/23 May 2023 (audio) Goodreads badge
Publisher:
Margaret K. McElderry Books/Spotify Books
Pages: 385/9 hrs and 36 mins
Narrator: Rebekkah Ross
Format: Audiobook
Genre: Young Adult
★   ★   – 2.5 Stars

Eden was always good at being good. Starting high school didn’t change who she was. But the night her brother’s best friend rapes her, Eden’s world capsizes.

What was once simple, is now complex. What Eden once loved—who she once loved—she now hates. What she thought she knew to be true, is now lies. Nothing makes sense anymore, and she knows she’s supposed to tell someone what happened but she can’t. So she buries it instead. And she buries the way she used to be.

Told in four parts—freshman, sophomore, junior, and senior year—this provocative debut reveals the deep cuts of trauma. But it also demonstrates one young woman’s strength as she navigates the disappointment and unbearable pains of adolescence, of first love and first heartbreak, of friendships broken and rebuilt, all while learning to embrace the power of survival she never knew she had hidden within her heart. 

I know this is supposed to be about the emotional impact of trauma and it is. But as much as I tried to appreciate the story it was telling me I couldn’t get into it. It has been compared to Speak, and I think Speak was more impactful, but at the same time there is no one way to experience trauma and react to trauma so it’s also not a fair comparison.

Smith captures characters well with little effort. We understand exactly who Eden’s mother is early on, as well as her father. But living inside Eden’s head we see how trapped she is, and how the want to be asked or seen is like a burning flame no one is paying attention to. Starting at a young age it’s easy to see why she is voiceless, unable to even begin to process what has happened to her. The reveals through the novel are aptly timed and it’s interesting to see the changes made as each new year passes.

With such a sensitive topic it feels wrong somehow to say I got bored reading this. Smith jumps through four years remarkably well, we don’t have to read about every passing day and the jumps are a great way to see how time has changed Eden and those around her. It also helps you avoid having to fill in the blanks around conversations and answer questions that may come up. I had a lot of questions and how some things were feasible, but it is never addressed and time jumps miss a lot so it’s easy not to think about.

One thing I found, and it’s my own fault for continuing to read American YA, they are obsessed with always deeply setting them in a school to the small details. It’s 2024, and while this book was published in 2016, have schools in the States still not grown out of the class system at school of jocks and nerds, the weird kids and the ostracised? Everyone regulated to their own table, never shall they cross, and we will pick on you in the cafeteria for being different? Maybe if you didn’t all eat in one room you could sit away from the tormenting kids. Get some Vitamin D and maybe you’ll calm down. It’s sad in a way if the experiences are still like what the 80s movies always depicted. They wouldn’t keep putting it in books if it was relatable to someone’s life, right? It kicks off key plot points but it’s a tired trope but one I’m starting to think is still incredibly realistic.

What annoyed me most about this book is at the very end, the very final few chapters Smith managed to get me intrigued about the sequel. After putting up with the story, I now have to decide if I want to see what happens next. It isn’t that that we shouldn’t hear stories like Eden’s, far from it. It’s how such an emotional and empowering story managed to feel boring and unengaging. I persevered because you want to see where Eden’s going to end up, how she is going to tackle this through her developmental years and the impact it will have on those around her. I read enough into things myself to add insights. You can implant how she has denied her trauma because she was too young to understand, how she has embraced her rumours, or how she reacts to her trauma without even knowing about it. I only wish I had loved the story more because I think it is important.

The ending gave it the extra half star and I think the half star might get me to read the sequel.

You can purchase The Way I Used to Be via the following

QBD | Booktopia

WorderyAngus and Robinson | Blackwell’s

 Fishpond | Amazon | Amazon Aust | Audible

Previous Older Entries Next Newer Entries