Isla and the Happily Ever After (#3) by Stephanie Perkins

29 Apr 2025 Leave a comment

by Amy in 2 Stars, Audiobook, Romance, Young Adult Tags: , , , , , ,

Published: 14 August 2014 (print)/14 August 2014 (audio) Goodreads badge
Publisher: Dutton/Books on Tape
Pages: 339/8 hrs and 37 mins
Narrator: Grace Experience
Format: Audiobook
Genre: Young Adult Romance
★   ★  – 2 Stars

Hopeless romantic Isla has had a crush on introspective cartoonist Josh since their first year at the School of America in Paris. And after a chance encounter in Manhattan over the summer, romance might be closer than Isla imagined. But as they begin their senior year back in France, Isla and Josh are forced to confront the challenges every young couple must face, including family drama, uncertainty about their college futures, and the very real possibility of being apart.

Featuring cameos from fan-favorites Anna, Étienne, Lola, and Cricket, this sweet and sexy story of true love—set against the stunning backdrops of New York City, Paris, and Barcelona—is a swoonworthy conclusion to Stephanie Perkins’s beloved series.

I can’t really complain, it does what it says on the tin, it is a happily ever after. It’s a book of a perfect romance and a perfect love. Can’t really argue with that.

But I am still going to.

I disliked it from quite early on. I don’t know whether it was Isla’s voice or when I realised it was all falling into a perfect set of circumstances. I know it’s a romance, but even the romances I have read don’t lay it on so thick.

It is saccharine and aside from that technically there was nothing wrong but it felt uneventful. Isla and Josh have always loved each other, they get to be together, everyone is ok with it. The minor issues are barely issues and are overcome, and nothing bad ever happen. So much so something has to be fabricated to have some kind of conflict but it felt hollow. Like Perkins needed to have something bad before she wrote a book that sounded like a fairy tale romance. But even a fairy tale romance has some kind of real drama to overcome.

So we put up with this everything is perfect for the first half of the book, and by now I am begging for something to happen. Not dire, but some real conflict or consequential plot. I ended up skipping chunks, even the promise of cameos from other characters in the series wasn’t enough to keep me going. They are a blink and you’ll miss it moment so they may as well not be there. I ended up skipping through a lot of the second half of the book. Which from what I’ve read is more of Isla being utterly obsessed with Josh and their relationship and having no other personality.

I’m pretty sure I liked Josh on his own, but I needed him to stop treating Isla like a perfect and innocent person. Isla even does it herself by mentioning how she shocks people when she swears because no one expects someone so petite to swear. What does that even mean?

I did like how Isla and Kurt’s friendship was demonstrated. I liked how she fought for him, and stood up for their relationship. I also liked how she took him for granted, it gave some realism to the story about how knowing him for ages meant she sometimes became selfish and overlooked his needs. It was a nice break from the lovefest. I needed more of Kurt in the book though because Isla was exhausting and Josh and Isla together were exhausting.

Having someone knocked up on pain meds is a great way to break through the shyness barrier and have your characters confess things to each other, but the story needed to bring itself down to earth for the rest of the story. Even though the ending was ok, I didn’t have any interest in them because of course everything was going to work out for both of them. Everything was fixed and they were living their best lives. At least there was a small amount of growth you could point at.

You can purchase Isla and the Happily Ever After via the following

QBD |  Dymocks | Booktopia

Wordery |  Blackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust

Every Last Suspect by Nicola Moriarty

24 Apr 2025 Leave a comment

by Amy in 4 Stars, Audiobook, Australian Women Writers, Fiction, Mystery, Thriller Tags: , , , , , , , , , ,

Published: 04 June 2024 (print)/04 June 2024 (audio) Goodreads badge
Publisher: HarperCollins Australia/Bolinda Publishing
Pages: 384/8 hrs and 56 mins
Narrator: Claire Warrillow, Eva Seymour, George El Hindi, Jessica Stanley
Format: Audiobook
Genre: Domestic Thriller/Mystery
★   ★   ★ – 4 Stars

Complicated, driven, loving. Manipulative, irresistible, monstrous.

Love or hate her, Harriet Osman is impossible to turn down. But someone in her life has finally snapped, leaving her lying in a pool of her own blood. Harriet isn’t one to die quietly though, and she is determined to reveal her killer before she goes.

