The Inaugural Meeting of the Fairvale Ladies Book Club by Sophie Green

Published: 8th August 2017 (print) / 2nd January 2018 (audio)Goodreads badge
Publisher:
 Hachette Australia / W F Howes
Pages: 418 / 12 hrs and 44 mins
Narrator: Fiona Macleod
Format:
 Audio
Genre: Realistic Fiction/ Historical
★   ★   ★  – 3.5 Stars

Books bring them together – but friendship will transform all of their lives. Five very different women come together in the Northern Territory of the 1970s by an exceptional new Australian author

In 1978 the Northern Territory has begun to self-govern. Cyclone Tracy is a recent memory and telephones not yet a fixture on the cattle stations dominating the rugged outback. Life is hard and people are isolated. But they find ways to connect.

Sybil is the matriarch of Fairvale Station, run by her husband, Joe. Their eldest son, Lachlan, was Joe’s designated successor but he has left the Territory – for good. It is up to their second son, Ben, to take his brother’s place. But that doesn’t stop Sybil grieving the absence of her child.

With her oldest friend, Rita, now living in Alice Springs and working for the Royal Flying Doctor Service, and Ben’s English wife, Kate, finding it difficult to adjust to life at Fairvale, Sybil comes up with a way to give them all companionship and purpose: they all love to read, and she forms a book club.

Mother-of-three Sallyanne is invited to join them. Sallyanne dreams of a life far removed from the dusty town of Katherine where she lives with her difficult husband, Mick.

Completing the group is Della, who left Texas for Australia looking for adventure and work on the land.

Five different women united by one need: to overcome the vast distances of Australia’s Top End with friendship, tears, laughter, books and love.

I’m not sure what I was expecting from this book, but I know it wasn’t what I got. The title leads you to believe there is a bigger focus on the bookclub, but it is a small part really. It does kick start the events in the novel essentially. It brings together these five women and starts to interlock their lives over the next few years. So it does make sense if you think of it like that.

As a whole I enjoyed it. I liked the old fashioned rural aspect to it and in a way you forgot it was set in the 1970s. So much of it just spoke of country life and female friendships that the era was no barrier. When I remembered that it was set in the past it made me think a bit more about it. Green shows us what it was like on a farm back then, how isolating it was when there were no internet to connect properties to the outside world, when flying or driving for an hour got you to the nearest town and other human contact. Of course the same is true for rural properties now, but there is a lot of focus on how when the weather turned, you really could be cut off from the outside world for months with no news or contact.

The characters are what really drive this story. Each of their lives and the conflicts within them are the focus of the story and are what keep you reading; finding out if they’ll be ok, whether their anxieties will be relieved and how their lives will change through the course of their actions and the actions of others. Their friendship is inspiring and Green uses their bookclub catch ups to connect their stories and enhance these friendship connections further.

Green balances the story nicely between making it an easy read, and making it realistic. There are dramas and heartbreak, social issues and personal triumph and tragedy. It was warm and showed the importance and value of female friendships but had complexities and anguish as well. Crossing over multiple years helps explore these issues as well. Green jumps ahead in time, using the wet and dry seasons as a timeframe as a lot of the story takes place of Fairvale and often skipping over months. I liked that the story covers so much ground because it allows the story to be told properly, never really feeling drawn out or slow, and adding that realism factor and preventing Green from rushing any of the emotional journey to fit into a shorter timeframe.

One thing that stood out was that I did think it ended very abruptly. There was a sense of wrapping up and Green does impart a concluding style to her writing, but when it did end, I was a bit surprised. There are a few quick fixes and easy solutions which felt jarring and strange, often coming from nowhere and feeling out of place, even for the 1980s. It was also strange having gone through a whole book of well laid out storyline only to have a fast resolution it was a noticeable difference.

The historical connections are there with a list of key events for each passing year listed breaking up the novel, another thing that helps demonstrate the passing of time. But they play such a little part in the grand scheme of things that it was easy to forget that this was set in the past.

