Dear Wendy by Ann Zhao

Published: 16 April 2024 (print)/16 April 2024 (audio) Goodreads badge
Publisher:
Feiwel & Friends/Books on Tape
Pages: 368/9 hrs and 28 mins
Narrator: Nicky Enders, Angel Pean, Natalie Naudus, Tara Sands, Ann Zhao, Daisy Guevara, Elaine Wang, Rebecca Wang
Format: Audiobook
Genre: Young Adult Contemporary
★   ★   ★   ★ – 4 Stars

Sophie Chi is in her first year of college (though her parents wish she’d attend a “real” university rather than a liberal arts school) and has long accepted her aroace (aromantic and asexual) identity. She knows she’ll never fall in love, but she enjoys running an Instagram account that offers relationship advice to students at her school. No one except her roommate can know that she’s behind the incredibly popular “Dear Wendy” account.

When Joanna “Jo” Ephron (also a first-year aroace college student) created their “Sincerely Wanda” account, it wasn’t at all meant to take off or be taken seriously—not like Wendy’s. But now they might have a rivalry of sorts with Wendy’s account? Oops. As if Jo’s not busy enough having existential crises over gender identity, whether she’ll ever truly be loved, and the possibility of her few friends finding The One then forgetting her!

While tensions are rising online, Sophie and Jo grow closer in real life, especially once they realise their shared aroace identity and start a campus organization for other a-spec students. Will their friendship survive if they learn just who’s behind the Wendy and Wanda accounts?

I am so glad I enjoyed this book more than I thought I would. I have been trying to diversify my diverse reads and this is such a rare identity in books I needed to read it and it turned into an amazing story! There are many asexual book lists (aromantic even rarer) and so often it’s vague, implied, a throwaway comment that people can hang their hopes on, but Zhao holds nothing back and makes it clear these girls are aroace and are proud of it.

Jo/Wanda is definitely the antagonist in starting the feud between the pair. She takes it as a joke then intentionally antagonises Sophie/Wendy. Publicly too which is poor form. But Zhao balances on the line because I was waiting for it to go too far and become the main conflict but Jo stops right before it becomes too hurtful. This self-awareness of intent with Jo is great too because she always tries to maintain the jest in her actions so having her change would be a bigger shift than a light hearted taunt. It is always light hearted to their credit, though I was waiting for someone to log into the wrong account and out themselves and mess it up. For all the different ways this could have played out I really enjoyed how Zhao works this storyline. There’s tension and suspense, while remaining heartfelt, honest, and wholesome.

I love having a book where there are set feelings/identity. The focus is then on a different story and not only on exploring character feelings. Not that having books only about that are bad, I have loved more than my fair share, but sometimes it is nice to have a plot with a diverse character and not have the diverse character be the plot. The aroace representation in books is so low (finding any openly or definitive asexual or aromantic rep in books is hard) and I am glad this one shines brightly with an amazing story and amazing set of characters.

I did enjoy the note from Zhao at the beginning about hoping this story helps people realise their identity or at least start to understand what it means, it is so often misunderstood and dismissed. It helps not having a non-fiction book or essays to gain understanding when you can see it play out in a storyline.

If anybody thinks there’s too much discussion about identity in this book and think people wouldn’t have these conversations obviously haven’t met the right people. Besides there are thousands of books discussing feelings and flutterings in stomachs and crushes that go on for entire books. Why can’t there be a few that talk about how it can be exhausting having none? Especially against a society that expects it. I loved how Zhao puts forward their own version of the Feelings Book by giving us one where the point is not having any.

I liked that the advice columns keep going, I like that there is no major incidents, I like that despite being in their heads and falling prey to overthinking there are real reactions and solutions. It’s a pain to keep saying it, but it is refreshing when people are sensible about things and storylines don’t go over the top for the drama in unrealistic ways. Why can’t we have two friends fighting who need to work it out? There is still a will/they won’t they element, especially since there is precedent for no they won’t already with a character. I’d rather have two friends look at whether they can forgive one another than have something be a drama that has no weight, sexuality expression aside.

400 pages/10 hours and 70+ chapters makes it feel like the book is slow and dragged out, and sometimes it does, but it is a medium paced story, a lot of little things happen and it fills a range of side elements like exploring characters, plus the culture and community at the school. The complexity of the book world and having each character have their own friends and family around them meant there was a lot to explore and Zhao gives everything the right pace and attention.