Was it her devoted husband, Malek, with a violent past? Her best friend and lover, Victoria, with a deadly secret only Harriet knew? Or the new woman in her life, fellow school mum Karen? The one with an impeccable reputation … or so she says.

Bullying, friendships and games (in and out of the bedroom) combine with envy, lust and revenge, creating a darkly twisted tale of drama and suspense where the question isn’t who killed Harriet, but why did it take them so long?

I recently heard Moriarty speak at the Newcastle Writers’ Festival and was intrigue by her new book. I’ve enjoyed her books in the past and the premise was interesting and a different way to approach a mystery and a whodunit. The victim uses her dying moments to try and work out who has killed her. Who would have a motive to harm her? If only it could be figured out before she died then maybe she could leave a clue to those who find her. It piqued my interest and I was curious to see how it played out, especially Moriarty’s discussion about having a character who was unlikable, but balanced to also gain sympathy from readers.

I enjoyed the breakdown of the points of view, the three suspects Harriet believes could be her murderer. As we get each perspective we see how Harriet has influenced their behaviour and impacted on their lives in ways even they couldn’t imagine.

One thing I love about well done mysteries is having characters who can be complicated enough to have depth and feel real on the page, but also needing enough motive and be the kind of person who could kill someone. Moriarty does this incredibly well because as these lives play out in the Western Suburbs, the almost parasitic way Harriet has infiltrated their thoughts and their lives is enough to make you think they have a chance to risk everything to get payback.

The possible motives of the characters are fantastic and I loved the complexity and unique way everything is revealed. The surprise/non surprise party for Harriet is a great way to gather everyone and I loved how it’s a jumping off point to set things in motion as well as bring everything to a head.

The representation of messy families, jealousies, fears, hidden pasts, and semi toxic friendships is wonderful and nothing ever felt false or overdone. Each character brings their history and personality to the story and you could feel their real lives being impacted by Harriet and her actions.

I loved how complex Harriet was. She is a mean girl, a toxic friend, a person everyone loved and wanted to be friends with but could also burn you at the slightest thing. She was flawed but not entirely bad either and having her deductions in her own head as she dies it gives us an insight into her motives that beautifully contrast how those motives are perceived by everyone around her. Her flaws and own short comings make her be perceived in a harsh light, more than she intends, but she is also in no way completely innocent either. Moriarty has balanced her wonderfully.

The ending is deeply satisfying because not only is the revelation fantastic, the wrap up is incredibly clever. Things you don’t think are important come back, and things that felt important weren’t or they are in a different way. Unconnected things become connected and there’s misleads and expectations that don’t come to light. All the while making you think if some things had been discovered sooner would they have made a difference? You’re never really sure and it’s a great thing to leave readers thinking about.

You can purchase Every Last Suspect via the following

QBD |  Dymocks | Booktopia

Wordery |  Blackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

 

 

Lola and the Boy Next Door (#2) by Stephanie Perkins

15 Apr 2025 Leave a comment

by Amy in 3 Stars, Audiobook, Young Adult Tags: , , , , ,

Published: 1 June 2011 (print)/11 October 2011 (audio) Goodreads badge
Publisher: Usborne Publishing/Books on Tape
Pages: 384/8 hrs and 59 mins
Narrator: Shannon McManus
Format: Audiobook
Genre: Young Adult Romance
★   ★   ★ – 3 Stars

Lola Nolan is a budding costume designer, and for her, the more outrageous, sparkly, and fun the outfit, the better. And everything is pretty perfect in her life (right down to her hot rocker boyfriend) until the Bell twins, Calliope and Cricket, return to the neighborhood. When Cricket, a gifted inventor, steps out from his twin sister’s shadow and back into Lola’s life, she must finally reconcile a lifetime of feelings for the boy next door.

I am well behind the hype for Perkins’ series, though I did experience all the Anna hype at the time, it took me a few more years before I got a chance to read it. But then I never continued with the series. I’m not sure whether Anna didn’t drive me enough to want to keep reading, or it was one of those ‘one day’ books and then suddenly years have passed. The important thing is, I was not a fan.

I don’t think enough was put on the fact twenty one year old Max got together with Lola at sixteen. I know Lola is our perspective so it’s not going to be balanced but I didn’t like it. By the time the story starts Lola is seventeen, Max is twenty two, and they’ve been dating a year was a surprise, I thought it was relatively new. I couldn’t understand why a guy in a band, who tours the country, old enough to drink and be in bars would be ok dating a sixteen year old. One still in high school, with all the childish drama, and be happy with that? It’s not like he was eighteen or nineteen. Are we meant to think it was because he really cares about her? It adds another level when he starts calling her Lolita and all the red flags already raised are suddenly waving around.