I’m glad I picked up this book even if I’m still in two minds about the level of my enjoyment. I think Green has done a wonderful thing with her writing because I could easily see this being a very literary novel but she has managed to keep it a normal story but weaving in dramas and that raise it above being a light hearted and fluffy read as well.

You can purchase The Inaugural Meeting of the Fairvale Ladies Book Club via the following

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Angus & Robertson | Dymocks

 Fishpond | QBD

The Seven Deaths of Evelyn Hardcastle by Stuart Turton

Published: 8th February 2018 (print) / 1st March 2018 (audio)Goodreads badge
Publisher:
 Raven Book / Bolinda/Audible
Pages: 512 / 16 hrs and 41 mins
Narrator: Jot Davies
Format:
 Audio
Genre: Historical/Crime
★   ★   ★   ★   ★  – 5 Stars

How do you stop a murder that’s already happened?

At a gala party thrown by her parents, Evelyn Hardcastle will be killed–again. She’s been murdered hundreds of times, and each day, Aiden Bishop is too late to save her. Doomed to repeat the same day over and over, Aiden’s only escape is to solve Evelyn Hardcastle’s murder and conquer the shadows of an enemy he struggles to even comprehend–but nothing and no one are quite what they seem.

Deeply atmospheric and ingeniously plotted, The Seven Deaths of Evelyn Hardcastle is a highly original debut that will appeal to fans of Kate Atkinson and Agatha Christie.

I loved this book. I loved that I was confused, intrigued, amazed, perplexed. I loved that my brain nearly short circuited as I tried to get my head around what I knew, what clues I should be picking up on, weaving together this story told in fractures and out of order and yet happening all at the same time.

Turton takes you on a journey unlike any before to help solve a mystery like you’ve never seen, I cannot believe this is his debut novel. What he has done is incredibly complicated but brilliant. It’s the desire of every detective to see everyone’s perspective of the moments before a murder and with a mystery and a loop trapping the participants, it is the opportune moment to piece together clues and motives. Don’t let the 500 pages daunt you, it’s an intricately woven puzzle that makes use of the space and has the feel of an old fashion mystery, information obtained through observing and questioning, lurking and snooping, and secret meetings in the library.

I loved the loop. I love anything that has a loop factor. Turton plays with this notion creatively and in an odd way it reminds me of playing a computer game and playing the same levels over and over. The first time around you don’t pick the fruit from the tree and you go on but fail. The second time you pick the fruit and can trade it for information with a villager. Turton has done an exceptionally clever job piecing this together so that the reader has no idea what is going on just like our narrator, but as he learns, we learn and it allows us to start piecing together our own theories and suspect lists.

The benefits of knowing how much longer there is in this book is you are almost giddy with anticipation at what could possibly be left to happen. There is even a moment when you think it’s finally solved but there are 3 hours left on the audiobook and then all hell breaks loose again. It’s divine! I listened to this riveted to my seat, unable to do anything else much because I was captured by this story. I couldn’t even try and figure anything out until a moment before I was told I was wrong because of the beautiful chaos and complexities and intricacies that are seamlessly making up this story that here’s no time to do anything except listen dutifully in astonishment.

Turton makes use of every one of these 500 pages and right up until the final moment there is perfect pacing that is just the right speed and intensity that the scene or the character needed. You could feel what these characters felt, you understood who they were. The ongoing stress and impact of these loops is shown believably and cleverly within the novel in a way that affects the story, it can’t even just be an inconsequential act, Turton makes sure every act that is taken has meaning and an affect somewhere within this house and for its occupants.

I basically stopped doing anything so I could focus on this story, I listened with intensity for the final third of the book unable to stop listening such was the fascination I had developed. I have never read anything quite like this before, similar stories exist for sure, but what Turton has done, mixing these styles together is genius and unique and I loved every second of it. I genuinely cannot believe this is a debut novel and I certainly wait with anticipation what Turton will come up with next.