This is a great book that gives attention to a little know part of the diversity alphabet and hopefully it’s one people can fall in love with. If not for the refreshing identity exploration, than an amazing rivals plot and finding new intense friendships.

You can purchase Dear Wendy via the following

 Booktopia

  Blackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust

The Pause by John Larkin

Published: 1 April 2015Goodreads badge
Publisher:
Random House Australia
Pages: 319
Format: Paperback
Genre: Contemporary Young Adult
★   ★   ★   ★   ★ – 5 Stars

Declan seems to have it all: a family that loves him, friends he’s known for years, a beautiful girlfriend he would go to the ends of the earth for.

But there’s something in Declan’s past that just won’t go away, that pokes and scratches at his thoughts when he’s at his most vulnerable. Declan feels as if nothing will take away that pain that he has buried deep inside for so long. So he makes the only decision he thinks he has left: the decision to end it all.

Or does he? As the train approaches and Declan teeters at the edge of the platform, two versions of his life are revealed. In one, Declan watches as his body is destroyed and the lives of those who loved him unravel. In the other, Declan pauses before he jumps. And this makes all the difference.

One moment. One pause. One whole new life.

“Don’t abandon the miracle of your own existence because you don’t know how to ask for help.”

I keep being punished for not reading books when they first come out when I want to, only to realise how fantastic they are later when I eventually do. It’s happened four times now and I don’t seem to be learning my lesson.

First things first, this is a book that deals with suicide and a split timeline between following through and not. In a Sliding Doors meets The Lovely Bones style we see both lives of Declan: what happens if he jumps, what happens if he doesn’t. Not to be morbid, but there is an amazing first person perspective scene about jumping in front of a train. In the brief mention it manages to have a great balance between not being overly graphic and also being real about it. It shows the brain mechanics and impulses a person goes through, it shows the detail of what actually happens to your body, it includes the immediate regrets, not to mention the trauma of those who see it. It’s important to note that that part is brief. It’s a fleeting mention but it is well written and one I think is important to include.

There’s also great descriptions of teenage life and their thoughts and decisions. Larkin’s written a great teenage voice and the tunnel vision teenagers have about what is important and earth shattering in their life comes across. It’s great insight which helps you understand their actions and motivations; how they are hormone driven, and how they’re experiencing everything the first time: from friend issues, to family issues, to first love. Larkin comes in strong early on with the big emotions and it hooks you right in without glorifying or making it grotesque.

The best part is Declan isn’t special. He has mates who are typical teenage boys. Annoying sister, parent issues, and family dynamics. It appears to come from nowhere which is why it’s so great. It was a shock. It is unexpected. It’s great to show how something like this can happen to the most normal looking kid ever. The voice is believable and the relationships Declan has with his family is believable, even the different dynamics he has with each member of his family. You do behave differently around different people and his favourite parent is clear while unintentional.

The sliding doors moment and duel existence is perfect and you become captivated by this life now lived and the reminders it couldn’t have happened at all. There is Larkin’s voice on high with reminders that things will get better and setbacks aren’t the end of the world even if that thing was what was getting you through.

You’re also drawn along by What Happened to Aunt Mary? The mystery is woven throughout and as Larkin drip feeds us information before dumping the entire bucket on us all I can say it was amazing, especially given the emotional ride we’ve gone through with Declan so far.

There are so many things I would love to talk about and how wonderful and mind blowing they are but alas, spoilers. Even the smallest possibly vaguest things I don’t want to risk and ruin the revelations and joys I had reading this book.

When I finished this I basically went and gushed about it for ten minutes. It was amazing. I loved every part of it. It is sad and profound, it has so many lessons about life and humanity and hope. It is incredible how Larkin managed to weave in these important things that need to be hammered into every single person who ever thinks they are the alone or are the only one who feels a certain way. It’s natural but you can tell where The Lesson is but I don’t care. It also comes across through the voice of a boy who has been told this in a professional setting and is remembering it. He is using these lessons to live his life. The life he almost didn’t have.

Again, I kick myself for not picking this book up when I wanted to in 2016. I saw it for months on the shelf and I was drawn to it. But I never dove in. I’m glad I finally did because I loved it. It is only fictional but it’s also the story of so many people, not just teenagers. It’s obviously not perfect, it still has a few slightly non PC approaches to things but that’s really not important. The content is important. It’s about life getting better. About not giving into the impulses. How mental illness sneaks up on you and it’s ok to get help. Which for a 2015 book feels amazing.

