#AussieYAChallenge 2025

The Aussie YA Challenge is a challenge created by Amy at Lost in a Good Book as an attempt to read more Australian young adult novels.

As part of my goals I am putting some determination (and public guilt and accountability) into my challenge and I am hoping to be a little better this year. Based on my previous challenges I expect each year I will be a bit better at planning and reading and organising so this year will be an improvement on my first I’m sure.

Despite the chaos of last year and scraping through my goal of a measly 12 books out of my 80+ read being Aussie YA, I am diving right back in and selecting the Nix level again. Whoo! 12 months 12 books.

I am hoping to hit the ground running because the usual dip mid to late year will get in the way, the other option is to try and stick to the one a month plan which could go either way in terms of success.

I am excited to explore more YA books, especially some of the older ones on my shelf I have gazed lovingly at for years and yet to pick up. Hopefully even find some new authors to fall in love with. One can only hope!

If you are interested in participating head to the #AussieYAChallenge page and join up.

 

 

#AussieYAChallenge 2024 Wrap Up

Well.

I don’t know who lets me have these grand ideas but as we tick down the final hours or 2024 I managed to pull off some kind of miracle. The past few days I frantically tried to meet my (personally chosen and completely voluntary) goal of reading 12 #LoveOzYA books this year and I have snuck in before the final strike of midnight. Yay!

Like most of my grand plans, I started off well, dipped in the middle, got angry at myself for my inability to maintain my plans despite the want and desire still being there, and then managing to stress out and make sure I met these (again, arbitrary, completely voluntary, self-inflicted, no consequence) goals.

It feels like an ongoing cop out, but I putting some blame on the fact there are so few Aussie YA books made into audiobooks. Even with the brief consideration of signing up for audible I couldn’t find any on there worth my time that I couldn’t get through the free library apps. The second blame lays entirely on the fact at somehow, in an entire year, I couldn’t make time to sit and read a single book and do nothing else? I felt like time was being wasted if I only read, I couldn’t read and do laundry, read and drive, read and walk the dog. That I think is one thing I will seriously have to work on next year because that doesn’t sound healthy if we study that too closely.

But enough lamenting, we’re here to celebrate the first annual Lost in a Good Book award for outstanding achievement in the field of reading challenges! I know readers like thebookmuse and jess64au on StoryGraph met their achievements which is amazing, especially considering I thought this was going to be a solo venture. I know a couple other people dropped off but I am still eternally grateful they were keen enough to give it a shot in the first place. I was a bit slack on the promotional aspect and I know I didn’t keep up with my tagging and reviewing but for a first year I am quietly pleased I pulled it off. Onto greater success next year!

I read some great Aussie YA this year. Two of which were set at university, and two were at the lower end with a 14 year old character and a 13 year old character. It was refreshing to see a different side of young life that wasn’t the mid teens which is often so prevalent. Some of the books I read have even made it onto my Top Five of 2024 list.

I read a lot of authors I hadn’t heard of, some that had been on my TBR list ages, and some lesser known books that were quietly waiting my discovery. The full list of what I read is below but I love that doing this challenge made me track down these books. Of course there are lists every year about new and upcoming books, the fantastic #LoveOzYA team promote new releases, themed books, and old favourites all the time. But having to discover Aussie YA on various library apps and diving right in because I have a goal to meet and it was available in a format I could handle honestly hasn’t been the worst way to read.

I also managed to complete a small related side quest and finished the Read 24 YA stories in 2024 Challenge on StoryGraph. Depressingly a lot easier without the Australian restriction in terms of audiobooks and in the end I exceeded that too (reading a couple series definitely helped I think), and I am most certainly going to challenge myself to that one again as well.

I plan to review these books if I haven’t posted them already, so look for those through the next few months. I am also keen to dive right back in 1st January and get a head start on next year’s challenge. I cannot wait to see what amazing stories I discover. I will be putting up a whole new 2025 Aussie YA Challenge post so keep an eye out for that if you’re keen to join but for now these are the books that I read for my Aussie YA Challenge this year!

Aussie YA Challenge – Garth Nix level

Hamlet is Not Ok by R. A. Spratt

Points of Departure by Emily O’Beirne

Unnecessary Drama by Nina Kenwood

My Family and Other Suspects by Kate Emery

The Quiet and the Loud by Helena Fox

It Sounded Better in My Head by Nina Kenwood

The Pause by John Larkin

Untidy Towns by Kate O’Donnell

My Lovely Frankie by Judith Clarke

As Happy As Here by Jane Godwin

Josie Robs and Bank and Other Stories by Gabrielle Reid

Can’t Say it Went to Plan by Gabrielle Tozer

The Way I Used to Be (#1) by Amber Smith

Published: 22 March 2016 (print)/23 May 2023 (audio) Goodreads badge
Publisher:
Margaret K. McElderry Books/Spotify Books
Pages: 385/9 hrs and 36 mins
Narrator: Rebekkah Ross
Format: Audiobook
Genre: Young Adult
★   ★   – 2.5 Stars

Eden was always good at being good. Starting high school didn’t change who she was. But the night her brother’s best friend rapes her, Eden’s world capsizes.