You can purchase The Seven Deaths of Evelyn Hardcastle via the following

Booktopia | Book Depository | Audible

Amazon | Amazon Aust | Wordery

Angus & Robertson | Dymocks

 Fishpond | QBD

Ready Player One by Ernest Cline

Published: 16th August 2011 (print) / 5th April 2012 (audio)Goodreads badge
Publisher:
 Crown Publishers / Random House AudioBooks
Pages: 374 / 15 hrs and 40 mins
Narrator: Wil Wheaton
Format:
 Paperback/Audio
Genre: Science Fiction/Dystopia
★   ★   ★   ★   ★  – 5 Stars

In the year 2045, reality is an ugly place. The only time teenage Wade Watts really feels alive is when he’s jacked into the virtual utopia known as the OASIS. Wade’s devoted his life to studying the puzzles hidden within this world’s digital confines, puzzles that are based on their creator’s obsession with the pop culture of decades past and that promise massive power and fortune to whoever can unlock them. When Wade stumbles upon the first clue, he finds himself beset by players willing to kill to take this ultimate prize. The race is on, and if Wade’s going to survive, he’ll have to win—and confront the real world he’s always been so desperate to escape. 

I loved this story. I loved that Wade was able to geek out about his love of videos games and it was a widely supported thing. I also loved how Cline brilliantly and so creatively managed to combine popular culture and video games with a futuristic dystopian setting while also making it feel so retro at the same time.

It was a good move on Cline’s part to establish that Wade was obsessed with all things 80s. It made sense in terms of Halliday and it helped include as many references as possible without needing to explain it to the readers too much. Knowing Wade is the kind of stickler for details and knowing so much, it also made sense to have so many references about every song that plays or game that’s mentioned. The moments of convenience where Wade knows what something is to tell us, the uninformed reader, doesn’t come across as unbelievable because it has been long proven that Wade knows obscure details and is proud of it.

The world and future Cline has created sounds both amazing, terrifying, and also pretty much believable. The detail he included is astounding because so often it doesn’t mean anything but it expands on the OASIS universe or real society just that little bit more. I loved that when Wade was logged into the OASIS you felt like you too were immersed inside the virtual reality and I could easily imagine every move he made inside the system. Cline’s writing explains the futuristic dystopian world wonderfully and creates a vivid image of that society is like at both ends and across the country and how it connects naturally with the OASIS system.

There is everything to love about this book if you like the 80s, or are a fan of videogames. The 80s references are abundant, and the joy in reliving movies and games from a less technological time is brilliant. It gave me a great appreciation of how far videos games have come, even if a few of them were fabricated the familiar concept was there; creating avatars, inventories and points, not to mention the solving of riddles and treasure hunts. The other retro joy was remembering arcade games and seeing familiar games in the spotlight again.

The 2045 setting allowed Cline to take from both worlds, not so far in the future that a focus and having believable knowledge and access to 20th century media wasn’t possible, but also far enough ahead that based on current technology and gaming trends, it is also highly believable that we could get to that stage with minds like Halliday at the helm.

There are a myriad of surprises in this book, you never know what to expect because you don’t know what kind of world Cline has created and when anything is possible inside virtual reality, anything is possible. What I found interesting was that I actually found this quite believable. I could see that if such a system existed that there would be those who would try and monetise it and make it more exclusive. I could also see that when there is a mass fortune on the line people can get desperate.

Cline’s imagination is astounding. He has created a world and a virtual world that brings together so many vast and obscure references that even though I knew only a few, I still loved that they were there. I had so much trust in him that these games and characters existed I didn’t even question it. This is just one of the reasons I loved this book. It is so clever, and the OASIS is such a fantastic world that the inside jokes and references make it a better experience, and the excitement Wade has as he hunts for the egg is shared by the reader. Well, this reader anyway.