Honestly it is a brutal book. It deals with big issues, it describes big issues with quite a lot of detail, and the consequences of both sides smack you in the face with the truth and reality. And that is why it is phenomenal. It never strays from being a YA voice, which is more important because it knows its audience. Larkin knows who is reading this, knows the message needs to get out that your teenage years are not forever. But also lets kids know that people of all ages go through things. You are not alone. I am trying hard not to write an entire essay about this book (and failing I know), but I cannot stress enough how amazing it is. If you can handle the brutality of it all – not only the few descriptions, but the emotional brutality, and the reality of life – please read it.

You can purchase The Pause via the following

QBDDymocks | Booktopia

 Angus & Robertson

Fishpond | Amazon | Amazon Aust

#AussieYAChallenge 2025

The Aussie YA Challenge is a challenge created by Amy at Lost in a Good Book as an attempt to read more Australian young adult novels.

As part of my goals I am putting some determination (and public guilt and accountability) into my challenge and I am hoping to be a little better this year. Based on my previous challenges I expect each year I will be a bit better at planning and reading and organising so this year will be an improvement on my first I’m sure.

Despite the chaos of last year and scraping through my goal of a measly 12 books out of my 80+ read being Aussie YA, I am diving right back in and selecting the Nix level again. Whoo! 12 months 12 books.

I am hoping to hit the ground running because the usual dip mid to late year will get in the way, the other option is to try and stick to the one a month plan which could go either way in terms of success.

I am excited to explore more YA books, especially some of the older ones on my shelf I have gazed lovingly at for years and yet to pick up. Hopefully even find some new authors to fall in love with. One can only hope!

If you are interested in participating head to the #AussieYAChallenge page and join up.

 

 

The Way I Used to Be (#1) by Amber Smith

Published: 22 March 2016 (print)/23 May 2023 (audio) Goodreads badge
Publisher:
Margaret K. McElderry Books/Spotify Books
Pages: 385/9 hrs and 36 mins
Narrator: Rebekkah Ross
Format: Audiobook
Genre: Young Adult
★   ★   – 2.5 Stars

Eden was always good at being good. Starting high school didn’t change who she was. But the night her brother’s best friend rapes her, Eden’s world capsizes.

What was once simple, is now complex. What Eden once loved—who she once loved—she now hates. What she thought she knew to be true, is now lies. Nothing makes sense anymore, and she knows she’s supposed to tell someone what happened but she can’t. So she buries it instead. And she buries the way she used to be.

Told in four parts—freshman, sophomore, junior, and senior year—this provocative debut reveals the deep cuts of trauma. But it also demonstrates one young woman’s strength as she navigates the disappointment and unbearable pains of adolescence, of first love and first heartbreak, of friendships broken and rebuilt, all while learning to embrace the power of survival she never knew she had hidden within her heart. 

I know this is supposed to be about the emotional impact of trauma and it is. But as much as I tried to appreciate the story it was telling me I couldn’t get into it. It has been compared to Speak, and I think Speak was more impactful, but at the same time there is no one way to experience trauma and react to trauma so it’s also not a fair comparison.

Smith captures characters well with little effort. We understand exactly who Eden’s mother is early on, as well as her father. But living inside Eden’s head we see how trapped she is, and how the want to be asked or seen is like a burning flame no one is paying attention to. Starting at a young age it’s easy to see why she is voiceless, unable to even begin to process what has happened to her. The reveals through the novel are aptly timed and it’s interesting to see the changes made as each new year passes.

With such a sensitive topic it feels wrong somehow to say I got bored reading this. Smith jumps through four years remarkably well, we don’t have to read about every passing day and the jumps are a great way to see how time has changed Eden and those around her. It also helps you avoid having to fill in the blanks around conversations and answer questions that may come up. I had a lot of questions and how some things were feasible, but it is never addressed and time jumps miss a lot so it’s easy not to think about.

One thing I found, and it’s my own fault for continuing to read American YA, they are obsessed with always deeply setting them in a school to the small details. It’s 2024, and while this book was published in 2016, have schools in the States still not grown out of the class system at school of jocks and nerds, the weird kids and the ostracised? Everyone regulated to their own table, never shall they cross, and we will pick on you in the cafeteria for being different? Maybe if you didn’t all eat in one room you could sit away from the tormenting kids. Get some Vitamin D and maybe you’ll calm down. It’s sad in a way if the experiences are still like what the 80s movies always depicted. They wouldn’t keep putting it in books if it was relatable to someone’s life, right? It kicks off key plot points but it’s a tired trope but one I’m starting to think is still incredibly realistic.