What was once simple, is now complex. What Eden once loved—who she once loved—she now hates. What she thought she knew to be true, is now lies. Nothing makes sense anymore, and she knows she’s supposed to tell someone what happened but she can’t. So she buries it instead. And she buries the way she used to be.

Told in four parts—freshman, sophomore, junior, and senior year—this provocative debut reveals the deep cuts of trauma. But it also demonstrates one young woman’s strength as she navigates the disappointment and unbearable pains of adolescence, of first love and first heartbreak, of friendships broken and rebuilt, all while learning to embrace the power of survival she never knew she had hidden within her heart. 

I know this is supposed to be about the emotional impact of trauma and it is. But as much as I tried to appreciate the story it was telling me I couldn’t get into it. It has been compared to Speak, and I think Speak was more impactful, but at the same time there is no one way to experience trauma and react to trauma so it’s also not a fair comparison.

Smith captures characters well with little effort. We understand exactly who Eden’s mother is early on, as well as her father. But living inside Eden’s head we see how trapped she is, and how the want to be asked or seen is like a burning flame no one is paying attention to. Starting at a young age it’s easy to see why she is voiceless, unable to even begin to process what has happened to her. The reveals through the novel are aptly timed and it’s interesting to see the changes made as each new year passes.

With such a sensitive topic it feels wrong somehow to say I got bored reading this. Smith jumps through four years remarkably well, we don’t have to read about every passing day and the jumps are a great way to see how time has changed Eden and those around her. It also helps you avoid having to fill in the blanks around conversations and answer questions that may come up. I had a lot of questions and how some things were feasible, but it is never addressed and time jumps miss a lot so it’s easy not to think about.

One thing I found, and it’s my own fault for continuing to read American YA, they are obsessed with always deeply setting them in a school to the small details. It’s 2024, and while this book was published in 2016, have schools in the States still not grown out of the class system at school of jocks and nerds, the weird kids and the ostracised? Everyone regulated to their own table, never shall they cross, and we will pick on you in the cafeteria for being different? Maybe if you didn’t all eat in one room you could sit away from the tormenting kids. Get some Vitamin D and maybe you’ll calm down. It’s sad in a way if the experiences are still like what the 80s movies always depicted. They wouldn’t keep putting it in books if it was relatable to someone’s life, right? It kicks off key plot points but it’s a tired trope but one I’m starting to think is still incredibly realistic.

What annoyed me most about this book is at the very end, the very final few chapters Smith managed to get me intrigued about the sequel. After putting up with the story, I now have to decide if I want to see what happens next. It isn’t that that we shouldn’t hear stories like Eden’s, far from it. It’s how such an emotional and empowering story managed to feel boring and unengaging. I persevered because you want to see where Eden’s going to end up, how she is going to tackle this through her developmental years and the impact it will have on those around her. I read enough into things myself to add insights. You can implant how she has denied her trauma because she was too young to understand, how she has embraced her rumours, or how she reacts to her trauma without even knowing about it. I only wish I had loved the story more because I think it is important.

The ending gave it the extra half star and I think the half star might get me to read the sequel.

You can purchase The Way I Used to Be via the following

QBD | Booktopia

WorderyAngus and Robinson | Blackwell’s

 Fishpond | Amazon | Amazon Aust | Audible

If It Makes You Happy by Claire Kann

Published: 04 June 2019 (print)/2021 (audio) Goodreads badge
Publisher:
Swoon Reads/Spotify Audio
Pages: 352/9 hrs and 48 mins
Narrator: Caroline Sorunke
Format: Audiobook
Genre: Young Adult Contemporary
★   ★   ★ – 3 Stars

Winnie is living her best fat girl life and is on her way to the best place on earth. No, not Disneyland–her Granny’s diner, Goldeen’s, in the small town of Misty Haven. While there, she works in her fabulous 50’s inspired uniform, twirling around the diner floor and earning an obscene amount of tips. With her family and ungirlfriend at her side, she has everything she needs for one last perfect summer before starting college in the fall.

 …until she becomes Misty Haven’s Summer Queen in a highly anticipated matchmaking tradition that she wants absolutely nothing to do with.