It’s not just the references or the structure, the characters he has put into this world make all the difference as well. The development and understanding of online relationships is wonderful and I found myself wishing that such a system like OASIS existed because it sounds amazing. Wade’s online connections as Parzival with Art3mis, Aech, and all the other online avatars demonstrates a great community and allows Cline to show off more of this amazing OASIS that he has created and allows him to show more sides of its functions, away from just hunting for the egg.

I listened to both the audiobook and read the physical book. The audio was read by Wil Wheaton and he did a great job. It was especially more enjoyable because Wil himself is mentioned in the book as well as multiple Star Trek references.  I like to think that even if you didn’t like or play video games or even if you don’t like or understand a lot of the references you would still enjoy this book. It has mystery and suspense, and there are twists and turns and surprises that make it an engaging read. Like a video game there are battles and side quests, and there are levels that you must go through even if you don’t realise it when you read. An important part too is that Cline keeps the timeline realistic, understanding that with all puzzles there can be short bursts and long waits, and Cline fits his story into this mould perfectly.

I think I could go on about this book forever but I won’t. I urge you to read it if it’s something you think you would like, even if you don’t think you will give it a go. It’s an adventure and a mystery and it’s dystopia all in one.

You can purchase Ready Player One via the following

Booktopia | Book Depository

QBD | Fishpond | Dymocks

Amazon | Amazon Aust | Audible

Angus & Robertson | Wordery

The Book Thief by Markus Zusak

Published: 14th March 2006 (print) / 15 June 2012 (audio)Goodreads badge
Publisher:
 Alfred A. Knopf / ABC Audio
Pages: 552 / 14 hours 22 minutes
Narrator: Dennis Olsen
Format:
 Audio
Genre: Historical YA
★   ★   ★   ★  – 4 Stars

It is 1939. Nazi Germany. The country is holding its breath. Death has never been busier, and will be busier still.

By her brother’s graveside, Liesel’s life is changed when she picks up a single object, partially hidden in the snow. It is The Gravedigger’s Handbook, left behind there by accident, and it is her first act of book thievery. So begins a love affair with books and words, as Liesel, with the help of her accordian-playing foster father, learns to read. Soon she is stealing books from Nazi book-burnings, the mayor’s wife’s library, wherever there are books to be found.

But these are dangerous times. When Liesel’s foster family hides a Jew in their basement, Liesel’s world is both opened up, and closed down.

I’m glad I finally got a chance to read this, it has been on my list for a very long time and thankfully it didn’t disappoint. There were some adjustments to make with the audio format, it took a lot of getting used to, but at the heart of it, it’s a beautiful story.

Zusak’s approach to the story is quite unique. I loved the narrator and I loved how the story jumped around in time, always connecting back to things with a seamlessness. I actually kind of liked that some parts were spoiled early on, it made me think that if key spoilers were going to be announced in the first few chapters, whatever secrets that were kept must have been even bigger. Little did I know that Zusak’s plan was to ruin you in a completely different way with words that crush you and emotions that sneak up on you when you thought you were safe.

There are so many components that bring this book together: the characters work together with the history, and their environment brings it all together perfectly. Zusak’s blunt in some ways, but can weave a descriptive sentence in other ways as well. In a conflicting situation, I both loved and hate the side notes. I liked that they were like small information snippets or opinions from the narrator that provided more information to the reader and it gave it a nice aspect of being like footnotes while you read. The problem with them though is they didn’t translate to audio very well. Not that they couldn’t have, just that they weren’t done very well in this instance. Olsen does a fine job with the audio, but the sidenotes are told in hushed tones, something that is very hard to hear sometimes. It also made me realise I’m not a fan of accordion music.

Another thing I loved was that Zusak doesn’t shy away from harsh realities. He brings out the strain and the tension of Hitler’s Germany, as well as the pressure to conform and the consequences if you don’t. Zusak manages to explore a wide range of the social and political climates through his characters without it feeling like they are being forced into situations in order to explain things. There was no sense of Forrest Gump where all the important things happen to be connected to the characters, and yet with the structure Zusak has created, there is always a natural way to get all the information across and bring the main characters into the story.