What annoyed me most about this book is at the very end, the very final few chapters Smith managed to get me intrigued about the sequel. After putting up with the story, I now have to decide if I want to see what happens next. It isn’t that that we shouldn’t hear stories like Eden’s, far from it. It’s how such an emotional and empowering story managed to feel boring and unengaging. I persevered because you want to see where Eden’s going to end up, how she is going to tackle this through her developmental years and the impact it will have on those around her. I read enough into things myself to add insights. You can implant how she has denied her trauma because she was too young to understand, how she has embraced her rumours, or how she reacts to her trauma without even knowing about it. I only wish I had loved the story more because I think it is important.

The ending gave it the extra half star and I think the half star might get me to read the sequel.

You can purchase The Way I Used to Be via the following

QBD | Booktopia

WorderyAngus and Robinson | Blackwell’s

 Fishpond | Amazon | Amazon Aust | Audible

If It Makes You Happy by Claire Kann

Published: 04 June 2019 (print)/2021 (audio) Goodreads badge
Publisher:
Swoon Reads/Spotify Audio
Pages: 352/9 hrs and 48 mins
Narrator: Caroline Sorunke
Format: Audiobook
Genre: Young Adult Contemporary
★   ★   ★ – 3 Stars

Winnie is living her best fat girl life and is on her way to the best place on earth. No, not Disneyland–her Granny’s diner, Goldeen’s, in the small town of Misty Haven. While there, she works in her fabulous 50’s inspired uniform, twirling around the diner floor and earning an obscene amount of tips. With her family and ungirlfriend at her side, she has everything she needs for one last perfect summer before starting college in the fall.

 …until she becomes Misty Haven’s Summer Queen in a highly anticipated matchmaking tradition that she wants absolutely nothing to do with.

 Newly crowned, Winnie is forced to take centre stage in photoshoots and a never-ending list of community royal engagements. Almost immediately, she discovers that she’s deathly afraid of it all: the spotlight, the obligations, and the way her Merry Haven Summer King, wears his heart, humour, and honesty on his sleeve.

 Stripped of Goldeen’s protective bubble, to salvage her summer Winnie must conquer her fears, defy expectations, and be the best Winnie she knows she can be–regardless of what anyone else thinks of her.

I almost gave up on this book quite early on. It was uninteresting and I wasn’t connecting to these characters or their weird small town celebration. It is one of those small town beauty pageants that is revered to only those in the town limits. Puddin’ had something similar which was also just as strange.

I persisted because I wanted to see the diversity rep, it had appeared on a few lists and I was reading it as a box ticker instead of any real interest in the plot. Thankfully it got better by the halfway point, by then you get to know the characters and could work around the weird stuff and pick out some good moments.

I liked Winnie, and I liked her opinions and her fight against injustice. The weird pageant isn’t as big of a plot point as I thought it would be which made it better. I zoned out on a few bits but it didn’t impact the plot or my understanding.

It is a great book for representation because it covers a lot of different experiences. Winnie is queer, kinda bi, kinda pan, but queer easily covers it. Despite armed with this knowledge I’m still not entirely sure what the deal is with Cara. There is mention of a queer platonic relationship which is fantastic, and she has been pegged as aromatic but it is vague within the story. Again, unspecified is totally fine, there doesn’t need to be neon signs and labels pointing everything out to a reader, but sometimes it is nice having things confirmed. I think the implications are enough to go on though, especially given Kann’s history of writing LGBTQIA rep.

Around the strong opinions and the personal strife the story does get boring again but you power through. There’s generational issues to explore plus there are good, serious, and honest conversations between friends and family members which is a nice change from unrealistically avoiding conversations for plot tension.

Overall it’s slow, it’s a bit boring, but I can see it is important and Winnie is a good character to tell the story. Sorunke is a decent narrator and brought Winnie’s voice to life. I liked that the ending wasn’t a perfect happily ever after. It felt real, and it felt hopeful, which is all you could ask for really.

You can purchase If It Makes You Happy via the following

QBDDymocks | Booktopia

WorderyBlackwell’s | Angus & Robertson

 Fishpond | Amazon | Amazon Aust | Audible

Previous Older Entries Next Newer Entries