Lola’s parents do the best they can in her situation – making Max have weekly meals with them, keeping track of what they’re doing in a non-invasive way. Lola admits that they know if they enforce anything harsher or make them stop seeing each other it would only push them closer. It doesn’t stop her lying and sneaking around though despite the trust they’ve put in her.

Her dads were great characters, and I really enjoyed their scenes and their relationship with Lola and one another. They were fun and interesting and supportive. The Norah element was interesting and spread nicely through the story. You can definitely see Lola being burned before by her birth mother and being the selfish person she is having little understanding of what it means beyond her own feelings.

Aside from the Max thing, the actual story was fine. Lola is a quirky girl who goes to extreme effort in her outfits and how she presents herself. It’s amazing she gets away with it at school, but it is a creative hobby for her.

The whole story arc with Cricket and his family was interesting and I liked how it naturally came together by the end. I can see how everyone thinks it’s sweet and it is, but at the same time Lola doesn’t deserve Cricket. He’s too nice for her.

So much of the praise for this book goes towards Lola and her relationship with Cricket, which isn’t for most of the book. She’s angry at him, wary of him, slowly comes to be ok with him all while still dating Max. Her issues with him are valid, though her absolute fear at them returning was a tad over the top.

Once the story focused more on Cricket and Lola’s friendship the story was better, with a title like this you know how it will end, I just wish there’s been a better way to get them together without having to read about creepy Max. There was enough hurt feelings and history to build on where we didn’t need to normalise that kind of relationship.

You can purchase Lola and the Boy Next Door via the following

QBD |  Dymocks | Booktopia

Wordery |  Blackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

Hamlet is Not Ok by R. A. Spratt

01 Apr 2025 Leave a comment

by Amy in 3 Stars, Audiobook, Aussie YA Challenge, Young Adult Tags: , , , , , , ,

Published: 12 March 2024 (print)/4 July 2023 (audio) Goodreads badge
Publisher: Penguin Random House Australia/Penguin Random House Australia Audio
Pages: 240/3 hrs and 19 mins
Narrator: R. A. Spratt
Format: Audiobook
Genre: Young Adult Contemporary
★   ★   ★ – 3 Stars

Selby hates homework.
She would rather watch TV – anything to escape the tedium of school, her parents’ bookshop and small-town busybodies.
So Selby didn’t plan to read Hamlet. She certainly never planned to meet him.
This novel transports Selby, and the reader, into the cold and crime-ridden play itself. Here she meets Hamlet: heavy with grief, the young prince is overthinking and over everything. Selby can relate. But unlike Hamlet, Selby isn’t afraid of making decisions. In her world, Selby is used to feeling overlooked. But in the bloody, backstabbing world of Shakespeare, Selby’s good conscience and quiet courage might just save some lives . . . hopefully before Hamlet stabs one of her classmates.

Spratt comes in guns blazing with a lot of yelling and chaos which was great. I liked for once there was a character who wasn’t studious, wasn’t on top of stuff, it’s about time there was a teen who got their own book who skipped out on doing any homework and it’s not entirely their fault. Selby I put up with as she is 15 and her actions are a very 15 year old response. There’s a balance at 15 where you can be a bit more immature than maybe a 16 or 17 year old character can get away with. Though immaturity has no age limit really, but you get more leeway the younger you get.

I didn’t like the note from the author essentially warning readers they will encounter Shakespeare in the book. It was like to let them know not to be scared off and to still give this book a chance. If you are reading a book having a few verbatim Shakespeare quotes in it shouldn’t deter you. I think the kids will survive. Especially given how it’s in a narrative form so it isn’t even the big scary play version they supposedly should detest. What was wonderful about having it put through a narrative lens is it’s a great example of how amazing Shakespeare is to see performed live. How reading a play in a book isn’t the right format. A play is to be performed and experienced. Diving right into the text to see it before you is the next best thing. If you can manage it.