 Newly crowned, Winnie is forced to take centre stage in photoshoots and a never-ending list of community royal engagements. Almost immediately, she discovers that she’s deathly afraid of it all: the spotlight, the obligations, and the way her Merry Haven Summer King, wears his heart, humour, and honesty on his sleeve.

 Stripped of Goldeen’s protective bubble, to salvage her summer Winnie must conquer her fears, defy expectations, and be the best Winnie she knows she can be–regardless of what anyone else thinks of her.

I almost gave up on this book quite early on. It was uninteresting and I wasn’t connecting to these characters or their weird small town celebration. It is one of those small town beauty pageants that is revered to only those in the town limits. Puddin’ had something similar which was also just as strange.

I persisted because I wanted to see the diversity rep, it had appeared on a few lists and I was reading it as a box ticker instead of any real interest in the plot. Thankfully it got better by the halfway point, by then you get to know the characters and could work around the weird stuff and pick out some good moments.

I liked Winnie, and I liked her opinions and her fight against injustice. The weird pageant isn’t as big of a plot point as I thought it would be which made it better. I zoned out on a few bits but it didn’t impact the plot or my understanding.

It is a great book for representation because it covers a lot of different experiences. Winnie is queer, kinda bi, kinda pan, but queer easily covers it. Despite armed with this knowledge I’m still not entirely sure what the deal is with Cara. There is mention of a queer platonic relationship which is fantastic, and she has been pegged as aromatic but it is vague within the story. Again, unspecified is totally fine, there doesn’t need to be neon signs and labels pointing everything out to a reader, but sometimes it is nice having things confirmed. I think the implications are enough to go on though, especially given Kann’s history of writing LGBTQIA rep.

Around the strong opinions and the personal strife the story does get boring again but you power through. There’s generational issues to explore plus there are good, serious, and honest conversations between friends and family members which is a nice change from unrealistically avoiding conversations for plot tension.

Overall it’s slow, it’s a bit boring, but I can see it is important and Winnie is a good character to tell the story. Sorunke is a decent narrator and brought Winnie’s voice to life. I liked that the ending wasn’t a perfect happily ever after. It felt real, and it felt hopeful, which is all you could ask for really.

You can purchase If It Makes You Happy via the following

QBDDymocks | Booktopia

WorderyBlackwell’s | Angus & Robertson

 Fishpond | Amazon | Amazon Aust | Audible

Long Lost Review: Speak by Laurie Halse Anderson

Long Lost Reviews is a monthly meme created by Ally over at Ally’s Appraisals which is posted on the second Thursday of every month. The aim is to start tackling your review backlog. Whether it’s an in-depth analysis of how it affected your life, one sentence stating that you only remember the ending, or that you have no recollection of reading the book at all. 

Published: 01 April 2001Goodreads badge
Publisher:
Puffin
Pages: 202
Format: Paperback
Genre: Young Adult
★   ★   ★ – 3 Stars

The first ten lies they tell you in high school.

“Speak up for yourself—we want to know what you have to say.”

From the first moment of her freshman year at Merryweather High, Melinda knows this is a big fat lie, part of the nonsense of high school. She is friendless, outcast, because she busted an end-of-summer party by calling the cops, so now nobody will talk to her, let alone listen to her.

As time passes, she becomes increasingly isolated and practically stops talking altogether. Only her art class offers any solace, and it is through her work on an art project that she is finally able to face what really happened at that terrible party.

This book is revered and I enjoyed it when read it in 2017. I never got around to writing a review though. Not for lack of want, but time got away from me and then I didn’t have many notes to be able to give it a proper analysis, only the memory of a few scenes and the feeling it was impactful and important. Looking at my rating I only gave it three stars which isn’t terrible, but I was surprised given how impactful I remember some scenes being. Though a few great scenes mean little when I can’t remember a lot of the rest of the book.

What I do know is I really resonated with Melinda. I understood her, I understood her silence, and art was a great form of expression for her. You understand as you read what has happened, you piece it together and even though you know, you’re compelled to keep reading.

It definitely doesn’t escape you that this is an important book, and Halse Anderson has done a fantastic job at telling it from Melinda’s experience. We are shown so much more than we are told but shown so beautifully it’s basically spelled out on the page. Certainly from 1999 it was groundbreaking book and even now it’s been released as a graphic novel so Melinda can share her experience with a new audience.

It’s only short but packs a punch. Ironically writing this Long Lost Review might make me reread it again and understand why I gave it a three star rating. I feel a lot of the rest of the book was the usual US American high school stuff that feels unnatural and unrealistic (whether that’s true or not it’s how I feel sometimes reading it). I might pick up the graphic novel and see, or revisit the book and give it another chance.

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