I did think it was a bit long. I get that it is meant to be an ongoing story that builds up gradually over the course of the war, but my halfway I was a bit tired. I still enjoyed the story, but I was surprised that I was only half way. In a way it made sense not to rush it, there is a lot of power in a slow story that sinks its teeth into you and makes even the smallest action weigh heavy by the end of the book, especially over the course of a war. Of course I got my second wind and by the time I got to the end I’d gotten back into the swing of the story and Zusak brings this epic journey to a brilliant end. It’s poignant, heartbreaking, and for all the warning you get through the entire book, Zusak still manages to punch you in the heart.

You can purchase The Book Thief via the following

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Stardust by Neil Gaiman

Published: October 1st 1998 (print) / 1 May 2017 (audio)Goodreads badge
Publisher:
 Harper Perennial / Bolinda / BBC audio
Pages: 248 / 2 hours 32 minutes
Narrator: Eleanor Bron
Format:
 Audio
Genre: Fantasy
★   ★   ★   ★  – 4 Stars

Life moves at a leisurely pace in the tiny town of Wall—named after the imposing stone barrier which separates the town from a grassy meadow. Here, young Tristran Thorn has lost his heart to the beautiful Victoria Forester and for the coveted prize of her hand, Tristran vows to retrieve a fallen star and deliver it to his beloved. It is an oath that sends him over the ancient wall and into a world that is dangerous and strange beyond imagining…

I had watched the movie years before I even knew it was a book, and was glad enough time had passed that I didn’t remember it so I couldn’t compare the two. I listened to this as an audiobook too which was actually a full-cast dramatization from the BBC. That made it a really great experience, aside from the fact they get a bit too detailed and you have to listen to people talk while they’re eating and drinking which for me was super uncomfortable to listen to. The cast did a great job telling the story. It had great voice casting as well as accompanying soundtrack and sound effects. It was a little something extra than a normal audiobook experience.

One thing I found really interesting about this is that it felt like a short story, even though it was a full novel. The whole book had this duel sense to it, it had a simple premise but it felt full whilst reading it, and it felt substantial even when it wasn’t an overly busy plot.

Tristran is naïve in a way, he is in love which makes him idealistic. He doesn’t pick up on cues from Victoria about her lesser interest in him and he is determined to win her heart. On his quest to find the fallen star we see his good nature shine, and we become involved with his story and worry for his safety because there is no telling where this story might go. The unexpected and the cruel happen much like any fairytale story, but there is still a sense of good shining through.

The thing I love about magic is how the rules can be interpreted and how the regular rules of the universe don’t work. I loved the way Gaiman told this story, I loved how magic is used and how the rules of the magical world play out in the human one in different ways. There are twists and turns and for a simple find and recover story, there are intricate subplots happening that intertwine and connect, even when you don’t realise it. This is where Gaiman is good at his storytelling, creating a story that captivates you and pulls you in, without making it needlessly complicated or grand, yet still providing substance and beauty.

One thing which I both enjoyed and was a bit struck by, was the ending. It is great certainly, but it does end rather abruptly. You get a satisfactory ending for the story that’s told, but I feel like more could have been said just to round off the edges better instead of cutting it so sharply. But that may be the way of the fairy tale Gaiman was trying to tell.

When I finished I did sit down with the intention to rewatch the movie, but from the first instance I saw the differences I turned it off. Even if it was a decent adaptation, one of the things I loved most about the book was changed in the movie and I chose to preserve that memory instead. The way Gaiman uses magic was some of the best parts and when that didn’t translate I chose to not continue, though I’m sure it was a decent movie, it was more a personal choice than that it was a poor adaptation.

You can purchase Stardust via the following

Dymocks | Booktopia

Book Depository | QBD

Amazon | Amazon Aust

Fishpond | Wordery | Angus & Robertson

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