It’s a bit Thursday Next with their ability to enter the world of Shakespeare and see it play out before them. As a lover of Thursday Next and her book jumping world this was super fun. Having a teen Hamlet interact with a modern teen really brings to light his angst and the family drama he has to endure. It’s easy to see how Shakespeare can be modernised because there are a lot of universal things and Selby getting to experience the plot points first hand is a great reminder that people have always been people even if you say it in a poetic form.

Spratt is quite emphatic and enthusiastic in her narration. Not unpleasant but it is funny why there was a need to be so emphatic about everything little thing. Seeing as it’s narrated by author I guess we can’t argue how enthusiastic she wanted to be on the reading. John Marsden’s retelling of Hamlet is one of my favourite retellings, and I love Shakespeare adaptations so while this is a tad enthusiastic (which I think won’t come across as intense in the book versus audio) it is a fun story. I love the mention that the play is four hours and the audiobook took three and a half. A great parallel.

Fast paced and light hearted it’s a quick read and one that might help the Shakespeare wary understand the universality and enduring nature of Shakespeare.

You can purchase Hamlet is Not Ok via the following

QBD |  Dymocks | Booktopia

Wordery |  Blackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

Fairest (#3.5) by Marissa Meyer

27 Mar 2025 Leave a comment

by Amy in 4 Stars, Audiobook, Fantasy, Young Adult Tags: , , , , , ,

Published: 27 January 2015 (print)/8 May 2017 (audio) Goodreads badge
Publisher: Feiwel & Friends/Bolinda Publishing Pty Ltd
Pages: 272/5 hrs and 33 mins
Narrator: Rebecca Soler
Format: Audiobook
Genre: Young Adult Fantasy
★   ★   ★   ★ – 4 Stars

In this stunning bridge book between Cress and Winter in the bestselling Lunar Chronicles, Queen Levana’s story is finally told.

Mirror, mirror on the wall,
Who is the fairest of them all?

Fans of the Lunar Chronicles know Queen Levana as a ruler who uses her “glamour” to gain power. But long before she crossed paths with Cinder, Scarlet, and Cress, Levana lived a very different story – a story that has never been told…until now.

This is a bridge book between Cress and Winter, books three and four in the Lunar Chronicles, and the story explores Levana’s childhood and how she became the ruler we know.

It was amazing to see her use of her powers and read about the normal Lunar life as natural and as every day. Given our only perspective before has been through Cinder and other character’s perspectives, it was great to be able to see the regular lives of Lunars and how their gift is used among the community. It also shows us how the events in her past affected who she’s become and all those references and secrets in the previous three books are answered and it was absolutely fabulous.

There is a hard line being balanced where you feel sorry for Levana and her life growing up, but at the same time you know that there are different paths she could have taken and different decisions being made. Narrative bias is also a key factor and it was intriguing to see Levana justify things to herself and how, while she is leaving out certain things, she does show the reader a darker side to herself, one that gives a glimpse at what she is truly capable and how the young girl in this story becomes the queen we see later on.

In showing us a younger Levana we also see a glimpse of the younger counterparts of other characters as well, those who lived in the palace with her. I enjoyed seeing the younger versions of the key characters, from babies to children and beyond. It wasn’t their story but through Levana’s perspective you can see how they circled her world and were in her life in different ways. This is also true for characters only mentioned such as Queen Channary or Winter’s father. It’s a great connection to the main books and connects the series together really well.

Levana is both a victim and a villain and having these conflicting emotions when we see such a one sided view of her previously was a bizarre feeling. Not to justify bad childhoods for being a terrible adult, but Meyer makes us see that there is a lot more to Levana’s story than it first appears and the trauma and pain she’s suffered were bound to have an effect on her one way or another.

The story is third person but Meyer gets us inside Levana’s head and we see everything she thinks and feels, a clever move on Meyer’s behalf. We’re able to see that she is shameless in her actions but she also shows a lot of passion and pride, even hopelessness and loss which are interesting choices. Ironically it humanises her and you see the malice within but also the girl starved of attention and love. I loved this story a lot, it was great to see the rise to power and the changes Levana makes, something we can see even as she edits herself and we can’t entirely trust her thoughts.

This definitely works to be read between books three and four, but it is something I came to after finishing the series and it gave me a reflective enjoyment about the events in Winter and the relationship Levana has with the characters I had fallen in love with.

You can purchase Fairest via the following

 Dymocks | Booktopia

Wordery |  Blackwell’s | Angus & Robertson

Fishpond | Amazon | Amazon Aust | Audible

 

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